• …is a confused film which underestimates audience’s intelligence and takes them for granted. At the box office, the film’s narrative will appeal only to the selected multiplex audience while the masses will find it difficult to relate to the movie.

  • AKIRA has an interesting concept which fails on the account of its slack screenplay and lack of entertainment value. At the Box-Office, it will be rejected and will entail losses to its investors.

  • …comes across as a grand historical fictional tale which appeals only in parts. The lack of engaging and relatable drama act as spoilsport in the narrative. From the Box Office perspective, competition from RUSTOM and lack of crucial narrative will act as a major hindrance.

  • …despite winning a national award and being a good film, has less awareness due to poor publicity and lesser star value. Due to this, BUDHIA SINGH – BORN TO RUN will face an uphill task at the box office. Overall, the film will have to rely heavily on word of mouth and strong audience support to post good box office figures. But if you are in the mood to watch an inspirational tale of human spirit, endurance and sacrifice, do watch this one.

  • On the whole, if you view JASON BOURNE as a standalone action flick it is pretty entertaining and makes for a good watch, but when compared to the previous films in the series, the film turns out to be just another run-of-the-mill Bourne flick.

  • …offers absolutely nothing new to the cine goers and has an extremely disjointed narrative. The film is bound to struggle at the box-office.

  • On the whole, with good editing, and trademark James Wan techniques of building up anxiety and good usage of light, the film definitely does manage to raise the hair on your neck when needed. Entertaining, scary in parts and funny at times, LIGHTS OUT makes for a decent one time watch.

  • MADAARI comes across as a thriller which holds your attention only in parts. It lacks consistency and punch and will therefore appeal to a limited set of audience. At the box office, its business prospects will be limited.

  • GREAT GRAND MASTI fails to capitalize on the strong franchise value on the account of poor script which hardly offers any masti or entertainment to the audience. At the box office, its prospects appear extremely weak.

  • …comes across as a film that has started out from the middle of a story and is trying to expand in all directions covering any and every aspect that can be used for future sequels. With a naïve story line, meandering plot, almost absolute focus on one single character and general confusion with the direction in which to take the film forward, THE LEGEND OF TARZAN is all but legendary.

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