Is it is guilt for the one sexual encounter that keeps Rajeev Kaul awake or has he really killed the girl? The film is a psychological thriller which is rather interesting, but feels dragged despite its short running time of 95 minutes. Sanjay Suri looks traumatised enough as Rajeev Kaul but is that enough? This film has a decent supporting cast but needed a huge pay-off at the end. So much thrill for so little an end…

Based on a true story of a hotheaded pugilist who wants to prove he is better than everyone else in the ring, Mukkabaaz puts its fist in many pies: boxing, romance, caste wars, defiance and revenge. Anurag Kashyap brings alive small town Uttar Pradesh brilliantly. But the fist through so many pies laced with too many songs becomes a feast too difficult to digest.

If you think a story like Delhi Belly could be replicated or something ‘as cool’ could be made, Kaalakaandi will disappoint you. Three random stories in one night in one terribly pretentious film that tries too hard. Fails.

You step out of the theatre laden with cheese and corn: there’s flag waving patriotism, there’s good vs evil, there’s his girl kicking ass, there’s dialog, there’s biceps and six pack abs, there’s the gigantic gun, there’s comic relief, there’s also American drone strikes. Salman Khan fans will love the action-packed corny cheese fest that makes for a decent if predictable watch.

The trouble with sequels is that they need to take the story forward or put the protagonists in a new setting. Fukrey, the original mayhem was fun because the protagonists were losers and yet they had a knack of getting out of trouble. This film alas has none of the original humor, the jokes seem forced and out of really bad whatsapp forwards, the characters have no redeeming qualities and despite a bigger budget the story seems forced.

There are period films and there are films that periodically make you wonder why this genre is not relegated to history. Kapil Sharma attempts to replace cricket with comedy to a story that Lagaan brought to the screen, and fails miserably. If you manage to stay awake through the romance, perhaps you deserve a medal…

Films based in small Northern towns that deal with dowry and squashed ambitions of daughters are a trope done to death. Along comes another with Rajkummar Rao as hero. Just because he’s had a spate of successes, does not mean he will carry this shaadi ka dead horse alone on his shoulders. Everybody tries hard, but the melodramatic treatment makes this film a terrible watch

If the lead actors: Sidharth Malhotra and Sonakshi Sinha weren’t so passionless in trying hard to be mysterious, this film could have been less painful to watch.

One Jia wants to die and the other is dying and before you come to the ‘Babumoshai’ moment you loved in Anand (Rajesh Khanna, Amitabh Bachchan), you have plotted their demise several times over.

The super slowness of the film kills any interest you may have in the unraveling of the plot given away ten minutes into the film.