• This Salman Khan, Katrina Kaif Eid release is epic in its scale – starting from Partition, touching on Pandit Nehru’s era, it fast forwards us to 2010 with Amitabh Bachchan, Shah Rukh Khan and Manmohan Singh as reference points

  • Overall, Gold is a well plotted drama that sometimes devolves into schmaltz and melodrama. However, it gives us solid two-and-half hours of tricolour hued entertainment. We suggest XL sized popcorn tubs.

  • Everything ends well for everyone, strike one for melodrama. What begins as a slice-of-life film about following your dreams ends as a fairytale. It is charming but not rooted in reality. Life isn’t that forgiving; but perhaps the audiences will be.

  • The trouble lies in director Rawson Marshall Thurber’s patchy handling of the story. There are moments when the film is slow and sluggish, and then it is on steroids with hyper action. Those are the moments when you thanks god that you are in this ride with a big Johnson and a little Hart. Also, watch out for the cameos both credited and not.

  • The Jungle Book is no longer cute and cuddly but a tale of survival. This time, it really is a jungle out there. But I can guarantee one thing, once you and your children do enter it, you would not want to leave.

  • The film offers entertainment for children while being substantive enough to keep the parents engaged. What it is not, is fresh. It offers everything we have come to expect from the franchise without breaking any new ground. The sense of wonder that we associated with the first two films is missing this time round. And that is disappointing coming from a film whose tagline is, “Be the best you can.”

  • My only grouse with the film is that it is such an obvious Oscar bait. With 12 nominations, it seems to have checked all the right boxes. It will hopefully make one man and his legion of fans very happy. For the commitment DiCaprio brings to the film, it wil be well deserved.

  • Inarguably one of the finest films on investigative journalism, Spotlight is an excellent critique of what blind deference to authority or faith can do to you. The problem affects India and America equally.

  • Smartly paced and full of wit characteristic of the series, this film is a copybook exercise in storytelling. There are holes in the script and obvious McGuffins but while the film lasts, you are prepared to ignore them. As it ends, you are already waiting for its sequel and some answers. You want to see the character arc of people both old and new because Abrams has etched them in your memory. He has created a whole new world which may be derivative but hey, we will be more than happy to live in it.

  • The Peanuts Movie is like an old fuzzy blanket which you can wrap around yourself on a cold winter morning. It is the film equivalent of comfort food, the feeling of meeting old friends on the first day of a new school session – it is nostalgia and we all know how sweet that can be.

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