Agnivo Niyogi
TheTelegraph
Onekdin Por
2026
What makes Onekdin Por so beautiful is that it refuses to box love into categories. It exists in friendship, caregiving, shared grief and the simple act of being present for another person. Palodhi delivers a moving reminder that love isn't always about romance but finding someone who stays.
Satluj
2026 · TheTelegraph
What elevates Satluj beyond historical reconstruction is its refusal to simplify the conversation. The film acknowledges Punjab's trauma during the militancy years without using terrorism as an excuse to legitimise every abuse committed in response. Satluj offers a more difficult proposition, reminding us that asking questions isn't anti-national and that human rights aren't obstacles to security but safeguards against power becoming unanswerable.
Evil Dead Burn
2026
Evil Dead Burn proves there's still fresh blood to spill with gallons of gore, inventive kills and relentless terror. What it doesn't always deliver is the gleeful, mischievous spirit that once defined the franchise. One recurring issue with the film is its overwhelming commitment to bleakness, and the tonal heaviness gradually becomes exhausting.
Aajo Ardhangini
2026
Aajo Ardhangini is straightforward and often feels like Ganguly is revisiting familiar emotional territory, with storytelling that occasionally becomes repetitive. While Kaushik Ganguly still knows how to stage intimate human drama and his dialogues remain sharp, the film struggles most in sustaining dramatic tension and resolving developments in ways that feel predictable rather than impactful.