Badhaai Ho

"Ayushmann Khurrana and Sanya Malhotra's film is a fine, funny film about family and accepting an unfamiliar situation."

"Badhaai Ho doesn't quite know what it wants us to do more, laugh or cry. And parts of the film sink into sitcom flatness, especially when Sikri overdoes her grumpy 'saas' act, though some of her lines are laugh-out-loud."

"'Badhaai Ho', much like its subject, puts a fantastic new spin on the usual. In a new-age rom-com, you'd expect Ayushmann and Sanya's love story to take centre stage, but when you see the middle-aged parents blush with romance, the entertainment really becomes novel."

"This socially-awkward construct lends itself to such compelling material that even a compilation of reaction shots would suffice. But writers Shantanu Srivastava and Akshat Ghildial capitalise on the uneasiness of being in this pickle to script hilarious sequences that would leave you in splits."

"...watch Badhaai Ho for its unique take on the family film sub-genre, as also for some paisa vasool acting by the entire cast. Congratulations indeed to director Amit Ravindernath Sharma for making a hugely entertaining film."

"'Badhaai Ho' is seasoned with a certain 'Delhiness' and is weaved together with lots of fun, laughter and a fine insight into traditional relationships in modern India. This one is a must watch."

"BADHAAI HO is not a laugh riot but emerges as a complete family entertainer with emotions as its USP. The film leaves you with a smile and at the box office, it is at an advantage. It releases during an extended weekend and families are bound to come in large numbers. It's surely a 'Badhaai Ho' time for the makers and investors!"

"Badhaai Ho is a sweet little gem informed with gentle wit and infectious warmth. The slice-of-life storytelling, which is appreciably enhanced by solid performances from a wonderful cast, is marked by control and sensitivity."

"...manages to ruffle many emotions in us while keeping it engaging and progressive. It is definitely a circus, ticket to which you don't want to miss out on."

"Badhaai Ho is a smart and well thought-out movie which slightly suffers from unrequired melodrama in the second half, but overall it's as entertaining as you wanted it to be. Not a film to miss."

"An Enjoyable, Well-Scripted Look At The Contrasts Of Social Stigma..."

"Amit Ravinderanath Sharma, who shot to fame with his Google ad a few moons ago and sank with his first Hindi film, Tevar (2015) is totally in command here. Aided by good writing and great performances, he clearly indicates that he can masterfully fix a human drama in a tight, two-hour frame and give the audience a film to remember."

"Overall, Badhai Ho is a well-written, wholesome, entertaining film, simple and unpretentious, that tackles a serious subject comically, without losing out on entertainment or your attention."

"...what Badhaai Ho offers is precious - an insight into the lives of real people rather than glossed-up specimens of humanity that exist only in the imagination of commercial filmmakers..."

"Gajraj Rao and Neena Gupta shine in this charming, slice-of-life film that tackles the stigma attached to the intimate lives of older people..."

"This Dussehra, 'Badhaai Ho' seems a film to catch up with your family for sure."

"Badhaai Ho, on late pregnancy, is just as funny, and as much fun; even as the point of the picture might seem progressively belaboured"

"Badhaai Ho, starring Ayushmann Khurrana and Neena Gupta, is delightful in the first half but soon loses its fizz..."

"Great expectations are partially met in comedy about pregnancy...Amit Sharma's comedy explores the consequences of an unplanned pregnancy on a middle-class Delhi family."

"It's ironic that a film that shows a 50-year-old woman getting pregnant makes it about everyone else but her. We see her pregnancy from the perspective of her husband, her kids, her mother-in-law and even the neighbour – everyone except her own. It is the film's one great failing. If you can forgive that, then "Badhaai Ho" is a satisfying ride."

"The film captures the little, seemingly insurmountable conflicts of a middle class family very well and also its self-righteousness when it comes to matters of sex and its hypocrisies in putting the mother on the pedestal. It's in conclusions and closures that things get out of hand. The convenient and sentimental "it's all about loving your family" route doesn't quite work with the otherwise cheeky tenor at the start of the film. If only it could have remained consistently so."