Skip the film if you want to watch it for Neeraj Pandey’s previous filmography. Naam Shabana is nothing like his other films.

It is a light-hearted, average love story. Watch it, if you must, for Anushka Sharma and Diljit Dosanjh.

If only Gauri brought better-etched characters and delved more into the emotional turmoils of her lead, this could have been a wonderful “slice-of-life” film with several messages to be lauded for. What she ends up with is a “could-have-been-amazing” film..

At scripting stage, Wah Taj could have been a good watch, but what we see onscreen is totally avoidable.

Watch the film if Hrithik’s physique, dancing skills and flexibility are enough to attract you but you can totally avoid it if a grandeur does not make up for the lack of substance, facts and logic.

Madaari crumbles under its own lofty ideals and ambition. The slow pace makes the fall even more painful and enduring. And that it had two brilliant actors in Irrfan and Jimmy, who were grossly under-used, only adds to injury.

If you’re not the romantic kind, Randeep’s acting and his ‘ode to Sylvester Stallone’ (his workout sequences) will be a delight then.

It’s a tough movie to get right, and Oomung should be lauded for choosing the story and for picking a star to get the story out to wider audience (like he did with Mary Kom). But, Oomung fails to deliver a moving, poignant film and instead leaves us with a load of melodrama.

Melodrama and a superficial love story are some of the road blocks that hinder a beautiful cinematic journey Abhishek Kapoor wanted to take you on.

If you appreciate Sanjay Leela Bhansali’s opulence and grandeur, this won’t disappoint. It can be a good one-time watch, for Deepika’s performance, if not anything else.