• Stupidity of the year!…’Student of the Year 2 has no spunk, no plot and zero charisma

  • As is mandatory in Bollywood these days, Blank too insists on painting a ferocious Muslim imagery of bushy beards, severe kohl-eyes and chequered scarfs spewing distorted religious ideology to impressionable young minds

  • Even if Setters shows no inclination to understand the dark desperation that drives parents to buy marks for undeserving children, it could’ve made a little more effort to be sly or suspenseful,

  • At the end of this rather long movie, Alia asks ‘What do you see in this story? Kalank or love?’

    I saw beauty at its emptiest. You won’t be able to look away. But you won’t feel anything either.

  • Between not taking itself seriously and spewing gyaan over how to win youth votes, Luka Chuppi cannot decide what it wants to hide and where it needs to look.

  • Total Dhamaal would be unwatchable without Madhuri’s spunk and bossy swag playing off Anil Kapoor’s bellyaching, bugged half’s protests.

    This jodi deserves a better film. And you need no brains to know that.

  • Ek Ladki Ko Dekha Toh Aisa Laga wishes to lend itself as a significant voice of change and support towards the LGBT community, but its woefully apologetic tone regarding individual choices repeatedly negates it when characters — both traumatised and enlightened — spew things like, ‘Yeh janam se hi aise hai’ or ‘I wish I was normal’.

    Funny how a woman can fall in love with another woman and still need a man to ensure she gets her happy ending.

    That’s normal enough for Bollywood.

  • A jumbo mess of warped notions and random ambition, Why Cheat India trivialises education and shows sympathy for deceit

  • Movies, their motives and time of release make me wonder if we’ll ever be able to see India as India and not a reflection of its governments

  • Neither Aamir’s hard-at-work whimsicality nor Amitabh Bachchan’s stoic presence can salvage a second of this bloated, blundering bore.

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