The movie has some pacing issues and it occasionally tries to purposefully misdirect the viewer but despite the flaws it proves to be quite an enthralling experience. While the movie is bound to disappoint the hardcore Byomkesh Bakshi enthusiasts, it has all the elements to satisfy the masses and the classes alike. If the movie does well at the box office (and it most certainly will), a sequel may be just around the corner . Highly recommended!

NH10 doesn’t come across as a crowd puller but it will certainly appeal to the sophisticated audiences. The movie is recommended for serious viewers and for those casual viewers who aren’t easily turned off by violence.

Badlapur is part psychological thriller, part character study that entertains while simultaneously making the viewer think. While the movie has several spine-chilling sequences (some harking back to the works of Alfred Hitchcock), there are also some light moments that provide some respite from the ever brewing tension.

In the context of contemporary Hindi cinema, Shamitabh does come across as a breath of fresh air, but it certainly isn’t tailor-made for casual viewers on the lookout for porcornish entertainment. However, if you truly love cinema or are a diehard fan of Amitabh Bachchan, then Shamitabh is not a film that you can afford to miss!

…can best be described as a brutal but honest attempt on the part of its makers to capture on the celluloid the chaos associated with the Bhopal gas tragedy. It’s not great cinema but it’s definitely thought-provoking.

The movie’s multilayered narrative makes a second viewing essential for serious viewers. While it would be a bit early to call it Nolan’s best film till date, Interstellar is certainly a worthy addition to his decorated body of work. A must watch!

Gone Girl proves to be an engaging work of cinematic art that, despite its flaws, has enough drama (as a matter of fact, it’s too dramatic at times) and suspense to offer to its viewers. Gone Girl is not Fincher’s best film, but, nevertheless, it’s a worthy addition to his oeuvre.

Overall, Revolver Rani presents experimental filmmaking at its very best but typically with little commercial relevance, especially in the context of the Indian market. Kangana Ranaut shines in her portrayal of a politically powerful female goon.

Revolver Rani is film that can best be appreciated with open and receptive minds. There is certainly more to the film than meets the eye. As a socio-political satire, its relevance cannot be overlooked. The undercurrent of dark humour only adds to movie’s overall appeal. Highly recommended!