Rock The Kasbah tries many things without any sense of history, geography or, less ambitiously, irony. The furthest Rock The Kasbah gets towards stirring anything is Murray’s thinning hair.

Little makes sense in this visually rich film from that director of the horror Crimson Peak excess Guillermo del Toro, that has ideas as wispy thin as the ghost — or is it ghosts? — that populates it.

…the politics comes with dollops of morality and sweet sentimentality, all coming together in the person of — yes — Tom Hanks.

‘Sicario’, which means hitman, would suffer if Emily Blunt wasn’t playing that role. But it also suffers for putting her there, as the outsider in a film with few people without blood on their hands.

Glee is the underlying narrative of from this surprisingly optimistic space tale the director who gave us Alien. ‘Man stranded on Mars’ is just the setting.

Shorn of the tension of being locked in, The Scorch Trials is just one long dash through a series of similar landscapes and awefully tiring zombies.

The only time the movie shows some originality is when Ben leads three other staff members to break into Jules’s mother’s home to delete a mail from her mother’s inbox that she sent unintentionally.

Covering the events between 1975 and 1992, the movie is essentially about FBI’s arrangement with Depp’s character that was only used by the latter to further his criminal run.

After watching ‘Pawn Sacrifice’, the game, that involves kings, queens, knights and bishops, but essentially two players poring over a small table, will never look the same again.

The film is shot beautifully, and in 3D, the dips and highs of the glorious peak are eminently watchable.