• The post-credit scenes in Far From Home are absolutely show-stopping, shining an exciting light beam on the next phase of the MCU. As long as Marvel Studios President Kevin Feige understands that superhero fatigue is a very real threat, the MCU is in good hands.

  • Hellboy needed to settle down and focus; it’s what makes the audience invest in the content, but the director goes for the cram-everything-in-the-folder-and-shove-the-folder-down-our-throats approach.

  • Tim Burton’s remake is let down by a complicated screenplay, lack of emotional heft

  • The Crimes of Grindelwald movie review — A recycled, unambitious affair…

  • …this is a harmless film and at a run-time of just 80 minutes, it breezes by anchored by its kinetic energy. And if you like Pharrell, you’ll find comfort in his voice as the narrator, even though none of the side characters, or even the Grinch himself is noteworthy in any big way. If you’re looking for a more interesting old-timey Christmas based movie, you’re better off firing up the DVD of Robert Zemeckis’ A Christmas Carol instead.

  • Tom Hardy’s charisma can’t make up for predictable narrative, unimpressive action sequences…

  • Ironically, this film is based on a successful book series and was made in the hopes of starting a franchise. I can’t recall any other franchise starter so dead on arrival that its own stars bash it in the media. You’re better off being eaten by an actual shark than subjecting yourself to this cinematic guano.

  • This is a rare film that makes the first Jurassic World seem like the first Jurassic Park in terms of quality, which is a huge bummer since it’s directed by JA Bayona who is one of the best working filmmakers out there.

  • Goggins is the only bright spark here, channeling a little bit of Vaas from Far Cry, but his villain is too stereotypically written to care much. The search for the genuinely good video game adaptation continues, and you’re better off playing the Tomb Raider game at home rather than expecting something decent from this film.

  • Director Francis Lawrence burst onto the scene with interesting titles like Constantine and I am Legend a decade ago — it’s disappointing to see him tackle insipid stuff like the Hunger Games movies and now Red Sparrow.

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