This unfortunately, is a disappointing giving from the Vishal Bhardwaj house. For the most part 7 Khoon Maaf fails to live up to the otherwise exquisite and honestly different genre of films that Vishal always tends to throw our way. For a director who has promised to be different, this is awfully lackluster and disengaging. You can’t help but question if, in fact, Bhardwaj has lost the spark he once possessed because this film cannot ask for maafi from us.

Overall, Patiala House makes for an interesting watch. It is the first family drama this year and well, Nikhil Advani is a Karan Johar prot

Set in Delhi, Yeh Saali Zindagi depicts Arun (Irrfan Khan) and Mehta (Saurabh Shukla) work together in a business which is unstated.

What works big time for Dil Toh Baccha Hai Ji is that besides being a romantic comedy, it touches upon a number of social issues too. But of course, it does sell itself as a comedy film which it really is. For a first dabble, Madhur scores high. The situations are not only immensely funny and the one-liners are a complete killer. However, it does lose track midway after which you do tend to lose interest until it finally picks up yet again.

Dhobi Ghat is meant for Mumbai lovers. For good and bad, Mumbai is what it is: home to millions who adore the city which is covered beautifully by Kiran Rao.

…the film is not made with much flair; it is very simple in its execution. There are no fancy camera tricks or overly glamorized sequences. What you see is what you get with Tere Bin Laden but believe me, it is enough to keep you glued to your seat. Watch it for the fun it pokes at a number of serious issues that we normally feel are taboo. Tere Bin Laden is a film that is fearless enough to take on those issues, add the fun spin and make you go ha-ha-hee-hee!