It’s like he took the story board session to be a master class in direction.  Forget having the ability to create drama, there isn’t a decent dialogue or scene. And he wastes the only two talents he has — Anil Kapoor and  Saqib Saleem. Worse, he is unable to create even a single Sallu Magic Moment. 

There’s not enough Rajini magic…When Rajini Sir arrives, it’s as if the screen itself folds from both ends to bend down in a respectful namaskaram.

Omerta is an honourable film, but it often looses track of itself as it goes off on tangents so obscure and weak.

Daas Dev is more interested in telling us the story of power, than the story of ishq…

Manu Rishi, who has written the film, has his heart in the right place, but seems to have misplaced his brain.

Goes cuckoo after a crafty, confident start…Irrfan Khan, of course, is the king of sardonic humour, with snarky lines delivered straight-faced.

Baaghi 2’s plot is simple. It’s also a copy. And yet three writers were required to collaborate on its screenplay.

Lacerating sanctimony of the honest babu…Raid wants to repair and energise our faith in the Indian sarkar and its attendant babus.

A stylised, witchy tale about the power of love…

The film’s casting is intelligent, and it was a pleasure to watch Alok Nath chug whiskey and throw some gandi gaalis.