This movie about guns and baddies is so slow you could answer all your pending emails and the story would not have moved an inch. A local politician and a local baddie rule a small town with guns. The politician lusts after the wife of a local chap. The machinations to kidnap her are so pathetic and the posturing with guns is so ridiculous, you want to fast forward the whole thing and be done with lust and guns and whatever…

A young man dedicated to righting the wrongs of the world around him stumbles into something sinister and way beyond his masked paperbag avatar of ‘Insaaf TV’ on social media. Bhavesh Joshi tries to handle the big bad world of baddies and is outnumbered. His one time friend then takes on the role of the vigilante Bhavesh Joshi and tries to undo the wrongs.

Four friends come together as grown ups when one of them, Kalindi, decides to get married. The couple thinks it will be a small, intimate do, but it turns out to be a great Indian over the top shindig. The friends find their troubles magnified under the glitter and after lots of boozy nights and days discover how love triumphs all. You want to facepalm several times but it’s all frothy and bubbly as Champagne…

Based on a wonderful story ‘Kabuliwala’ by Rabindranath Tagore, this story turns a dry-fruit vendor into a Bioscopewala, and Minnie and her dad into this modern dysfunctional family. It is not just a stretch but the whole film is about Minnie rediscovering ‘facts’ that everyone and their popcorn in the audience has already guessed. You want to slap Minnie many times, but Danny as Bioscopewala wins your hearts…

With American satellites keeping a constant eye on Pokhran, India’s Nuclear site for years (India had conducted the first ‘peaceful’ nuclear explosion in 1974), there was no way they world was going to allow India to join the nuclear nations. So a civil services officer created a team and helped conduct not one, but three underground nuclear explosions successfully, one of the most successful covert operations in the world. The idea is great, but it takes too long to build the story.

A copy of the Marathi film Ventilator, Khajoor Pe Atke exaggerates in every possible way bringing down what could have been a wonderful situational dark comedy to something unsavory. A brother is about to die, and the family gathers around to ‘be there’. Each person has his or her own motives for being there. Alas, instead of letting the audience decide when to chuckle and when to fall off the chair laughing, the loud comic sounds and the constant overacting puts you off.

A lovely story about love, duty, everyday life set in Benaras. A grouchy, crotchety man who does his duty by his wife and daughter announces that he has arranged for his daughter to be married off. The daughter rebels and questions her dad: do you even know what is love? How the question is answered is this lovely tale of heartache and love and new beginnings.

Everything old is eventually replaced by something new, and it’s best to adapt. Whether it is an ancient photocopier or a big old house. This is a lesson that this small feel-good family film that has the heart in its right place brings on the big screen. They try really hard and even though little scenes from the film are good, the film drags on and on and you wish it should have been made for TV movie instead.

How do you make a patriotic film without any bombastic dialog and still manage to move the most cynical filmgoer to tears? Raazi is one of the finest films to come out of Bollywood. It is the story about a young Kashmiri girl who marries into a Pakistani general’s family and in her own way and at great danger to her life spies for India and practically saves the day during the war between Pakistan and India in 1971. It is a tale well told and brilliantly acted. Must watch!

A man who is 102 years old and full of life teaches a lesson or two or three for his grouchy 75 year old son. Amitabh Bachchan and Rishi Kapoor make this father and son melodrama a good watch simply because they deliver. But if you step away from the casting coup, the loud violins that accompany the moralising and the mawkish sentimentality could put you off. Should have been a Sunday afternoon theatrical production, with a family hug afterwards…