Whether you’re a horror buff or not, you should seriously consider watching Oculus on the big screen. It’s a really fun film with a lot of aural and visual style, and that means all the aesthetics, and not just Karen Gillan.

Although the film is action-packed, the special effects are rather cheap and the set design comes across as too artificial to digest. It doesn’t help that every single plot point in the film is predictable and uninteresting. The dialogues are unintentionally funny, as is the serious nature of the actors in silly costumes. It just doesn’t work, and it’s a shame because Woodley deserves a better franchise than this.

It’s all very predictable for sure, but the jokes come thick and fast and there’s so much energy in the film it’s difficult to dislike any of the proceedings. The sequel is aimed squarely at kids and one can’t fault the filmmakers or the film for that. Adults might find the movie simplistic or dumbed down, but even they won’t be able to deny the beautifully detailed animation, even though it is presented in 3D. It’s harmless, escapist fun, and it’ll surely be a bigger hit on DVD.

The film is very good, and Marvel’s confidence proves it – they’re unwilling to move the release date of the third film, which coincides with the Batman-Superman movie. It’s Marvel vs DC, and after watching this movie, I can confirm that Marvel is winning. So bring it on.

It does pander to the Christian audiences more than the average existentialist Aronofsky fan. It’s a mainstream film, for mainstream audiences, with mainstream actors. It’ll be your own fault if you expect anything remotely different or edgy from the movie. Don’t blame Aronofsky for trying something commercial – he’s crossed over fairly well, and you’ll enjoy the movie for what it is.

The whodunit loses its mystery within the first twenty minutes, and you’re just left twiddling your thumbs, waiting for the inevitable to happen. The one thing Sabotage gets right is the gore – every murder is grisly and they are the only moments where the film actually caters to its target audience.

It’s a lot of fun for kids, and there are a few jokes for adults to cherish as well. In short, it’s for everyone, and only someone without a functioning heart would dislike the film. So go watch it.

…does differentiate itself pretty well from the Fast and Furious movies. The latter actually borrowed heavily from NFS Underground but this movie uses real cars even in the crashes and big stunts to look more visceral. There are a couple of saucy action scenes, and the final race is fun. If only the film were a bit self-aware, or at least humorous to keep itself entertaining.

As a result, a rare, powerful story of how a young girl was able to get justice for herself has been turned into a film that tries to cash in on India’s surging interest in women’s rights and violence against women. Lakshmi is a hero to lakhs of distraught women across the country. She deserves a well-made film; not manipulative, awfully directed, woefully shot, soulless tripe.

After a great start to the year with a string of good films, the honeymoon has finally ended. Ragini MMS 2 reminds you that Bollywood still is a stinker conveyor belt. Why someone needs to sully the face of horror cinema and churn out such awful films is a question best left for folks smarter than me. You have no one but yourselves to blame if the words ‘One ticket for Ragini MMS 2’ exit your mouth.