Tatari is a winner in his choice of a subject. However while the film is an eye-opener on medical skullduggery, it fails to become cutting edge cinema because the screenplay offers few surprises.

Youth is a many splendoured thing. An alive, fresh vibe dominates Ayan Mukerji’s Yeh Jaawani Hai Deewani invigorating you through it’s entire run.

The writers of Aurangzeb borrow plot-points and lines from Deewar, Trishul, Naam and you also see slight similarities to Hollywood cop capers like Pride & Glory and Departed.

Go Goa Gone is positively different from anything you seen before. And for the young and restless(tattooed, ring-pierced, rave-party enthusiasts) or even those who like whacked-out fun, it’s a great ride. With easy performances from Kunal, Saif, Vir and Anand and the crackerjack dialogue, the film will keep you in splits for the most part.

You may not like this film if don’t have the appetite for blood and gore.

You may not like the film if transcendental stuff doesn’t move you.

You may not like the film, if pure action, is not your staple at the movies.

On the plus side, I, Me Aur Main has the glossy good looks of a TV ad – on the downside, it stays there.

Despite the disturbing backdrop of death, destruction and politics, Kai Po Che is very likeable. Between tears, you find yourself smiling, because it’s the story of friendship and human triumph above all else.

This film is a good attempt at revisiting suspense flicks that were a huge craze in the 50-60s.