• What works for the film is how unhinged Kroc is and the way he is presented as a straightforward asshole. There is absolutely no gray area at all – Kroc is the very definition of an opportunist spineless businessman as we go through a series of montages containing his rapid-fire business dealings.

  • BookMyShow Team
    BookMyShow Team
    BookMyShow

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    The ending feels a bit rushed as everything wraps up a bit too soon. But as the credits roll, with Ray Kroc’s voice delivering a speech over soft music, you leave feeling more insightful about the billion-dollar corporation. 

  • Uday Bhatia
    Uday Bhatia
    LiveMint

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    John Lee Hancock’s film is tougher on its subject than I expected it to be; Kroc is shown neglecting his wife, dumping her once he’s successful, manoeuvring the franchise out of the hands of the hapless Mac and Dick. Yet, even this hard-nosed opportunism is presented as a kind of ode to capitalism and straight-talking American gumption. When Kroc first lays eyes on the golden arches, he gazes up at them in awe. We get the McVision, without the McIrony.

  • The minutiae of the fast food business is explained and then extolled. At times, the film resembles a deftly made piece of advertising, with an end scroll helpfully telling audiences that McDonald’s feeds 1% of the world’s population every day. The resemblance to a corporate video becomes complete when actual footage from the McDonald’s archives is used to depict the corporation’s global march.