The most annoying film of 2013.

Here’s all you need to know about the story. Hero joins villain’s gang as henchman. Both hero and villain like the same girl. Hero will do anything to save the girl. That’s it.

None of the rhythm or panache or any trace of the naughtiness of Dhulia’s earlier films can be glimpsed here. There’s a flimsy plot about Raja trying to find a job and being forced into goondagardi, but it exists only as a coat hanger on which to hang a random and disjointed series of skits. Toss in a horrendous score by Sajid-Wajid and you’re looking at one hot mess of a movie.

Do you love lots of vintage Sunny Deol shouting? Do you love random acts of pointless, loud and over the top violence? Do you love watching actors get kicked, thrashed and killed in increasingly ridiculous ways?If so then Singh Saab the Great is the movie for YOU!

It would have been so easy for the film to wallow in opportunistic schmaltz or obvious sentimentality but instead Ram Leela is a slyly fun movie, and one that is best appreciated on big screens.

Remember the memorable acting, awesome camerawork, gritty frames, Bhiku Matre and all the stunning thrills like the movie theater bust out from the original Satya? Yeah, all that stuff is not in this sequel.

The superhero of atrocious superhero filmmaking has struck again, and it’s not a pretty sight. Take the most superficial components of X-Men, Batman, Superman, Spiderman and even Shaktimaan; stuff them together in a litter bag, set that bag on fire and inhale the fumes – that’s pretty much what Krrish 3 feels like.

Unlike the commercial hogwash that sloshes around movie screens every week, Shahid is a brave and ballsy film made for grown-ups who like a little intelligence in their entertainment.

Boss expects you to laugh in the face of amazing stupidity. The jokes would struggle to make a guy attached to a nitrous oxide cylinder budge a facial muscle. The highlight of the film is a joke where Boss saves a woman and bestows his brotherly affection towards her by naming his truck ‘Behen ki lorry’.

The only element of Prague that offers a welcome break from the dreary, amateurish and clichéd story grafted onto a bad two-hour ad for the city of Prague is the music by Atif Afzal and Varun Grover. Director Shukla gets all the music montage scenes just right, but every single one of those scenes are so tonally detached that they seem like they belong in another movie. Pity.

It’s the most optimistic film of the year.
There are plenty of moments to treasure in The Lunchbox, and they’re all small and delicately crafted. Those looking for romance will swoon with delight as they discover two lonely people can find a way to make things work.