Following up on his exceptional Delhi Safari, Director Nikhil Advani continues to reinvent himself with D-Day, a well-crafted, violent drama balanced with an introspective mood that can loosely be indexed under historical fiction.

BMB deserves every ounce of praise for the filmmakers’ conviction on display. When you’re done watching Rakyesh Omprakash’s epic effort, you’ll come out of the theater wanting to run. And be a better person. This, right here, is the film’s ultimate victory.

Raanjhanaa flows like good poetry. It is arguably the best love story of the year so far, the kind of film others in the genre should aspire.

The writing often jumps time, leaving the audience lagging and playing catch-up. This isn’t always a bad thing in times of spoon-feeding viewers. Some of the film’s transitions are outstanding, the mark of a good director.

It is genuinely not possible for me to pick a favorite or rank them in any order as tempting an idea it might sound. Each film has something to say, and their authors get it across effectively and without fuss. Sure they have their blips and flaws, but Bombay Talkies made me want to stand up and break out into spontaneous applause on multiple occasion. The best film of 2013 so far.