There’s a dialogue in the film which goes like- “Yakeen ek tubelight ki tarah hota hai…der se jalta hai…lekin jab jalta hai, toh full light kar deta hai.” The same holds true for Salman Khan’s Eid release Tubelight. It takes its own sweet time to flicker but then barely lasts to shine bright!

Bank Chor is a poor cousin of Dhoom franchise minus all the frills. Stay away from this buffoonery if getting ‘bheja-fried’ isn’t your idea of entertainment!

Romance, comets, revenge, dreams and death wishes- Raabta has it all! But it’s Sushant Singh Rajput- Kriti Sanon’s alluring chemistry which turns out to be a more ‘paas rakhe ki cheez’!

Director Mohit Suri seems to have taken the ‘half’ in the film’s title a tad too seriously when it came to big screen. Mediocre performances and sluggish pace play a major spoilsport here.
The film has a couple of instances where Riya (Shraddha) is seen crooning ‘Stay A Little Longer’. Wonder if that was meant for the restless lot of us who were waiting for the end credits to roll soon!

In a nutshell, RGV’s Twitter page is much more entertaining than this 132 min borefest! It’s time the filmmaker refurbishes his factory of films. Until then our solace lies in his previous body of work like Satya and Company!

Maatr is watchable solely for Raveena Tandon’s shining performance as a wronged woman who doesn’t mind staining her hands with the blood of her perpetrators who inflicted her with a life-scarring incident. It scores high on intention but unfortunately falls short of being a hard-hitting film.

Sonakshi Sinha’s latest offering isn’t a picture-perfect world when it comes to viewing as it has its own set of flaws. But it does make up for a fluffy watch with your pals who stick by your side no matter what life tosses at you. In a nutshell, Noor’s self-discovery journey triumphs over her journalist self and she at least deserves a chance!

This shaadi ka laddoo doesn’t leave you with a pleasant taste in the mouth. Instead a trip to an actual wedding would do you more good for at least you return home back with a happy face. Towards the end, there is a family portrait moment in Laali Ki Shaadi Mein Laaddoo Deewana where everyone flashes a smile and goes ‘All is well’. Sadly, that’s just not applicable to us post the watch!

Naam Shabana is a major letdown especially when you walk into the theatre halls carrying good ol’ Baby nostalgia and expecting a similar adrenaline rush. In a nutshell, we would prefer to settle for a rewatch of the 2015 espionage-thriller instead!

This romantic comedy has a heart of gold. Sadly it breaks a little too early leaving you with an underwhelming feeling by the end. The spirit is in the right place but it’s the humans who err.