Nana Patekar fans will enjoy his purposefully eccentric, casually ruthless cop but honestly, it felt like déjà vu to me.

Formulaic horror tropes – mist, screeching doors, books that fall by themselves and blaring background music that insists that you be scared.

Chalo Dilli strains hard to be uplifting and poignant but it doesn’t quite make it. I’m going with two stars.

Dum Maro Dum could have been so much more.

Debutant director Mrighdeep Singh Lamba strains hard to make you laugh – Teen Thay Bhai includes everything from fart jokes to a purposefully loud Ram Leela – but I barely smiled. I’m going with one and a half star.

I can assure you that my ego was not boosted. In fact my brains were battered to pulp and my eardrums are still recovering from Pritam’s cacophonous sound-track. I’m going with one and a half star.

Stray bits of F.A.L.T.U feel sincere but the film is so staggeringly moronic that you walk out completely exhausted. I’m going with one and a half star.

Characters behave randomly and at the end, when you try to tie it all together, it unravels even more.

The tragedy is that Yeh Faasley isn’t even unintentionally funny so it doesn’t make the grade of so-bad-that-it’s-good. It’s just pure tedium. I’m going with one and a half stars.

Kaccha Limboo could have broken new ground but its insights are few and far between. See it if you must.