…is more of an attempt at making some quick cash than to make a film with a heart and mind of its own. With very few moments of fun sandwiched between long stretches of snoozing, this film should be avoided like the ashram of a self-proclaimed baba.

Furious 7 is an action spectacle that is as outrageous as it is entertaining. So exciting and fun you could end up bursting your appendix, it has flying cars and drones and deadly villains and everything else you could possibly need from a movie this weekend.

…a thrilling murder mystery that leaves you awestruck and giddy with pleasure. A scrumptious delight of a film that has the repeat viewing value of a classic, missing it would be a crime only Byomkesh could solve.

The Gunman closely follows the already tired I’ll-find-you-and-I’ll-kill-you formula to dismaying results. The only reason anyone should ever watch it is if you hate Liam Neeson, but love his films.

Run All Night is part Taken, part A Walk Among The Tombstones, and total fun. Stylish, thrilling and satisfying, it is Liam Neeson’s best action film in some time.

Cinderella is a charming, sweeping, luscious yet grounded film that stays true to the original material, yet brings something new to the table. It’s a nostalgic piece of cinema that warrants a watch for its simplistic innocence and visual splendor.

With forgettable performances, an overstretched narrative and sex jokes that rarely hit the mark, Hunterrr is an unconvincingly unconvincing film that you shouldn’t be falling prey to this weekend.

Chappie is a film with a big idea at its center, but is let down by some insipid writing and haphazard execution. Sharlto Copley as Chappie manages to keep you seated till the end with his heartfelt performance, but that isn’t quite enough compensation. This is one misfire that Neill Blomkamp would love to forget and quickly move onto his next project, the new film in the Alien franchise.

NH10 is a dark and wild ride into the lawless small town and villages of India, with plenty of thrills and gory action. Not meant for the fainthearted and tailor-made for cinema aficionados, Hindi cinema in 2015 hits a new high this weekend.

Dum Laga Ke Haisha is an anomaly of a film that chooses to tell an intimate story in the most grounded manner, all the while shaming us into accepting what a misogynistic and materialistic world we live in. It provokes thought and discussion, but never at the cost of entertainment. Sharat Katariya, take a bow. This is one piece of inspired writing and filmmaking that needs to be seen to be believed.