'Mom' was easily a great leap for the career of Sridevi, who played a killer with originality and a mother with much-needed vulnerability. But the script sags a lot and there's not much believability in the screenplay, a stage has been set for most of the problems.
The problem is that despite you are hooked to the screens thanks to its actress and an engaging plot premise, you'd never feel her reasons: and that's largely because the film has an inconsistent tonality, and waferthin ideas are camped upon by the filmmakers about the briskness of a thriller.
Over the years, we have heard & read about articles which scream hoarse about the importance of women equality. There is no doubt that it is a fundamental right that is extremely important for the upliftment of the female gender & development of any nation. However, I believe all of this will happen unless the women is given the respect that they deserve as a human being rather than a commodity for gratification. Sadly, we are witness to news about gory rape incidents all across our country every day & though there are rules in place, more often than not our judicial system is found to be woefully short. This is exactly what is depicted in Ravi Udyawar's "Mom" which has Sridevi as the protagonist. But Bollywood has a habit of making such movies pretty cliche & titillating rather than make us empathetic about the victim. Will this be any different???
Devki (Sridevi) is a Biology teacher in a respectable school in Delhi who is popular among her students. But she knew were to draw the line as Mohit, a wayward rich kid realised when she threw his mobile out of the window as punishment for sending a porn clip to her step daughter Arya (Sajal Ali). Even though, Devki adored Arya as her own child; the latter maintained a frosty relation with her. With Valentine's Day just round the corner, Arya sought the permission of her father Anand (Adnan Siddiqui) to attend the most happening party in the city. Though reluctant early on, he eventually agrees after Devki's persuasion. Little did they realise that this party would change their lives forever.
The film was helmed by debutant Ravi Udyawar who is relatively well known in the advertising world. Along with Girish Kohli & Venkat Rao, he has scripted a story which is not unfamiliar to any of us due to similarities to real life incidents. Even otherwise as well, it is more or else similar to Raveena Tandon's "Maatr". But it would be fair to admit that this is a superior version of it, in terms of the way it has been shot & the caliber of the leading lady. However, it fails to thrill the audience & except for Sajal, we dont empathize with neither the sequences (except for the court scenes which was brilliant) or the characters. Equally unrealistic was the manner in which the protagonist gets away with the crime.
On the technical side, hats off to the Anay Goswami's slick visuals especially the manner in which the rape was picturised until the victim gets disposed. AR Rahman's BGM was brilliant & added to the overall impact. However, I wish Monisha Baldawa was more judicious with the editing. Coming to performances, this is Sridevi's first outing since "English Vinglish" & is her 300th movie in the 50th year of her film career. She carries the movie on her shoulders & brings her A game to the fore, though she hams it up at times. Sajal Ali was excellent along with Nawazuddin Siddiqui, who provides the comic relief with his hilarious statements. Akshaye Khanna was wasted while the others have done their parts adequately.
Verdict: As expected, it is unlikely to create a rush at the box office due to the genre & grim nature of the subject. When it comes to the thread, it wont come across as anything unique but the manner in which it has been shot coupled with credible performances makes it worth watching. In short, it's definitely worth a try!!!
Sridevi, nawaz nd akshay khanna tie up the time with a fabulous acting. This is about how a 'mam'
Becoming an 'mom' beautiful story go watch it.