• Without spoiling anything, I regret to inform you that as usual, the mystery was ruined for me based only on the casting. If you get the hint, then you understand what a pain this trend is, but if you don’t, lucky you.

  • Gary Oldman delivers one of the finest performances of his career in director Joe Wright’s technically brilliant but narratively flawed companion piece to Christopher Nolan’s Dunkirk.

  • Downsizing is the sort of movie that will only improve with age, when many of the concepts it imagines turn into reality. Right now, it’s ahead of its time, understandably rejected by audiences (and in an unbelievable betrayal, also by the critics). They should pick on someone their own size.

  • These aren’t necessarily the debates we’re either willing or confident enough to have. But we must. To doubt, to challenge, to never settle – that’s what The Post is about. Journalism has seen worse days, so there is no question that it will survive this worrisome phase in its undeterred story. We will not see it survive, but we can help make sure it stands a chance.

  • …a fine holiday movie for undemanding families — the action is competently done, there’s an emotional story for those looking for one, and The Rock is in top form. It could be worse, but it couldn’t really have been better.

  • The actual tennis looks convincing, an achievement that should go a long way with fans, who can easily be turned away by messy recreations of their favourite sport (I’m looking at you, Kirsten Dunst).

    But as a piece of filmmaking, we deserve better. As a sports film, we’ve seen better. The ball is now in Emma Stone and Steve Carell’s court. Advantage, Battle of the Sexes.

  • It doesn’t come close to Marvel’s Avengers, but thanks to top work by Gal Gadot, Jason Momoa and Ben Affleck, it’s certainly a more lighter film than Batman v Superman.

  • Broken souls are mended, old wounds are healed and order has been restored to the world; the Orient Express, is back on track. As the train finally arrives at its destination – thematically, and literally – Hercule Poirot is summoned to his next adventure. For our sake, let’s hope we’re invited for the ride.

  • It’s the sum of all its predecessors’ parts; as grand as Man of Steel, as murky as Batman v Superman, as messy as Suicide Squad, and as hopeful as Wonder Woman.

  • Blade Runner 2049 is bold, challenging cinema, an almost Biblical success; like Terence Malick’s The Tree of Life, Martin Scorsese’s Silence, and Nolan’s Interstellar, it positively demands multiple viewings.

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