Pataakha is a well-crafted adaptation of Charan Singh Pathik’s short story Do Behnein, which ends with something that’s quite clearly wishful thinking.

It’s a film that will make you think, hurt you and will bring you back to your ideals. Nawazuddin Siddiqui has stripped himself of all the apprehensions and has dived into Manto’s world with unmatched energy, wit and personality. Far from Wasseypur, he has transformed into a writer who has lost everything in the No Man’s Land between India and Pakistan.

Be a part of his poignant, heart-breaking journey.

One of the finest filmmakers of our time, Anurag shows his range with Manmarziyaan. In one of his most easygoing films, he manages to add his touch to an otherwise old theme, and that makes Manmarziyaan a film worth spending time on.

Gold can’t boast of a great CGI though. Actors try to make up for a little slack in pace, but its capacity to moist your eyes at will is Gold’s real strength. Akshay is in top form and this is your must watch Independence Day film.​

Harshvardhan Kapoor’s film is darker than any other Hindi superhero film you have seen. It’s earnest and deals with the idea of vigilante justice in its raw form. Here’s our movie review of Bhavesh Joshi Superhero.

The actors sometimes falter with their accent and dialect, but intrigue around Sehmat’s adventures doesn’t give them much time to complain. Raazi is a sensibly written and finely performed film that takes a close look at the ordinary lives of extraordinary people. Not to miss.

The film’s 101-minute duration is enough to convey its high spirits and liveliness. Its message is loud and clear though it comes at the cost of some unnecessary villainy.

What a joy to watch two fantastic actors working in tandem in a performance-oriented film!

Calling Varun Dhawan’s film only a love story will be injustice to its resilient tone. It’s a battle, both inter-personal and intra-personal.

Love Per Square Foot doesn’t delve deep into matters of the heart, but it’s a feel good film for sure. Angira Dhar makes a promising debut and Vicky Kaushal shows his lighter side. Anand Tiwari handles romance with proper care and maturity. Love Per Square Foot is youthful, urbane and lovable.

Padmaavat is sparkling, extravagant, dazzling, magnificent and wonderful. It’s a feast for the eyes. It leaves you craving for something more meaningful than a mere re-telling of Jayasi’s poem. But it has enough to bedazzle you, so go for the sheen and Ranveer Singh’s lunacy. After all, Padmaavat has passed so many hurdles to reach you.