What a lovely movie, 'its madness'.
Mad Max: Fury Road is a technical achievement and in league of movies like life of pi, gravity, avatar for its technicality and the world created by mastermind'George Miller' is totally believable.Cinematography is perfect. It will surely be nominated for several oscars next year.This is one of the best action movies in years even beat out Avengers and Avengers 2. This is the movie where madness is at its peak. Background score is great too.
MAD MAX FURY ROAD: Time For Action!
Look no further. There r lights. There r cameras. All it requires is action. And there is plenty of action when it comes to Mad Max series. Summer is always hot and sweaty. This movie will make u hot and work on your sweat glands like there is no tomorrow. The steam has build up for the summer holidays. You don't need to go to a hill station to escape the heat and dust. Just head towards any cinema hall playing Mad Max. U r bound to be in action mood. And action it is.
Mad Max: Fury Road is an Australian post-apocalyptic action film, and the fourth film of Mad Max franchise. Mad Max series has been known for Mel Gibson (59) in the title role. Sadly, this one has no Gibson at all. Times have moved forward. And a young, dashing and action-packed hero has taken over now.
The world has bee overtaken by calamities and catastrophes. There has been the downfall of civilization. And time has moved on to the future. An ex-cop Max Rockatansky's (Tom Hardy, 37) family with wife Jessie (Joanne Samuel, 57) was killed in a city collapse earlier. Now, he comes across Imperator Furiosa (Charlize Theron, 39), a woman who is trying to cross a vast desert. She has along with her Five Wives - Queen Angharad The Splendid (Rosie Huntington-Whiteley, 28), Queen Capable (Riley Keough, 25), Queen Toast The Knowing (Zoe Kravitz, 26), The Dag Queen (Abbey Lee, 27), and Queen Cheedo The Fragile (Courtney Eaton, 19).
These women are escaping from the tyrannical fascist ruler, King Immortan Joe (Hugh Keays-Byrne, 67) and his ruthless army - the War Boys. They rule over a totalitarian desert kingdom - the Wasteland. Joe wants the Wives back as they can give birth to his future children to be shaped in his perverse image. The women see Max as their savior as he knows the desert like the back of his hand. But Max refuses to help them, until Joe imprisons him and tortures him. He can escape but only with the help of Furiosa and the Wives. And escape they do. With their escape, all hell breaks loose. The War Boys pursue them like mad hungry dogs. Can this band of six escape from the hot pursuit or even survive?
What a dynamic action. It has to be seen to be believed. Just like Gibson, Tom Hardy has a future beyond future in Hollywood. He is an able successor to Gibson. And Charlize Theron is an action queen ready to erupt like a bomb. She is a visual delight. And the villain Byre is a revelation. He adds to the list of illustrious villains. The movie doesn't let the audience rest right from the word go. And at the ending, one is left asking for more. So there is a fifth sequel to look forward to. Can't have enough of Mad Max.
Enjoy the Namibian desert and Sydney hills and lakes shoot. Junkie XL's musical score is definitely an add-on. Special effects and stunts with over 150 stunt performers, which included Cirque du Soleil performers and Olympic athletes completes this out-of-this-world movie. What more can we have!
1. Mad Max (April 12 1979; Mel Gibson, Joanne Samuel): In apocalyptic Australia, the society has broken down and gangs have taken over. Cop Max Rockatansky (Mel Gibson) turns judge, and executioner after his best friend, wife and baby are killed. The family man turns mad for revenge. The antihero takes to the road in vengeance to oblivion. The film turned Mel Gibson into an overnight star along with Joanne Samuel.
2. Mad Max 2: The Road Warrior (December 24 1981, Mel Gibson): A community of settlers move to defend themselves against a roving band of marauders. Mad Max becomes humane and the cynical drifter agrees to help a small, gasoline rich, community escape a band of bandits.
3. Mad Max 3: Beyond Thunderdome (July 10 1985, Mel Gibson, Tina Turner): Max is rescued by children when he is banished from a desert town Bartertown and sent into the desert to die by the desert town's evil queen Aunty Entity (Tina Turner).
4. Mad Max: Fury Road: (May 15 2015, Tom Hardy, Charlize Theron).
5. Mad Max: Furiosa: (2016, Tom Hardy).
At one point in George Miller’s totally whacked out new film, a character proclaims: “Oh, what a day … what a lovely day!”
If you end up watching this film as I did, chances are your day will be anything but that.
Mad Max: Fury Road is a totally underwhelming experience, a film that promised so much but ended up flattering to deceive.
George, who also created the Mad Max Trilogy of the 80’s with Mel Gibson in the titular role, goes for the jugular this time, delivering a film that’s high on adrenalin but short on nuance.
Plot, you ask? Immortan Joe is a dictator who presides over his subjects with an iron hand.
Water, guzzoline (and common sense) are in short supply.
It falls upon a rebel, Imperator Furiosa, and Max himself to liberate the country from the clutches of Joe’s oppression.
In fact, Furiosa (Charlize Theron in a stellar turn) is the heart and soul of this enterprise. She completely owns the screen each time she appears on it, lending a sense of urgency and gracefulness to the film’s proceedings.
Tom Hardy, on the other hand, is completely out of sorts. He lacks the charisma and easy charm that a leading role of this nature would inevitably demand.
The whole film is basically one long explosion-filled chase down a barren, dystopian landscape that could give Panem from Hunger Games a run for its money.
Problem is, the aforementioned chase takes all of two exruciating, mind-numbing hours.
Miller’s vision is grand and has a sweeping quality to it. The same cannot be said for his execution.
A good film goes far beyond just expensive CGI and VFX. It requires a solid script, cracking dialogue and characters whom you can empathise with and relate to.
In his zest for making a film that redefines the action genre, Miller unfortunately seems to have overlooked this elementary fact.
I could have slept through the entirety of this film’s duration and it would hardly have made a difference.
In the film’s very beginning, Max says, “My name is Max. My world is fire. And blood.”
And boring, he might have added. This Road is full of potholes.