• Hrithik and Tiger share a mentor-protege relationship in real life as well and it has been perfectly captured in the film. Hrithik is in his element here playing the experienced agent and Tiger adds the naive charm of a newbie to the proceedings.

    Watch the film for its world-class action and be prepared for the sequels to come down the line…

  • On the back of films like Hrithik’s Dhoom 2 and Tiger’s Baaghi 2, War is a decent addition to both actors’ action film legacy. But this high-profile bang bang show is at best, popcorn entertainment for action movie buffs.

  • On the technical front, the CGI left much to be desired and so did the production design. The cinematography and editing were decent enough though. All-in-all, watch the film to savour a path-breaking milestone in India’s space exploration history, never mind the scientific inaccuracies…

  • Under the vision of creative director R Balki and an average execution by filmmaker Jagan Shakti, ‘Mission Mangal’ makes good with its emotional highs and drama.

  • While ‘Kalank’ scales up the production in every aspect, at times, the world that it recreates looks a little too plush and away from reality. The film features arresting frames full of grand visuals captured by cinematographer Binod Pradhan, and the music by Pritam has stand out songs like ‘Ghar More Pardesiya’ and the ‘Kalank’ title track. At 2 hours and 48 minutes, with a tighter edit the story could have wrapped up much sooner though. ‘Kalank’ is a true labour of love that tells you a story laced with beautiful moments that will tug at your heartstrings.

  • With technical brilliance, intricate writing and thundering performances, Kesari is a loud war cry that evokes strong feelings of patriotism and it also wrenches your heart with its climactic tragedy. The visceral power of its visuals and emotions is staggering.

  • Director Sujoy Ghosh has made a habit of pulling off complex thrillers like Kahaani and Kahaani 2 with ease, and with the multi-layered narrative of Badla, he seems right at home. The cinematography by Avik Mukhopadhyay, the editing by Monisha R Baldawa and the background score by Clinton Cerejo compliment Ghosh’s edge-of-the-seat storytelling. The predictability of the screenplay dampens the thrills occasionally, also the climactic twist requires a healthy dose of suspense of disbelief. But, even the seasoned genre faithfuls will agree that Badla offers a creative and thrilling end to a captivating mystery.

  • There’s a reason the film feels legit and that’s down to the fact that real rap artistes worked on this film. The treatment and the visual finesse of the film are at par with anything you’ve seen from Hollywood or anywhere around the world. The rap battles shown in the film are riveting and an inspired piece of writing. The problem with the film though is it’s length, which stretches to two-and-a-half hours, but the emotional deftness and clap-worth dialogues add the right amount of gusto and keep you totally engaged. This is a film that deserves an encore. And in true rap style, let’s just say… yeh Gully Boy hard hai bhai!

  • Writer-director Shelly Chopra Dhar and co-writer Gazal Dhaliwal (who previously wrote Irrfan’s ‘Qarib Qarib Singlle’) manage to spark off some pretty interesting ideas of love. Yes, their film deals with sexuality and seeking acceptance from the older and more-conservative family members, but at the core, ‘ELKDTAL’ talks about love being a universal feeling, one that cannot be shackled by societal norms and diktats. The writing isn’t all top-grade, but this film has its heart in the right place and sometimes that’s all that really matters.

  • Writer and producer Sanjay Raut doesn’t distort facts from Bal Thackeray’s story. The riled up speeches, the unapologetic candour and the larger-than-life persona is presented without a veil. While the honesty is commendable, it comes across that the lead character’s political motivations lack clarity. Perhaps a more seasoned writer could have fleshed out Thackeray’s character and eccentricities a lot better. But its Nawaz’s nonchalant performance that overshadows the flaws and leaves a lasting impact.

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