While this is far from the best films of the year, if you shamelessly love Ranbir, go for it. You might not like this if don’t have an appetite for typical Bollywood formula films.

The film reminds you of a popular voyeuristic television show, albeit a downgraded version. With trashy production values, a futile story, cheesy dialogues and catastrophic performances this one trips off the ramp long before the show starts.

‘Warning’, heavily inspired from Hollywood film ‘Open Water 2’ with all its highs and lows is a new effort at a waterworld story, but fails to safely swim ashore even with a life-vest.

You may not like this film if you don’t have a taste for silly humour & mindless gags!

Maneesh Sharma’s ‘SDR’ has a ‘Band Bajaa Baraat’ blend, but the essence lies in the conversational chemistry between the characters, some beautifully captured moments and slice-of-life scenes. He doesn’t play safe, which is good, but the second half seems repetitive. The concept is engaging, but the plot is little shudd, little desi and quite confused.

In OUATIMD, a love triangle forms the bloodline of the story, replete with ‘donnisms’, molls with maal and an overkill of ‘loaded’ dialogues pe dialogues.

If you want a change from the colourful canvas of Bollywood, and you like it dark, very dark – test this one out.

Chopra’s story sounds hilarious but it doesn’t have the similar effect onscreen. The ensemble is good, but some are underused, the rest overact. The film provides few laughs, but mostly lacks comedy or romance. It bursts into random songs and the climax leaves you laughing – for the wrong reasons.

If you’re looking for something more between the sheets, this will leave you high and dry.

“Love is a smoke made with the fume of sighs …” – Shakespeare. This love saga leaves us sighing …