• This script has certainly been written with love. It helps that both Dhawan and Sharma are in top form. Yet, the tempo drops in the second half. The drama runs thin, and outlandish plots that see artisans turn into fashion designers raise many eyebrows. The unimpressive climax is disjointed, a far cry from the tone the film carried up until then. Despite its rousing moments, the film leaves you feeling unfulfilled.

  • Your Dose Of Smiles And Tears…Viewers are instantly sucked into the rustic milieu and volatile world of Champa and Genda Kumari

  • Few glaring hiccups in an otherwise watchable and frankly, very enjoyable film. Just don’t hope for a warts-and-all biopic…

  • For most part, the film will put a smile on your faces. Something about it makes you forget that there’s a sum total of two dishes, which feature in a loop here. Thankfully, Chef is pleasant while it lasts. And for everything else, there’s Masterchef.

  • A tighter second half, fewer songs and a less hurried ending would have made Simran a watch for keeps.

    But there’s more reason to celebrate Simran than diss it. The quirky perspective at finding laughs in troubled times is a refreshing way of viewing problems. And then there’s Kangana, making badass look simple, human and so full of heart.

  • Erskine paints a palpable picture of Tendulkar, gently revealing his psyche through the lulls in his life, expressing his excitement when the time was good, and how the cricketer sought solace in music, vada pav and the almighty. His teammates play strong supporting roles as the film climaxes with the momentous 2011 World Cup win, and his stirring retirement speech. What you’ll watch in theatres is not just another movie. It’s India’s biggest success story, that of a curly mopped kid conquering the nation’s heart.

  • For those who have a taste in adult comedies, Great Grand Masti is a fun weekend watch and one of the better ones we’ve seen this year. Go guffaw!

  • Even though Dhanak stays mysterious till its last scene, it gets too repetitive to hold your interest. Its soulful music, heartfelt style of narration and of course, delightful kids can’t make this half-baked story soar.

  • You don’t particularly buy the human drama at the center of this film but Wan doesn’t let you ponder over the flaws. He keeps the mood tense, the jumps frequent and the ambience unnerving. Even with its glitches, The Conjuring 2 gets one thing right; it scares the hell out of you.

  • Though it is commendable that a British film has taken a rather pragmatic, matured and non religious stand on euthanasia, it is a shame that the film never delves deeper into the debate or makes a convincing case in its favour. Me Before You gets busy whipping up a tragic tale instead of making a point about the delicate issue.

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