KoiMoi, Times Of India, Mid-Day
Reviewing since 2013 · Last review Dec 2021
Mohar Basu is a graduate from Kolkata’s St Xavier’s College with a degree in Sociology. She holds a Double Masters Degree from Calcutta’s Jadavpur University in both Sociology and Mass Communication. She is currently working as a film critic for the popular Bollywood website Koimoi. In her short span of working as a film critic, she can claim to be quoted by multiple popular publications including The Wall Street Journal, Hindustan Times and International Business Times.
Films
Scoring fingerprint
245 scored reviews · 0–10
Most given: 4 (48 reviews)<1% of reviews not scored
In step with the room
Within a point of the Monk Score on 60% of 222 films
Closest peer
Agrees with Mohar on 91% of 29 shared films
Divergence
From the archive
Much of the heavy lifting is on Shah's shoulders and he delivers the desired intense performance giving us the expected adrenaline rush. Kohli and Shah pull off the unthinkable - a full-fledged feature film largely revolving around a single character.
Full review ↗TRM 7.4−1.4
Director Harshavardhan Kulkarni and his able team of writers have done better with the story at hand, impressing with a film that, for the most part, feels sincere. Kulkarni doesn't treat the subject of homosexuality as a dramatic plot reveal or an aspect that one needs to come to terms with—it's tied to the identity of the lead characters so deeply that he doesn't use it for effect, and that's what makes all the difference.
Full review ↗TRM 6.4−0.4
Problems galore but dhishoom-dhishoom on point and dialogues that you'll be repeating for months. One can most certainly call this puerile that's what it effectively is. Yash taking on Sanjay Dutt and Raveena Tandon who are all having a ball of a time here, is worth the ticket price.
Full review ↗TRM 5.5−1.4
O Teri is a sheer waste of time. Beaded with abrupt song sequences, zero screenplay and Bilal Amrohi's horrifying acting, this film molests the essence of the classic Jane Bhi Do Yaaron by adapting it so shamelessly. It has not one inspired moment or manage to evoke a single spirited laugh.
Full review ↗TRM 2.8−1.8
Tamanchey is soul-less tirade that is almost impossible to sit through. A plain terrible film that is nothing more than a waste of time and an encyclopedia of needless cussing. Tamanchey is easily an avoidable film.
Full review ↗TRM 3.7−1.7
Lekar Hum Deewana Dil is a bad film which is quite a blemish on romantic comedies. Neither romantic nor funny from any angle, Lekar Hum Deewana Dil is an awfully boring film. The film is such sheer waste of time and qualifies pretty much as unwatchable!
Full review ↗TRM 3.7−1.7
James Mangold's The Wolverine is surprising, engaging and fascinating to the hilt. With delectable dosage of energetic and thrilling action, this edition of Wolverine is way beyond mere superhero mediocrity. Whether you are a Wolverine fan or not, don't miss Hugh Jackman's top notch performance in a film whose soul is well-spirited.
Full review ↗TRM 6.6+1.4
The film, which is about love and appreciating its ability to transform lives, also delves into emotional abuse and childhood trauma.
Full review ↗TRM 5.2−0.2
Shilpi Dasgupta's noble intention runs thin when the screenplay starts reducing sexual issues to jokes for quick giggles. The gaze is empathetic even though the protagonist starts off reluctantly.
Full review ↗TRM 4.6+0.4
Goodness that even Modi may not buy...Yes, it's all whitewashing, and what's even more bothersome is the absence of the promise that we once saw in Vivek Oberoi in Company
Full review ↗TRM 3.3−0.3
By no means is Kalank an unbearable film, but there is a constant tryst to divert our attention from its storyline.
Full review ↗TRM 4.6+0.4
Undeniably, majestic movie experiences are created by filmmakers and in Thugs of Hindostan, Vijay Krishna Acharya makes a fatal mistake - he takes his audience for granted. No wonder, Thugs of Hindostan doesn't rise above being an absolute snoozefest
Full review ↗TRM 4.1−0.1
Namaste England would have still made the cut, had the actors been able enough to shoulder the film. We have no idea where the fiery chemistry that Arjun Kapoor and Parineeti Chopra had in Ishaqzaade fizzled out...
Full review ↗TRM 3.1+0.9
This script has certainly been written with love. It helps that both Dhawan and Sharma are in top form. Yet, the tempo drops in the second half. The drama runs thin, and outlandish plots that see artisans turn into fashion designers raise many eyebrows. The unimpressive climax is disjointed, a far cry from the tone the film carried up until then. Despite its rousing moments, the film leaves you feeling unfulfilled.
Full review ↗TRM 5.9+0.1
Your Dose Of Smiles And Tears...Viewers are instantly sucked into the rustic milieu and volatile world of Champa and Genda Kumari
Full review ↗TRM 6.5+0.5
Dharmendra, Sunny Deol and Bobby Deol are under the assumption that the audience will pay big bucks to watch them share screen space. But, there isn't much to admire here
Full review ↗TRM 2.8+0.2
Few glaring hiccups in an otherwise watchable and frankly, very enjoyable film. Just don't hope for a warts-and-all biopic...
Full review ↗TRM 6.9−0.9
It's a shame really that Omerta lacks depth, never giving an insight into Omar's criminal designs. As a thriller, it's pacy and yet, distinctly half-baked and stiff. I assure you, this movie could be about one of most dreaded men of our times but this film tells us nothing about the man that a quick google search wouldn't. As for Rao, a friend rightly puts it - He was good even in Shaadi Mein Zaroor Aana; what's special about this then?
Full review ↗TRM 6.1−1.1
In Her Directorial Debut, 'Death In The Gunj', Konkana SenSharma Uses One Of Her Father's Memorable Stories To Spin A Tapestry Of Intrigue, Keeping It Brimming With Emotions Of Dejection, Hurt, Passion And Love
Full review ↗TRM 7.2
For most part, the film will put a smile on your faces. Something about it makes you forget that there's a sum total of two dishes, which feature in a loop here. Thankfully, Chef is pleasant while it lasts. And for everything else, there's Masterchef.
Full review ↗TRM 5.7+0.3
At over 2 hours, it's an overwrought saga which aimlessly beats around the bush but gives us no real insight. Amidst the clutter of lawyers barking at each other at unusually high decibels and Shraddha's swollen face (to emphasise her age), there's little to appreciate in this one. I will go with what one of the lawyers rightly pointed out – "This is frivolous!" He was warning us about the film. Get the hint!
Full review ↗TRM 3.6−0.6
A tighter second half, fewer songs and a less hurried ending would have made Simran a watch for keeps. But there's more reason to celebrate Simran than diss it. The quirky perspective at finding laughs in troubled times is a refreshing way of viewing problems. And then there's Kangana, making badass look simple, human and so full of heart.
Full review ↗TRM 5.4+0.6
TRM 4.7−0.7
The best way to relish this film is by arranging your expectations of it. Let's get real – there is no novelty to what plays out. There is some fun to be had if you have interest in either action or dance, or both. Siddiqui's comic relief is a cherry on the top. But the real treat here is Shroff, who has mastered the genres of dance and action in this industry. His fans are going to have one helluva time at this freak show. Others, avoid!
Full review ↗TRM 3.8+0.2
Bank Chor is one of the most unbearable movies of recent times. The problem is no one cared to make it well. The only saving grace is that Vivek Oberoi and Riteish Deshmukh haven't teamed up for an offensive sex comedy this time around
Full review ↗TRM 3.7−1.7
Erskine paints a palpable picture of Tendulkar, gently revealing his psyche through the lulls in his life, expressing his excitement when the time was good, and how the cricketer sought solace in music, vada pav and the almighty. His teammates play strong supporting roles as the film climaxes with the momentous 2011 World Cup win, and his stirring retirement speech. What you'll watch in theatres is not just another movie. It's India's biggest success story, that of a curly mopped kid conquering the nation's heart.
Full review ↗TRM 7.1+1.9
A film like this is frustrating, to be frank. The narrative is refreshingly written, brimming with breezy humour. But it is ironic that the haunting spirit is lacking, both metaphorically and literally speaking.
Full review ↗TRM 5.00.0
It's a great watch for those looking for cleavage shots of busty ladies heaving and all. The men aren't much of a delight in that department — in one scene, a woman sprays perfume on her guy before doing 'it'. A cue for body hygiene, and also to make better movies that don't trivialise rape. No Nirbhaya, India hasn't changed much. We still objectify women — zoom into their butts and breasts to sell tickets. Hope you are in a better place.
Full review ↗TRM 3.3−1.3
Khandelwal is sincere in his desi Sherlock act (he apes Cumberbatch, making his deductions from the clues popping on screen) but has no support from the plot. You wish the writer-director had used some logic, the film wouldn't have been this silly.
Full review ↗TRM 4.0+1.0
In its 115 minutes' runtime, the film feels longer than it should. The ending is simplistic, almost laughable. It is a pointless movie that reiterates how important crisp direction could prove for a thriller.
Full review ↗TRM 4.9
M Cream is incomprehensible in parts, poignant in others but it is mostly a pointless movie. Though brimming with raw energy, the narrative lacks vision to use it right.
Full review ↗TRM 3.6+0.4
For those who have a taste in adult comedies, Great Grand Masti is a fun weekend watch and one of the better ones we've seen this year. Go guffaw!
Full review ↗TRM 2.5+3.5
Yates fails to give his leading man any depth. Though Tarzan wears his brawny side in style but a lack of insight into his psyche, makes the film a weak brew. This Tarzan is sincere but roars tad too late.
Full review ↗TRM 5.1−0.1
Is the film gritty? No. Is it emotional? No. Is the love story worth the bloodshed? No. Is it worth your money? You know the answer. Give this frivolous fare a miss!
Full review ↗TRM 3.8+0.2
The biggest problem with Raman Raghav 2.0 is that it glorifies the gore. The climax monologue will run your patience thin. Can you buy the logic that killing for insanity is better than killing in the name of religion? It is crude, callous but in trying to whip up suspense, it loses sight of vulnerability.
Full review ↗TRM 5.9−0.9
7 Hours To Go is gimmicky, lacking both the smarts and the menace of a thriller. Miss it...
Full review ↗TRM 4.8
Even as you lose your heart to Rough Book's intention, you can't buy the amateurish story. The dialogues are dated, the story is predictable (despite a momentary surprise towards the end) and the climax is sloppily done. The performances are charming (be it Amaan Khan, Joy Sengupta, Kaizaad Kotwal or Suhasini Mulay) but the film is forgettable.
Full review ↗TRM 4.5−0.5
Even though Dhanak stays mysterious till its last scene, it gets too repetitive to hold your interest. Its soulful music, heartfelt style of narration and of course, delightful kids can't make this half-baked story soar.
Full review ↗TRM 6.7−0.7
You don't particularly buy the human drama at the center of this film but Wan doesn't let you ponder over the flaws. He keeps the mood tense, the jumps frequent and the ambience unnerving. Even with its glitches, The Conjuring 2 gets one thing right; it scares the hell out of you.
Full review ↗TRM 5.7+0.3
This dreadfully boring film ends with the hope of a sequel. It's time to introduce the makers to John Lennon. 'Make love, not war...'
Full review ↗TRM 5.3−1.3
This is strictly popcorn entertainment which is good while it lasts but offers nothing to take back home.
Full review ↗TRM 5.0
Though it is commendable that a British film has taken a rather pragmatic, matured and non religious stand on euthanasia, it is a shame that the film never delves deeper into the debate or makes a convincing case in its favour. Me Before You gets busy whipping up a tragic tale instead of making a point about the delicate issue.
Full review ↗TRM 5.0
In the end, Phobia is an unnerving movie that plays skillfully on the fear of the unknown.
Full review ↗TRM 6.4+0.6
...the writing wears thin in the latter half. Shiv's big revelation was unnecessary and the writers seemed unsure how to end it for Tara. And yet, none of it matters. For Kalki and Naseer's effortless performances, this movie deserves to be watched.
Full review ↗TRM 6.5+0.5
The flaw lies not in the acting prowess of the cast or in the flattering action, but in the screenplay. The baddies are not menacing enough, especially Apocalypse, whose undefined powerful persona runs out of steam. It is usually not a good sign when the climax is devoid of suspense and mass-scale destruction fails to invoke fear.
Full review ↗TRM 5.4+0.6
Dear Dad deserves a watch simply for the profound point it makes about accepting people for who they are and loving them unconditionally.
Full review ↗TRM 5.0+1.0
Quoting from the film, the best thing that can be said about Buddha in a Traffic Jam is that we love the ideas Vivek brings forth but we are not in love with them. It lacks outrage and treads familiar ground.
Full review ↗TRM 3.4+0.6
There isn't an inkling of innovative thinking in the third installment of the 1920 series. The best thing that can be said about it is that it will remain one of the year's funniest films.
Full review ↗TRM 3.2−1.2
Sometimes good actors do have the power to exalt a mediocre script, but both Sunny and Tanuj fail to sink their teeth deep into their characters. Their acting lacks flair. She never looks genuinely harrowed and his demeanor is far from dangerous.
Full review ↗TRM 4.3−0.3
Baaghi blooms only during the fights but by the time the clock ticks towards the climax, you are exhausted. How much can you hoot for broken necks and crushed bones? You could try finding thrill in Tiger's kicks but the film has nothing more to offer.
Full review ↗TRM 4.6+0.4
It is a well-intentioned movie that loses steam too quickly. There is not enough good writing to keep things moving. Devoid of any fun and excitement, it is a morose affair that can be skipped!
Full review ↗TRM 4.0
TRM 2.5−0.5
Laal Rang is half-baked and unconvincing. Despite the grit, it never becomes a riveting film. Here's a lesson to learn: Ideas don't make good films, execution does.
Full review ↗TRM 5.1−1.1
Though the tempo drops considerably in the second half, Ashwiny ensures that the film never loses its charm. It does get preachy and you find yourself shifting in your seats a lot towards the final scene, but the movie wins you over with its innocence and simplicity.
Full review ↗TRM 7.00.0
The oohs and aahs are limited to the pain of watching the film. This one is an opportunity lost. Even the brightest of ideas go in vain because of bad execution. Love Games is a classic example of it.
Full review ↗TRM 3.7+0.3
Global Baba is subversive but doesn't have an inventive streak. It points out problems without delving deeper or providing a solution. This one is just old wine in an old bottle!
Full review ↗TRM 4.7+0.3
Zubaan might test your patience but it is heartbreaking in parts. Luckily, the melodrama is kept at bay even when the protagonist finds himself divided between materialism and mirth.
Full review ↗TRM 5.4+0.6
Over its 122 minutes, Love Shagun feels longer than its length. It is one dull, passionless movie that gets nearly nothing right.
Full review ↗TRM 4.9
In this country, the glam world permeates into every sphere of our lives. Behind the shine of stardom, there is the struggle of multitudes, who are unable to make it big here. Is this film a befitting tribute to them? No. Lamentably, even with its noble intention and strong performances, the movie never soars.
Full review ↗TRM 5.2−0.2
Comedies are meant to break the monotony of your life. In this case, you would prefer your mundane life twice over than subject yourself to such stupidity.
Full review ↗TRM 4.6
Aashiqui 2 did a good job at bringing back the 90s' melodramatic romance back but Sanam Teri Kasam is barely as compelling.
Full review ↗TRM 3.5+1.5
Despite its freshness, the film fails to create an impact. It is hard to be affected by it due to its lack of depth.
Full review ↗TRM 6.0−1.0
There is very little heart to all the mad rush in the movie. You are moved when Dave adopts the chipmunks legally or when Miles starts looking at them as family and not foes. Frankly Miles' change of heart was a little out of the blue, but it fits just fine for the age group it is catering to.
Full review ↗TRM 5.2
You wish the film was less conventional in its approach, but it delivers so much that you can barely complain. In keeping with the film's Casablanca line, the last word here has to be - "I've only really liked a handful of characters in my life, and this movie has two of them."
Full review ↗TRM 6.3+0.7
The words 'God was with us' written across the walls where these 33 men were trapped gives some perspective and the triumph of indomitable human spirit eases out a lot of negatives. This is a plain biopic that has its heart in the right place but doesn't deliver anything extraordinary.
Full review ↗TRM 5.7
...is amateurish but a roller coaster ride that entertains to the hilt. You just wish it had a little more than what we've seen in the TV series.
Full review ↗TRM 5.2
Chauranga is neither provocative nor skillful in its portrayal. Though its last scene ushers in a ray of hope to nullify the haunting gory glimpses from the film, it never soars high enough to affect you.
Full review ↗TRM 6.3−2.3
The acting department puts together ludicrous histrionics in dialogues that will put Kanti Shah's Gunda to shame. Aapke wajood ka ansh mere wajood se judd gaya hai is how a woman announces her pregnancy. If you are looking for two hours of laugh-out-loud moments, resort to this unapologetic film. You wish the makers were half as sorry as their title claims.
Full review ↗TRM 4.3
Angry Indian Goddesses is a decent watch if you keep you expectations in check. It is a perfect example of how anger does very little good afterall.
Full review ↗TRM 6.3−1.3
From the first frame, you'll instantly lose your heart to the vividly animated, bright milieu here. Arlo's world is moulded with rich colours and the film's animation is one of the best in recent times. Some shots of the forest, the snow-capped mountains and the river are beautifully done. But, in terms of story, The Good Dinosaur suffers a beating. It is far from novel and the writing is lazy.
Full review ↗TRM 6.1+0.9
Kajarya is a lethal film that has its heart in the right place. It is both engrossing and abhorrent, addressing the issue of female infanticide with an astute understanding of the subject. Director Madhureeta Anand's story is backed by solid research and her empathetic stance allows her to dive headlong into the issue to provide a more holistic view.
Full review ↗TRM 5.8
Yeh Ishq Sarfira is a ham fest that will dumb you down with its foolishness. Save yourself from becoming sarfira!
Full review ↗TRM 4.3
Avoid, X : Past is Present. It will fail to suit your filmi palettes and make you stay away from biryani for life with a very grotesque reference. You can do without such negativity.
Full review ↗TRM 4.4−0.4
...is sillier than it claims to be. Avoid it and spare yourself the challenge of surviving this vile affair.
Full review ↗TRM 5.0
The film, with the well-mounted CG villains - the werewolf, the abominable snowman, body squeezers - and its hair-raising playfulness, is a pleasure ride.
Full review ↗TRM 5.7+1.3
Pan has an unnecessary and incoherent story, with garish visual design and deafening background score. It seeks to salvage its odds by Miller's charm. He is a strikingly beautiful child with bewitching blue eyes which can easily enamour viewers.
Full review ↗TRM 5.4
Director Wes Ball imbues the right level of energy with inspired, high-octane action pieces keeping you glued. It might falter on many grounds but nonetheless, delivers solid entertainment for its entire runtime.
Full review ↗TRM 5.4
It is nearly impossible to decipher what this inept film is all about. Based on a thin, staggering plot line, it has a careless narrative which makes a mockery of its powerful theme. The film sets its bold tone right, almost as soon as it begins. But, as the narrative progresses, it jumbles up while juggling between too many ideas. What doesn't help the film's case is its lousy script, amateur acting and frivolous style.
Full review ↗TRM 4.6
Fashioned as a garish potboiler, the film has people romancing over local madira and flaunting posh aviators in tacky clothes over laughable loud songs. This time around, there is so much more to guffaw over besides his curly body hair.
Full review ↗TRM 2.00.0
Meeruthiya Gangsters has flashes of Quadri's brilliance, but the underwhelming script squanders all potential.
Full review ↗TRM 4.2−0.2
Sculpted as a full throttle masala entertainer, Hero is plot-heavy. And while you are well acquainted with the story, Nikhil and Salman's sensibility works as midas touch, giving the film a different texture. It is slick and never allows its viewers to feel restless. For its 132 minutes' crisp runtime, Hero offers bucketful of entertainment and victoriously conveys that commercial movies needn't be puerile to show people a good time.
Full review ↗TRM 3.9+3.1
As Bogdanovich takes us for a carousel trip after 13 years, it is heartening to lay back and let the frothy amusing chaos entertain you.
Full review ↗TRM 5.6
With a heartening story in tow, the film transforms a regular tale of suffering, loss and redemption extraordinarily. Though laden with cliches, it is consistently hard-hitting and never loses plot. The right blend of heart and skill works in suffusing an operatic feel to the movie which is an absolute knockout.
Full review ↗TRM 6.0+2.0
The film will touch you surely, but the overall effect doesn't suffice as anything much to write home about.
Full review ↗TRM 3.9+0.1
At 91 minutes, these tiny yellow blobs steal the show from their human counterparts. With charming elements galore, adorable gibberish talk and winsome screen presence, the film is cuteness overload.
Full review ↗TRM 5.7+1.3
TRM 5.5
It's an average fare which could've been far better had its meanderings been trimmed.
Full review ↗TRM 3.9+1.1
In its 91 minutes, Big Game can pass for junk cinema to go well with your popcorn. Its picturesque setting, exaggerated lines and well-drawn action sequences are fun while it lasts but not compelling enough to desire a repeat.
Full review ↗TRM 5.4+0.6
Despite flaws, in its 133 minutes of runtime, Bhatt churns out a quasi-gratifying film, which has all the necessary commercial ingredients - from romance to good music to thunderous action sequences.
Full review ↗TRM 3.2+2.8
You might guffaw at a few scenes because the film isn't exactly an epitome of logical thinking. But as an entertainer, it's colourful, crisp and convivial.
Full review ↗TRM 3.6+2.4
Of all of Chan's recent escapades, this is the only one that not only lives up to his desired ambitious streak but also has a warm touch to it.
Full review ↗TRM 5.3+1.7
Technically, the film is spectacular. The grand ball scene is fabulously done and the CG is used correctly. Largely minimal on special effects, the visual marvel is exhibited in the fancy choice of locations. Holding the trappings of its fairy tale source, Cinderella is a treat to watch.
Full review ↗TRM 6.1+1.9
Expect to remain unmoved by this film which tries to unleash the morally corrupt face of Indian politics. The product we have at hand, is a juvenile tryst which focuses on a sexually charged up plot to garner good box office moolah.
Full review ↗TRM 2.5+0.5
Never soaring above being an outlandish vanity project for Acharya, it offers nothing more than a few lame laughs and garishly set-up songs. It won't be the worst thing to miss it.
Full review ↗TRM 3.6
Though it falls short of being an incredible movie but the unique style of narration, makes it pleasantly watchable.
Full review ↗TRM 3.4+0.6
...it isn't extraordinary, failing to rise above the idea that a fat girl needs some schmuck to complete her life. Undeniably, the smarts are visible in its original thinking but it doesn't translate into a satiating viewing experience.
Full review ↗TRM 6.8−1.8
Brisk and absorbing, concluding differently than expected, Badlapur is an inspired film that dangerously attempts to change the landscape of the thriller genre in Bollywood.
Full review ↗TRM 6.9+1.1
TRM 4.0+3.0
Culminating into a horrendously gore-filled climax, this shallow movie offers nothing new and is infuriatingly tiresome to sit through.
Full review ↗TRM 4.00.0
...with an unsurprising climax, weak story and repetitive action, the film fails to be half as good as a regular Statham gag must mandatorily be.
Full review ↗TRM 4.4
Birdman, in its 122 minutes' runtime, transforms into exhilarating cinema that gives a heady rush.
Full review ↗TRM 7.7+0.3
This one is a one-time watch. For all those who love Bollywood and its over the top romantic-action drama films, Tevar is exactly that. After the long gap of PK, this film will be a fresh, no-brainer that will be good as a weekend watch for all cine-goers. Although for all those who have seen the south version Okkadu starring Mahesh Babu, well this may not exactly go beyond that.
Full review ↗TRM 4.6+0.4
It's not often that you go to the movies to learn, absorb, comprehend and yet come out exclaiming what a delightful time you had. This is better than just an ordinary Hirani affair. It's his most valiant product till date and I for one will applaud him for not frisking away with easy routes in a film that's better kept 'safe'. It's a thing to learn from him, how to drive home a point without any bhesht of time.
Full review ↗TRM 7.4+0.6
Golden Kela and its likes are away but the worst film of the year is hands down this. At the 'Break Of Dawn' Michael Jackson must emerge from his grave, pull Prabhu by the collar for using his name, punch him and exclaim, "You ain't criminally good but hell you've been hit by Smooth Criminal." Beat it!
Full review ↗TRM 2.6−2.6
Zid is not cringe worthy, just plain boring. Selling itself in the garb of a few explicit shots, the film's fabric did not back itself in a solid enough story. It doesn't have anything exemplary about it, not its acting, story or the chemistry between its lead pair. The worst thing about Zid was its climax that was downright silly. It's almost like a bunch of intelligent people thought of doing a crash course in making a silly film and Zid was made.
Full review ↗TRM 3.1−1.1
Masurkar's inventive thinking is what is the best part of Sulemani Keeda. His Mise en scene-ish expression drives the film and his bizzaro vein of thinking makes the film a delightful watch. A vibrant, slice of life which has a tight story, fabulous performances and the feel good fuzziness as an afterfeeling, must not be missed. I quite loved it and will make my way to the theaters to catch this!
Full review ↗TRM 6.0+1.0
I think it's putting too much of a responsibility on a film to instigate a social change. It's job is to primarily entertain and make better cinema. Ungli's novelty is its highlight point. Benefitting from sharp writing, lucid narrative and a few clapworthy zingy dialogues which have the punch, I do think Ungli is one of 2014′s most novel concepts. Well rendered and acted with zeal, don't miss five people showing an entire system, the finger.
Full review ↗TRM 4.8+2.2
Happy Ending makes fun of all the films which have made it our bucket list of classic love films and does so without a hint disparaging malice. Yogi and Yudi played by Saif and their well-placed complimentary, smart-alecky camaraderie, along with the poker faced humor of Govinda makes this film a peachy yet relevant and essentially a droll, chucklesome watch. There aren't many 'fur and feathers' films which go down well with me, this is one of the sparse few which qualify as exception.
Full review ↗TRM 5.3+1.7
Kill Dil is not a bad film, it's a badly made film. With such sincere actors, the film lacks a distinct soul, killing it's intensity scene by scene, frame by frame by adding frills. Despite good performances by Ranveer and Govinda, the film is a victim of bad writing more than a bad story, and wobbly direction which couldn't guide the ship right. I am going with 2 stars. Had the climax been a little meatier, I wouldn't hold the film in such low opinion.
Full review ↗TRM 4.4−0.4
The Shaukeens is a lame, dunce, dis-satisfactory and a stupid film at its core that is so tedious and flat that you almost abhor your time at the cinema. If you can tolerate 30 minutes of Akshay Kumar making fun of himself and his colleagues by making funny faces, you can take a trip for this. But for me, it was a disappointing story of how we lost an intelligent filmmaker to fat paychecks from fancy production houses. There can't be a better reason why someone as intelligent as Abhishek created something so glaikit.
Full review ↗TRM 4.9−1.9
Smeared in color, vibrancy and sensuality, Rang Rasiya revels in its operatic beauty and narrates a liberating tale of love, passion and freedom of vision. Ketan Mehta brings out the best from its actors Randeep and Nandana; especially the latter who unleashes on screen much beyond her sublime beauty, the vulnerability of her character. The inspirational story tells an uninhibited tale of a man who will always remain eternal through his art.
Full review ↗TRM 6.0+2.0
Fireflies beautifully sums up the concept of coming around in life and its Cecilia Ahern-ish tone of optimistic view of tackling unrequited love is what works as the film's USP. The brilliant performances of Arjun and Rahul reigns but in the end the flawed beauty of the film has an uncompromising flow in it. It is not a brilliant movie but is definitely worth a watch for its tone and pitch.
Full review ↗TRM 4.5+1.5
Super Nani was a super boring film. An atom out of the goneby years, this film is more of a mockery of the Biwi Ho Toh Aisi variety of plotlines. I laughed my guts put at the sheer display of lameness for most part of the film, and by the time the end credits roll, you will be disoriented enough to make a dash for a med store. Disprin, please someone. I am going with a lenient 1/5 and only for the film's strong protagonist who pulls off this dismal affair with a lot of grace.
Full review ↗TRM 3.0−1.0
I am glad Roar could atleast make me laugh. Because the film is so pointless that it doesn't serve anything it attempts to or thought of achieving. In the end, you come out with both a headache from all the stupidity you had to witness and a stomach ache from all the laughing. I am going with a zero. I wasted enough time writing about my harrowing experience and stars aren't needed beyond that.
Full review ↗TRM 4.0−4.0
Happy New Year is a muddled mess which has its own warm moments but as a package fails to work. Three hours of Shah Rukh flaunting his abs and swagger gets too much to take minus a strong storyline. Farah Khan has redeemed Tees Maar Khan but Happy New Year is her most mediocre work. It's a magnum opus which is pretty much hollow from within and remains an all frills, no thrills show.
Full review ↗TRM 5.4−1.4
Sonali Cable doesn't offer much in terms of cinema. I do get what the makers were trying to drive home (a theme bigger than the purview of this film for sure) but a tiresome narrative doesn't yield much goodness. Once out of the theater, it is the kind of film that will make you feel why did you waste your time. Filled with wrong laughs, false frills and a build up that doesn't make for an enticing climax, Sonali Cable's underdog story doesn't quite work.
Full review ↗TRM 3.8−1.8
Ekkees Toppon Ki Salaami is not a work of genius but is earnest at what it does. Anupam Kher's performance shines and though the plot has its peaks and lows, the story's soul wins eventually. You can give it a try because it isn't cinematic beat but definitely a story that should be. Discrepancies and logic lapses aside, you won't exactly hate the film.
Full review ↗TRM 5.8−0.8
Bang Bang is a plain film that is mounted on a breathtaking canvas and remains steady at the superficial level only. Low on logic and more on frills and airs, the best thing about Bang Bang is Hrithik Roshan. He sincerely drives the film with his swagger and hot bod droolworthy looks, with Katrina aiding him with her cutesy innocence. But the lack of inventiveness in Bang Bang irks me. When I am done with ogling at the stunts and stars, I have nothing to remember it by.
Full review ↗TRM 4.3+0.7
Haider is an unforgettable film that never fumbles, never stumbles, and is so sure of itself that it cannot go wrong. From Shahid to Tabu to Kay Kay to the powerful cameo of Irrfan, everything in the film works. It's a Guztaq film that audaciously breaks every rule in the book, everything that you could have expected from it and ends up being that edgy watch which you'll savor, while you watch it from the edge of seats. Haider is Chutzpah and inkeeping with the same vein, I will rate this film the highest I have ever gone with a movie.
Full review ↗TRM 7.1+1.9
Desi Kattey is one drag of film that pretends to be a potboiler but ends up being a Gunday look alike gone wrong. I am not sure such films should be reviewed even. I bore through enough pains to write it and hence I feel too tired for stars.
Full review ↗TRM 2.8−2.8
I can watch 3AM once but it is no fun. Hardcore horror enthusiasts won't even entertain the film because it is all textbook matter sprawled on celluloid. The film resorts to expected Ramsay props of Kaala Jaadu and more, and that's where the tapestry thins beyond recognition. I did not loathe the film but it is no genius, not intelligent, nothing pathbreaking and borders on staple.
Full review ↗TRM 4.00.0
I wish I could be kinder just because the film is a well intentioned one. But sadly, despite good intentions it is a bad film that has poor dialogues (repeated use of the word 'Dabangg' for some joy), technical discrepancies, a weak climax and unconvincing, conveniently done narrative.
Full review ↗TRM 3.9−0.9
Daawat-E-Ishq dodges you with tall promises of serving a great food film or even a good film. But it's diet food variety of cinema that is neither healthy nor nutritious and leaves you famished by the end of it. Parineeti and Aditya despite their earnest performances cannot bring the needed charm to the film. I am going with a very generous 2.5/5. It had a lot of potential but the feeble sketching makes it a forgettable watch.
Full review ↗TRM 5.00.0
Khoobsurat isn't for people who don't have the appetite for romantic comedies or who aren't fairytale believers. They will go with incorrect expectations and come back disappointed on grounds of it being unrealistic primarily. I did not mind the lack of novelty because it was afterall a well executed film. Fawad Khan as Prince Charming is the show stealer here and he makes his chemistry with Sonam look fantastic! Bubbling with energy, breezy and beautiful, this film is a good enough, passably enjoyable one time watch.
Full review ↗TRM 5.5+0.5
Finding Fanny isn't much about quirk as much as it is about discoveries and revelations. Despite the ending being on the disappointing side and the threadbare plot, it is the magnificent Performances that creates a certain kinship with its audiences. It doesn't play on the stereotype and is neither some path breaking film but I came out with a good experiences, a few well intended laughs and some wonderful Performances. Don't miss this. If you have the patience to unravel a treasure, Finding Fanny has one in hold for you.
Full review ↗TRM 6.8+1.2
The cinema child inside me was bruised that I could not bring myself to like Mary Kom. As a woman, I deeply respect her and draw inspiration from her. But the film that was aspiring to reach her story to millions falls prey to mawkish ways that tells a half baked, semi-impactful, immature story that doesn't allow you to empathize,feel for or connect with the subject they are paying tribute to. The film was a business vehicle that was made to draw money than to create good cinema for posterity sake.
Full review ↗TRM 6.1−1.1
Raja Natwarlal dropped way below what was expected of it. Besides Paresh Rawal, no one even attempts to revive the failed film. In a film when Emraan's smooches too fail to light up the screen, there isn't much matter to draw audiences. This con show is one bore show and you wouldn't miss much if you don't catch this film. Not everything can be called cinema.
Full review ↗TRM 4.5−2.5
I am quite proud to say that the roaring lady rules the show in Mardaani and with aplomb. Despite the film unraveling with as much wit and creativity as was expected of it, the movie is an attempt to alter the fare of commercial cinema, giving it a more real tinge. It might not be a brilliant film but it is a film that is better than good and must govern your attention for the theme it raises. It is a powerful film that seldom goes wrong and leaves by a message that must be heard. A big shout out to Team Mardaani.
Full review ↗TRM 5.8+1.2
...isn't half as mesmeric as a dance film should be. Though Saahil Prem seems earnest in his attempt, his film lacks both energy and soul. Failing to 'Step Up' its standard, there is absolutely nothing in the film which should draw you to the halls.
Full review ↗TRM 4.6−1.6
The film is exceedingly well shot, kept tight and flows lucidly. Even if the problems playing might seem alien to you, the film draws your attention and engages you with its intelligent workings. Given that Deepti and Fahad have spent a good deal of time working on the film, the scale on which they were able to mount the film was spectacular. The violent shots of angry mobs were all possible because of the same.
Full review ↗TRM 7.1−0.1
Singham Returns doesn't match up to Singham and that is the failure of this franchise venture. It is definitely a very watchable film with Ajay putting in his best foot forward in a role that brings out his caliber to the fullest but for those who are expecting a Rohit Shetty fun watch, this film is neither immensely entertaining or superbly enjoyable. The action doesn't offer anything new and the drama is too superficial for my taste. It is just about average and that too only for its lead man whose swagger rules the show in this one.
Full review ↗TRM 5.3−0.3
Entertainment is a painful exercise to sit through and when a cute retriever with all the fuzziness cannot retrieve you from boredom, blame it on the film. Akshay Kumar was almost as bad as his Once Upon Aye Time In Mumbaai Dobaara performance, and that says it all I am sure. I am going with a very kind 1/5 for the film and it's a gift from a dog lover to all the dogs who appeared in the film. As for the rest of the Entertainment team, filmmaking isn't as trivial as they think it is. Slog for it in their next film and probably then there will be some stars for them. As an afterthought, my fraternity will agree, we live a dog's life tormented by films like this.
Full review ↗TRM 4.0−2.0
Kick isn't a pile-on, on Salman's harebrained repertoire. Luckily, it has the thrill in its action parts and the fuzziness in its romantic ones. Salman sinks his teeth in a character that is a blend of his best roles, delivering a film that is a welcome change from his regular formulaic potboilers. Nawazuddin's performance upped the bar of mainstream villain by manifolds and Jacqueline's chemistry with Khan is sexy. Kick is no Ek Tha Tiger but it is an effectively enjoyable film that crackles enough to gives us bang for our buck! I am going with a generous 3/5. Kick isn't kickass but gives a delicious rush.
Full review ↗TRM 5.5+0.5
Hate Story 2 is a shabbier, incoherent, clumsier and low of thrills sequel of its B-grade cheesy predecessor. Despite the grave flaws, Hate Story was atleast watchable. Hate Story 2 disappoints in every department. And though the lead lady shows some promise, the film doesn't even rise up to mediocrity. It is crass and revels at it. I am going with 1/5. Revenge dramas can be very alluring. A certain Khoon Bhari Maang is a classic example of how this genre can be terrific. But when you aspire low, you achieve low.
Full review ↗TRM 4.2−2.2
Amit Sahni Ki List isn't exactly some excruciating film to endure but it doesn't bloom enough to qualify as a crackling film. The director's slapdash work is evident and that mortally harms the film. I am going with a 2/5. This Vir Das show isn't exactly his best work.
Full review ↗TRM 5.2−1.2
Pizza 3D is not even close to being a spooky affair. For horror fanatics or time pass audience, the film doesn't offer anything new despite the hope of it. With too many visible loopholes, the film was a good idea which could not translate itself into a good film. I am going with a 2/5 and hoping that someday a film will come that will use paranormal to create an unseen story.
Full review ↗TRM 4.7−0.7
Humpty Sharma Ki Dulhaniya is low on froth, zero soul and an absolute bore of a film! My review might seem like a polemic but the reason for it is : don't tamper with classics and take pride in butchering them. This lehengey wala love simply didn't work for me. Only Alia and Varun save this film with their energetic rendering and the dialogue writers get a pat on from me for trying their best to keep it zesty but this film doesn't rise above a 2.5/5 for me. I expected too much and too little was meted out to me #storyofeveryfilmcritic'slife
Full review ↗TRM 6.0−1.0
Bobby Jasoos could have been a crisp, lucid and marvelous film but the overwrought emotional factor got the better out of the story. Plagued by an underwhelming second hour, sloppy editing and a conveniently done hurried climax, the film counts well only for Vidya's ability to carry a film solely on her shoulders. Her cutesy chemistry wit Ali scores too. But know that a detective story hasn't done well when you crack the story before the detective himself.
Full review ↗TRM 5.3+0.7
...an indulgent affair that breaks down the boundaries of regular thriller. Mohit Suri has raised the bar with this film that is captivatingly shot and crisply edited. At 2 hours, 7 minutes, the film benefits from the inspired lucidity in writing and dialogues. But mostly, it is the unpredictable skin Sidharth and Riteish don in this film that pulls the carpet from under your feet. Their phenomenal performances remain the movie's most enticing bit and the reason why I am going to watch this once again. Going with a 4/5, this is one heady film with the desired punch.
Full review ↗TRM 4.9+3.1
...engrosses its audiences with its visual gimmicks and high octave action sequences. With a bunch of brilliant moments, the movie is all about action overdose and feeble storyline. It's like junk food that satiates the greed but has no nutritional value. Awake the fanboy in you and go have a good time!
Full review ↗TRM 5.0+1.0
Humshakals is the lowest form of buffoonery I have seen this year. It would have been way more harsh if Ram & Riteish were missing from the film. Loaded with indecipherable dim wit, the film is an odd mishmash of pathos and drudgery. Unfunny and strictly for juvenile, I am gonna take the day off to decide whether Himmatwala was better than this. Meanwhile, stick to FIFA and stay away from the cinemas. Going with a very lenient 1.5/5, I am on the brink of lunacy after watching some glop like this.
Full review ↗TRM 2.5+0.5
Fugly must mean trash because I couldn't find anything better in the film. A film devoid of soul, this movie will leave you mind-fuglied and I assure you that's a state hard to overcome. I sat through the film in the hope of drooling at Akshay Kumar and Salman Khan's gorgeous faces in the much hyped song but alas the film doesn't allow us a single pleasure. I can't bring myself to give any stars. It was too dumb and doomed to deserve anything.
Full review ↗TRM 3.4−3.4
Nitin Kakkar's Filmistaan is a crackling movie to the core that doesn't give you one dull moment in its lambent tapestry. Sharib Hashmi is precocious for a debutant and along with Innam's adept performance, the duo deliver a effulgent film. I, for one, didn't get enough of the film and can't wait to pay the price and watch it again.
Full review ↗TRM 7.2+0.8
Kuku Mathur Ki Jhand Ho Gayi is a jhand film which is better avoided. With a lack of soul and a half baked storyline, the film is a bad mishmash of convoluted screenplay, dull writing and hasty execution. Though 109 minutes helps, the exasperation of having to watch the film surpasses the minuscule joy of it being a relatively short film. Sometimes devil gets the better of me and the concept of being thankless jumps out of the window. Something of the same order happened when I watched a jhand film. I am going with 2/5. Avoid a jhand movie because you aren't a jhand.
Full review ↗TRM 4.6−0.6
Citylights might have its flaws but is overall a film that must be watched. A befitting commentary on social exploitation, the film's humane touch and the expressive treatment catapults it to a different league. But mostly I find it hard to not sing praises of Raj Kumar Rao whose superlative work gives the film it's mettle. I ordinarily was going to go with a 3 but for Raj Kumar's brilliance I am giving this one a 3.5/5. Industry has found an heir to Irrfan Khan and when it comes from a fan, understand that he is a keeper.
Full review ↗TRM 6.8+0.2
Kochadaiiyaan is not the work of an amateur and I give Soundarya the credit for trying her hand in something so mid boggling as well as dangerous. The mere look at one of the exquisite war sequences convey the magnitude of her imagination, but the translation of the same into celluloid was half baked. Despite the story having a soul to it, the animation discrepancies suck it out from the film. IT doesn't have the quaff value of Avatar but for the thumping effort alone, I am giving this film a 2.5/5. Probably the sequel Rana will have that unprecedented quality I am looking for.
Full review ↗TRM 4.8+0.2
Heropanti makes no fuss about being a bad film. Unapologetical about being a dismal and shabby affair, Heropanti serves only two purposes: Giving Bollywood an heir to Akshay Kumar who kick boxes like a star despite having Kareena Kapoor's cutesy face and an actress who has a lot of latent potential along with her resplendent looks, waiting to be used in the right project. Lamentably, the film allows no bandwidth to save this Tiger.
Full review ↗TRM 4.2−1.2
If you are going for the film hoping to catch up on some suspense thriller, The Xpose will surely disappoint you. It is a half baked attempt at creating a scandalous 60s era with underlined themes of sex, infidelity and murder. With tongue-in-cheek dialogues, I found the film unsuccessful at creating suspense.
Full review ↗TRM 3.9+0.1
Mastram brings out the Indian thinking process in its most unadulterated form, by introducing a character who would rather be a flop writer telling domesticated stories over being a successful writer writing erotica. It is not his dual life, stuck between divine and profane that forms the focus but the story's inherent ability to convey so simply India's most lamentable and gruesome mentality of turning a deaf ear towards: Sex. This is not for the prurient. Others must not miss it.
Full review ↗TRM 4.5+3.5
Hawaa Hawaai runs the risk of being compared to Gupte's previous works but as a standalone it is without doubt one of the most brilliant works of recent times. Subtle and empowering with delectable performances of Saqib & Partho adding power to the film, here's one ultimately satisfying movie that will win you over with its bittersweet and spirited work. I am going with a 3.5/5 recommending that you don't miss this one.
Full review ↗TRM 6.7+0.3
I did not leave the hall with a smile after Yeh Hai Bakrapur for the simple reason that I saw there was lot more potential entrapped in the story than what came out on screen. The frenzy for filmstars in our country left unexplored despite being hinted on repeatedly. The flat climax and dissatisfaction after the ending left me dull. There was so much matter put to so little use.
Full review ↗TRM 5.00.0
The last time most Spiderman loyalists weren't quite pleased with Webb's work. But this time Webb has done his best at upping his standard by adding a dash of heightened drama along with a sufficient dosage of light hearted decadent enjoyment to savor. For plusses, Emma Stone & Andrew Garfield quite do the magic but don't miss the electricity that keep the spark afresh all through. I am going with a 3/5 and recommend that you go armed well from the candybar.
Full review ↗TRM 5.9+0.1
The film is a love revenge saga that may entice you only into phases. While the music is complete downer, there is less to look forward to in this film. If you are a person high on optimism, this film may impress you with its positivity and underlined message. Kaanchi could have been Ghai's Rang De Basanti had the script been strong enough.
Full review ↗TRM 4.1+0.9
Revolver Rani is a better than good film that is pulled back due to its hassle some screenplay and craggy editing. The film could have been way more meritorious with heightened drama and better action but suffering from the known second hour plague, the film loses focus squandering its potential in thin air. Kangana Ranaut however, doesn't allow the film to waste away. Her enigma alone makes it quite an irresistible and scrummy watch.
Full review ↗TRM 5.6+0.4
2 states is barely unwatchable but misses the magic of Chetan Bhagat's novel. As a stand alone, it is endearingly done with Alia and Arjun's scorching chemistry coming off as adorable. Despite a half baked soul, this movie is worth the price of your popcorn. The Bhagat fan in me is disappointed but the cinegoer isn't.
Full review ↗TRM 6.00.0
Bhoothnath Returns is lightyears ahead of its first part. Told like a socio-political satire in the first half, it suffers when the humor runs out leaving behind an overdramatic climax. For the intelligent story and the umpteenth laughs of the first hour and mostly Parth & Big B's impervious chemistry, the film deserves a watch. Could have been octaves ahead but doesn't soar adequately.
Full review ↗TRM 5.8+0.2
Main Tero Hero transports you into a world of fun that we have been kept devoid of from weeks. Quick witted, jocular and pricelessly silly, this film is a sure shot must watch. Leading constantly somber lives extracts the vibrancy out of us and after a long time here's a film that will rescue you from the regular pains by offering 120 minutes flat of persistent guffawing. Varun Dhawan's Govinda act is one rollicking show. I am going with a 3/5 and recommend that you definitely watch abandon all your troubles and have a blast at the movies this well. Thumbs up!
Full review ↗TRM 5.5+0.5
Jal is a magnificently shot film but doesn't quite imbibe the needful spirit. Though Purab Kohli proves his flair as an actor, the film tries its hand at being a Shakespearan Tragedy where a hero is felicitated posthumously. Unfortunately, despite the fantastic cinematography the lack of soul doesn't quite make this an impressive fare.
Full review ↗TRM 5.3−1.3
Dishkiyaoon is a bad film. There are no second thoughts or views on that. Terrible acting and a horrible screenplay is crucially damaging to this movie. I was very close to giving it a zero but the last scene and Sunny Deol earn this one a lenient 0.5. Kindly refrain from this altogether and do your filmy mind a favor. This is injurious to film viewing experiences as a whole.
Full review ↗TRM 3.3−2.3
Lakshmi is in one word a heroic film. Not only for the story that Kukunoor has decided to tell but also the crude manner in which he tells us that makes a far reaching impact. This is a film that will penetrate into your psyche and horrify you to wits for being a vehemently powerful and intense story. More of such heart in your mouth stories are needed to bring about changes.
Full review ↗TRM 6.0+1.0
...has every element in it that makes it a flattering watch. Heart warming in parts and easy to get entrapped in, the film is mindbogglingly engaging. Its impossible to dismiss this film, because of its mounting moments that soar all through. I am going with 3.5/5 and a simple question. When is your next expected Mr Kapoor?
Full review ↗TRM 6.7+0.3
...is far more lucid than Ragini MMS. Though the first half isn't exactly remarkable, the build up to the second half, the well used titillating show and the tight eldritch climax is what makes the film a worthwhile film here. Do not expect anything beyond mindless entertainment because this film is just the horror variation of a commercial potboiler. Don't attach logic, don't expect intelligence, just get entertained.
Full review ↗TRM 4.4+1.6
...a must-avoid film. It is garish, silly and often lame. It would be preferable if people do not tarnish the name of Bhooter Bhobishyot by calling this outlandish a remake of it. It is a mere copy, scene-by-scene, dialogue by dialogue but misses the spirit of the film overall. Quite a poor show.
Full review ↗TRM 3.6−1.6
...a well crafted film that misses the rightful rendering. A meandering screenplay turns it bland and messy but for Rishi Kapoor's catchy role it is worth giving a shot to. For me it was the dilemmas of the film's protagonist and him losing his edginess and confidence due to the sudden loss of job amidst downsizing was the real story. Channelized focus on that and here could have been a breathtaking film. Bewakoofiyaan scores notches below its aim but is definitely recommended for a one time passable watch.
Full review ↗TRM 4.6+0.4
...is not unforgettable but not unwatchable either. With many euphoric moments of utter jubiliation, the film's stronghold is Madhuri and Juhi with individually mettlesome performances and the friskily excitable chemistry together. Though the film fails to use its scope rightly and delivers an extremely creased up affair. But for it's impeccable leading ladies who are gritty is their parts, the film slips out a 3/5 from me. Far from perfect but engrossing nevertheless.
Full review ↗TRM 4.5+1.5
Total Siyapaa is audaciously maddening. Even the slight magic that the story might have had gets butchered in the screenplay. Leaving behind no feeling, neither comedy nor romance, I have not an inkling of an idea what were the makers trying to create here. It could have been something flattering if it were in the right hands. I am going with 1/5 for this misguided, shaky venture that might be the right recipe of boring you to death.
Full review ↗TRM 3.6−1.6
...easily one of the most accomplished films made in a long time. The skillful direction of Vikas and Kangana's easy virtuoso makes this one an indulgent affair. For the constant smile that it left on my face, the hiccups were all forgettable. I am going with 4/5 and recommend you don't it for the world. Scores above Bravura!
Full review ↗TRM 7.8+0.2
Frankly, I love the first half of the film. It was gripping and taut, though unoriginal, I thought it was magnificently done. The vivid and sparkling chemistry of Vidya and Farhan manage to hold you through tight and still. However, in the second half, the film begins a journey downhill, slipping vigorously slide by slide, getting schmaltzy quite unjustifiably. But in the end it still manages to deliver a product that is overall a surprising winner of sorts.
Full review ↗TRM 5.6+0.4
The instances were revolting, the tall talks about women's morality – a sham and the despite the distressing situations – Gulabi Gang is a ray of hope, brimming with optimism to change the stringent attitudes with galvanizing ferociousness. I am going with a 3.5/5 and a big thumbs up to the Gulabi Ladies. This movie made a part of your movement in spirit!
Full review ↗TRM 6.9+0.1
...a decently made film that involves you in the story quite enthusiastically. The story might suffer from too many problems but the final cut doesn't translate the glitches. Using the littlest things to evoke fear, the film's narrative uses a simplistic vein in telling the story without making the audiences rack their brains to much. The usual favorites of the horror world is spread out on a platter. However, for those who are expecting more from the film might be disappointed because it is the usual done powerfully but lacks the stylish shrewdness in it.
Full review ↗TRM 4.1+0.9
Highway whips up all the ingredients required for an intriguing film but goes wrong as a whole. It is bold subject handled flimsily and doesn't come close to believable. There is excessive heavy handedness in the screenplay and somehow the effortless ease that signifies the beauty of Imtiaz's films is absolutely missing from it. There is far too much of incoherence in the screenplay to bear and though it tried its hand at adding varied hues to multiple layers of the story, one cannot disagree to the fact that it is only Rahman's divine music and the pristine cinematography that works here. It left me baffled and numb especially because I expect better from Ali. It is heartbreakingly mediocre and I am settling for ratings which translate the same.
Full review ↗TRM 6.3−1.3
Gunday gets hammy on multiple occasions and in over 2 and half hours of its run time, it fails to swell to the height that was expected of it. It is only Ranveer-Arjun's easy chemistry, a spirited effort of not resorting to remakes and Irrfan Khan's subtle rendering of the astute cop that works for me here. Gunday rocks for not resorting commercial crassy mores. It is no Sholay but it is just as over-the-top as any 70s' caper. Now it is up to you to classify it as good or bad. For me the film is a 3.5/5 for its fervor for all it accomplishes and a hope that it will open up avenues for more of such sprightly writings.
Full review ↗TRM 4.9+2.1
Shekhar Suman's Heartless is a disappointingly flat film. With the story lacking novelty and the filmmaker failing to fill in anything new or intelligent in it, the film loses mostly because of Adhyayan Suman and his on screen lady love Ariana Ayam. Awake had me haunted for days, Heartless too does the same with equal intensity just in an entirely different sense. It will take me very long to pass through the troubling persistent boredom the film filled me with. It was an unmatchable fiasco.
Full review ↗TRM 4.1−1.1
Boy meets girl is often the most overused, mainstream , rom-com idea but Vinil Mathew's treatment makes Hasee Toh Phasee flourish as a winner. I was disappointed with many parts but overall the film stayed with me longer than I expected it to. Sidharth's subtle charm and Parineeti's crackling yet astonishingly stunning performance are the biggest attributes why the film had me engaged till the lights went off. I am going with a 3/5 and a big thumbs up. Fresh thought is always fabulous!
Full review ↗TRM 6.1−0.1
The stretched screenplay is tiresome, the lead actors are awfully boring, the dialogues were a flop show, the story was futile and utterly pointless and mostly even after a good first half of the film finished up, I was clueless about where the film is heading. I have admired Abhay Deol since Socha Na Tha but this was his most sub standard performance till date.
Full review ↗TRM 3.5−1.5
Lacking the quirky fun of Dabangg or Ek Tha Tiger, Jai Ho simply furthers Salman's Being Human status. However, it still scores over all of Salman's works put together for its ability to translate the common man's simmering anger into a Utopian and satisfying climax. A definite not-miss!
Full review ↗TRM 5.2+0.8
Films like Miss Lovely are a diminishing species. Brimming with an extravagant concept, the film is made with poise as it captures the dark world of sleaze and horror. I for one found myself with a racing heart and heart in my throat by the end of the film and it takes me quite a cinematic momentum to push to that extent. Ornately shot, fabulously performed and intelligently thought.
Full review ↗TRM 6.3+0.7
Dedh Ishqiya is a sexy film. Mystically poignant, grippingly lucid, dark, subtle and so invigorating-ly well performed. It's not everyday that you stumble upon near perfect films which entertain you so enthralling-ly... Abhishek Chaubey topples the standards he set by his last film Ishqiya and delivers a more intricate and more pioneering work of outright genius.
Full review ↗TRM 7.4+0.6
It would be an understatement to say such a disastrous film wasn't made in a long long time and Yaariyan now ranks amongst one of those odd films that hit every Friday and move by without anyone noticing them.
Full review ↗TRM 3.0−3.0
If bad films could kill, this review would have reached out from beyond the graves to you. I haven't had such a terrible time at the movies in a while. The horrible mishmash of ridiculous dialogues, inane script and naive acting couldn't take this film anywhere. I am going with a 0.5/5 for the film and request you to refrain from watching it even when premiered on television.
Full review ↗TRM 2.5−1.5
...not expected to be a work of genius. I wasn't hoping for another Avatar but I was definitely looking for more meat than what was served to me. Except phenomenal voice casting, the film has very little to gloat about. Don't waste your time at the theaters on this one and wait for the TV telecast. Indian animation can easily show more wild originality than what we got here. Buck up for the next time.
Full review ↗TRM 4.5−0.5
Dhoom 3 was spectacular and majestic. Keeping a strong hold on the emotional prowess of its plot, the film sews in the slick action so awe strikingly. Don't go in expecting an Aamir Khan film because it isn't without flaws. But it gets right everything that is must for a commercial film, especially its ability to grasp on to the interest of audiences. Even cool thieves are vulnerable people and to be able to get that correct is what makes Dhoom 3 a winner. One bang up job!
Full review ↗TRM 6.0+2.0
An absolutely lame and ridiculous film barring Dimple Kapadia's scorching screen presence, it makes no pretense about being utterly stupid. It is an empty film with no thrill, no excitement and mostly no fun.
Full review ↗TRM 3.5−0.5
Jackpot leaves you so exhausted by the end that you'll be yawning uncontrollably. After films like this, I actually develop a soft corner for masala potboilers. Without an ounce of novelty, the film in my eyes committed the crime of wasting actors like Makarand Deshpande and Nasseruddin Shah.
Full review ↗TRM 3.1−2.1
...a below ordinary, at best Prabhudheva's most modest work till date. Setting up the usual claptraps with parading dialogues, the film bludgeons you to bits. The fun moments are few and though you might find yourself guffawing in parts, in the end the film is neither cohesive nor compelling and that too without an over enthusiastic lead man that you expect from such films. It wasn't fun and definitely not bang for the buck.
Full review ↗TRM 3.1+0.9
with its grave minuses and fewer plusses is an underwhelming film much to my disbelief. The last few films of Dhulia had made me believe that he ranks amongst the top notch filmmakers of this generation. Unfortunately the man goes wrong with his favorite recipe of showcasing the ills of political nexus, as he hands out a story that barely has any moments and remains flat for most part. Saif Ali Khan and Jimmy Shergill chemistry is the only best part from the acting section. But in all its triteness, Bullett Raja is Dhulia's most uninspired work till date.
Full review ↗TRM 5.1−1.1
...is far from an impeccable film. Rather it is an exclusively loud film but in an era where Bollywood is becoming unusually predictable, here is a story which shows a flair of rare novelty. For Sunny Deol and Prakash Raj's pummeling duels, I found the film satiating for its potent message. It is way better than the ranks of awfully mediocre masala film we are compelled to watch week after week. A strict not-to-missed for Sunny Deol fans who are sure to have an enjoyable time.
Full review ↗TRM 4.7+1.3
It isn't flawless but it is immensely watchable. The film's positives easily topples its negatives which is why I recommend you to watch this. Kareena-Imran are one unconventionally fantastic on screen pair who make sure GTPM is a wonderful experience for you. If you thought Ayan Mukherji was Karan Johar's true protege, Punit Malhotra has upped his rank by emerging as a competitor.
Full review ↗TRM 4.7+1.3
Sanjay Leela Bhansali still masters his marvel at making magical films. Picking up an unoriginal and much beaten about idea, he mystically tweaks out a work of genius. Indefatigable and supremely engaging, the film despite its ostentatious feel is at core a fierce love story enacted effectively by Ranveer and Deepika. Putting up an astonishingly prodigious chemistry, the duo pull through the film with might. Cinema should be a fulfilling experience like this!
Full review ↗TRM 6.4+0.6
It is a shameful piece of cinema. I am flabbergasted at this ridiculous film. Even zero seemed like a high rating but I am left with no option, hence a 0 on 5 for this film. Filmmakers don't respect art anymore and that's what the problem is. I echo the sentiments of a certain song in the film -Kalega hai haazir, where's the khanjar man? Kill me already!
Full review ↗TRM 2.7−2.7
Satya 2 is amongst the worst films ever made. Varma makes a mockery of his own potential by coming up with something so outlandish, disgustingly boring and thoroughly mindless. The shockingly distasteful casting and the entirely hopeless acting of all, this film fails at every possible section.
Full review ↗TRM 3.1−3.1
...isn't a terrible film but it is massively disheartening and mood dampening because of its imitative premise. Hrithik reprises his role of Krrish with an enigmatic energy and infallible which is the film's most glistening point. The ludicrous storyline is miffing but the chiseled bodied superhero indulges us enough to make this film a decent one time watch this festive season. Don't expect too much or pine excessive hope on this one. A well intentioned, brave effort but falls notches beneath an exhilarating cinematic experience.
Full review ↗TRM 5.7−1.7
Mickey Virus is quite a breather from the low IQ comedies we are subjected to on many Fridays. A tauter script, with more humor and a steamier story could have helped this film in rising above being merely a moderate entertainer. Side step your regular expectations, if you at all decide to give this film a shot. For a few laughs, a not-so-dull second half and somewhat interestingly made suspenseful story, Mickey Virus can count as an average, not a must-watch, but if you insist on going to the cinemas, this will be the sheenier one from the lot that released this week. I am going with a 2.5/5. Quasi original and sort of passable, I managed to sit through this one till the end!
Full review ↗TRM 4.8+0.2
Shahid Azmi should be one of the most memorable dissidents of recent times and Hansal Mehta's film Shahid does justice in paying the perfect tribute to the slain activist! Quite aptly named, Sahid did turn out to be an angel for many who were serving years behind the bars based on needless false accusations! The film is a gripping-ly told story of courage that ends on a pertinent note teaching us the crucial lesson about the dichotomy of right and wrong. It is extremely essential in a multifaceted country like ours to be fair and the film subtly preaches the diktats of the man – the film pays tribute to – who was haplessly slain at the tender age of 32! It is a captivating film that makes me assign a 3.5/5 for this one! Some stories have that enchanting quality in them and Shahid stands as one of the potent examples in recent times.
Full review ↗TRM 7.4−0.4
Akshay Kumar starrer Boss manages to indulge you in a feast of thrilling ugly action and crackling comedy with its crude and rustic premise. The film absorbs you in its tottering plot despite its puerile humor and thunderous action! Somehow even with all its blunders,because of Akshay Kumar alone Boss works. Though at points I found the film horrendously bizarre, I admittedly found myself getting entertained in several parts of the film. Giving a 2.5/5, the film is worth the price of your ticket compensating well in the enjoyment quotient, the value of every penny you put into this! Akshay Kumar single handedly saves the film from being a sore bore and that is reason enough why Boss deserves a definite shot!
Full review ↗TRM 4.9+0.1
Faraz Haider's War Chhod Na Yaar is a treat of film that manages to evoke moments of ecstatic delight with its simplistic take on the horrific brutality of war which pointlessly creates havoc in the lives of people. The film could have gone massively wrong but the good part about this flick is, it convinces you about its premise entertainingly. I am going with a 3/5 for this film that flaunts fun and wit without a hint of crudeness that has lately become synonymous with funny! Recommending you catch film at the theaters and have a pleasant time.
Full review ↗TRM 4.6+1.4
Besharam has too many shortcomings and lacks the ravishing junk delight of calamitous ending that commercial flicks usually generate. However, it is only worth for Ranbir, Rishi and Neetu Kapoor who in their respective roles, give us in patches, an insistently enjoyable time! It is fit for an average entertainer and I am going with a 2.5/5 for this sweet mammoth of passable cinema! You can go watch this and have a judiciously fun time, but don't expect the enchantment of Dabangg! This doesn't even near it by an ounce.
Full review ↗TRM 4.0+1.0
There is a reason why the film was named Warning, if you are smart you'll get the hint! With the unnecessary 3D effects that will end up making up feel sea-sick, and a film that can sum up to be called boring, there is no reason why you should waste your energy on this one. I am going with 2 on 5 and recommend that you grab a CD of the Open Water. This one is a shabby replica of it which doesn't match up in stature or soul.
Full review ↗TRM 3.8+0.2
Prague is a very disappointing film simply because I had pined great hopes on it. There are giant irregularities in the screenplay which resist you from smoothly juggling between Chandan's real and delusional world with ease. The pace is tiring and dark tinge of style doesn't work as a plus for it! In the end it is just an unnecessarily complicated film with a confused theme at it core. I am going with a 2/5 for Prague. I can't find myself be impressed with a flaccid film like this that bubbles up tall promises and end you in futility.
Full review ↗TRM 4.8
I haven't really enjoyed the film after a certain point and that makes me benevolent enough to mark them judiciously. PPNH has a mangled up, messily fabricated screenplay with actors who remain overtly ordinary. I found converging into an insipid and dull affair. Honestly Shahid could have been more suited had he found more compatible co-actors but with limited versatility this is all he could manage. I found the film snail pacing its way towards a less magnanimous and more exhausting climax than one would have expected. For the laborious work in the first half I am giving the film 2.5/5. If you are leading a very monotonous life and cinema is your only respite, then this would be recommended to you!
Full review ↗TRM 4.8+0.2
The Lunchbox is one of those films that will mesmerize you with dripping simplicity. Irrfan Khan and Nimrat Kaur build their character intimately without meeting each other for once all through the film. Normally such stories lose their steam soon enough, but Batra's expertise handles the film with its ingrained beauty of an unlikely love story. It is such a potent and effective film that I can't really settle for anything less than 4.5/5. It is only sometimes that one encounters an unblemished film, this ranks among those few for me!
Full review ↗TRM 8.4+0.6
Grand Masti is a grand tapestry of trash! If you are going to watch the film, it is automatically assumed that you are brainless to invest your time in such a painful film. I would rather route you to watch blue films which might have a better storyline and more action than you expect here. Since films are a work of effort, I am not giving this a zero! Here's 0.5/5 for Grand Masti.
Full review ↗TRM 2.7−1.7
Horror Story lacked the fearsome flair which makes good spook stories. It can't be called a disaster but will easily be spelled as rough copy of innumerable flicks! It isn't massively crackling or overtly brilliant, but you'll manage to squeak and shriek in bits! I am going with a 2/5 for the film. There's just one line I have to say here – C'mon Bollywood, show some extra ordinariness in this genre, we can't make such poor copies of popular flicks all the time!
Full review ↗TRM 4.6−0.6
From the trailer, I expected John Day to be a marvel of sorts but with deceiving story that runs off track for most part, the film is too ambiguous. Though Naseeruddin Shah's acting helps, the film revels in morbidity and audaciously flaunts its comatose story. Frankly I was terrorized by this arid movie's drabness. I went in hoping for so much and came out thinking how bad will it be if I mark this film a zero. However, I finally settled for 1/5 for John Day. The best thing that happened to me all day was that the film finally got over after what felt like light years.
Full review ↗TRM 4.2−2.2
... a welcome change for the cynics amongst us who find typical romances like DDLJ filmy and unreal. The blossoming chemistry of its lead actors is a swell, but mostly this is a film that encapsulates the lives of ordinary people who perennially live in the fear of commitment and yet dare to take the leap for love every time! Call us confused, but atleast we are honest and don't foster any sham! I am going with a 3.5/5 for this imaginative and luscious feat.
Full review ↗TRM 6.2+0.8
Zanjeer is a typical product of prevalent market tricks that ensure numbers. A sloppy mishmash of slackened writing, half baked execution and slumber incurring editing, the desperate attempts of packing a few extra scenes of head banging action doesn't quite help. Lacking the spirit and marvel of Zanjeer that I went in looking, the reason why I both survived and detested the film, was the same.
Full review ↗TRM 3.9+0.1
... a weightless film that leaves by a transitory impact on its audiences. Wasting the enigma of such talented bunch of actors, the film with its overbearing story and its erratically structured plot lacks the much needed blaze. Emerging as a warped product of political correctness with an unconvincing climax, somehow the entire product had the stench of unbearable staleness. It wasn't a terrible film, just not the promising Prakash Jha venture you might have wanted to watch.
Full review ↗TRM 5.2−0.2
Madras Café is a hypnotically created masterpiece which thrives in the freshness of its conception. Using history with drama to build a persuasive tapestry of enthralling action, energetic plot and skillful narration of the grim phase of Lankan War, Shoojit Sircar astonishes with this fascinating docu style dramatic movie. I am going flatly with a 4/5 this triumphed work of passionate and compelling cinema.
Full review ↗TRM 6.8+1.2
...screams to Bollywood to do away with its ridiculous trend of Dobaara films simply coz this time the Dobaara was painful on its audience. I am going with a generous 2/5 for its novel concept which was built flimsily. I was left flabbergasted at how audaciously the film spends so much energy flaunting nothing that they give its real theme a miss! It is hard to point out whom to blame, but the bottom line doesn't change – you can easily miss this one and save yourself a headache.
Full review ↗TRM 4.6−0.6
Chennai Express is another average fare which stars King Khan. He will make you laugh with his flawless comic timing, romance with Deepika with a flattering charm and Rohit Shetty helps him absorb some superhero powers as well by which he beats to pulp a man twice his size. Yes, the last part doesn't quite make sense but then Chennai Express comes with an unwritten statutory warning – it isn't supposed to embody logic but it is, nevertheless, quite fun! I am going with a 3/5. Go with your family and have a good time!
Full review ↗TRM 5.3+0.7
Rabba Main Kya Karoon is aptly titled as it echoes the sentiments of those who might end up watching it. I wonder what were the filmmaker trying to make. Because this film neither entertains nor amuses and is unabashed in its ridiculousness. I am going with a generous 1.5/5. Be loyal to yourself and spare yourself the horrifying-face of relationships this film tries to bring out.
Full review ↗TRM 3.6−0.6
Chor Chor Super Chor is not a bad film but it shocks you with being dull and less promising as compared to what the trailer had promised. This is an interesting idea that is slayed due to a lack of zestful execution. I am going with 2/5. Watch it for Deepak Dobriyal alone! And if sanity and you are friends, avoid it!
Full review ↗TRM 4.8−0.8
Nasha is misleading as it gives you a wrong impression of being an erotica. It is the chronicles of a lust stricken puppy faced teenager. I don't usually get this impish but Nasha epitomizes cinematic crap with such outrageous confidence that you'll be appalled. I am going with 1/5 and an advise that Poonam Pandey should retire off already and spare us any further disasters!
Full review ↗TRM 3.7−1.7
Issaq is a tedious film which retells the story of amateur love. A flaky plot and wavering narrative makes Issaq a novel concept that is compromised at the altar of the director's need to prove his artistic bent. I am going with a 2/5 for this one. Those precious 2 hours of my life are never returning! What a tragedy – for me!
Full review ↗TRM 3.4+0.6
Bajatey Raho is uninteresting and illogical with an overdose of forceful laughs. On a loosely woven narrative, the comic value is dampened by a slack pace. It is shame that such wonderful actors were so ruthlessly wasted. I am settling for a benevolent 2/5. I went in expecting wit and came out feeling bewildered. Bajatey Raho will Bajao you and hence it is better to refrain than to complain.
Full review ↗TRM 4.8−0.8
Ramaiya Vastavaiya is strictly a mediocre entertainer that despite its loud and garish ways manages to hold well. Its childish and regular formulaic affair works if have the appetite for standard entertainer. I am going with 2.5/5. If you lock up your logic, this one will do for you!
Full review ↗TRM 4.5+0.5
With its chilling action scenes and thrilling emotional quotient, D-Day is perhaps one of recent times' most rivetingly told stories. With Bollywood celebrating Dawood mostly, here's a filmmaker who has made a daunting movie which effortlessly gives the character its correct hue.
Full review ↗TRM 6.7+1.3
Anand Gandhi's Ship Of Theseus is a bold and challenging film, which presents to you an indulgent story with engaging characters using the art of symbolism. Spread out on the grand vision of experimental cinema, this is a film that will grow on you. Watch it if you have the appetite for Indie cinema. This is perhaps one of recent times' most eloquent films that have come out of India!
Full review ↗TRM 8.00.0
Bhaag Milkha Bhaag will have you captivated with its grit and enigma. Made with panache, it's hard to take your eyes off Farhan Akhtar, who enriches Milkha Singh as a surreal charismatic figure beyond the realms of flesh and blood! I am going with a 4/5 and applause for the film's team. This one is so moving and scintillating that such films are a reward to the audiences for bearing through the fiascoes!
Full review ↗TRM 6.6+1.4
Lootera is one film that will overwhelm you. Vikramaditya Motwane has given a seraphic piece that glorifies cinema itself. The narrative is framed on a devastative tapestry and the film's climax knots up calamitously that will keep one absorbed. Sonakshi Sinha's smashing performance is first rate and the film's tone and timber is scrumptious! I am going with 4/5 for Lootera! Films like these have the milieu of a classic that shall soar its way to glories!
Full review ↗TRM 7.1+0.9
Rajkumar Gupta's Ghanchakkar indeed is far from perfect. But it is both compelling and challenging. Boldly making a unique film that refuses to garnish out ready made thriller, expect this one to jolt your gray matter. The film's performances are decadent, especially that of Vidya Balan and Emraan Hashmi who are top notch. I am going with a 3 on 5 for Ghanchakkar. It could have been a better film but it still impresses as a stirring and engaging comic-suspense thriller.
Full review ↗TRM 4.9+1.1
Painted on a novel idea of unrequited love, packing it with a kinetic first half, the film's buoyancy transforms into brittle in its second half. With a few mercurial performances from its supporting cast mostly Abhay Deol, it is the clumsy and lackadaisical show in the second half that makes the film plain facile. Had the film maintained its force, it could easily have been more spirited. However a sluggish screenplay and lurching script makes Raanjhanaa a half baked effort and hence gets a 2.5/5 from me. It is exasperating to see how directors lack the perseverance to hold steady a film's entertainment value till the end.
Full review ↗TRM 6.5−1.5
Following from the popular American sitcom Grey's Anatomy in its idea and execution, the film with its drooping second half, shallow approach and mostly overtly melodramatic screenplay packed with unnecessary dialogues make it a terrible drag
Full review ↗TRM 5.2−2.2
Man Of Steel definitely glorifies Superman rendering a magnanimous impression! With very little words, and alluring vigorous action, this time Superman shines in his swanky new matted scaly suit and presents to us a story which effectively challenges a few prevailing mythical ideas about the character. Synder's direction is intelligent and Man Of Steel which gives wholesome entertainment despite its hitches manages to get a 3/5. Go with relaxed expectations and watch this one for sure!
Full review ↗TRM 5.8+0.2
As someone who went loaded with expectations, I did not see any honesty in the shallow plot hurriedly translated into a movie. With shabbily etched out characters and their largely flimsy issues, it is the lack of adequate depth in the story that digs its grave.
Full review ↗TRM 5.7−2.7
The buffoonery has been tackled without an aorta of logic. Tackily done rude humor and script that conspicuously lacks lucid flavor, YPD 2 loses its novelty by trying too hard to make you laugh.
Full review ↗TRM 4.4−0.4
Ranbir Kapoor delivers an outstanding performance. He will indeed make you believe that he is Bunny! Effortlessly slipping into the skin of the character, the film belongs to him!
Full review ↗TRM 5.9+1.1
Ishkq In Paris that begins as a believable tale of modern day love culminates into shaky misguided climax. Priety Zinta who is back on silver screen does a pleasing job but her film fails to match up to her bygone colossal stature. Unable to find anything heartwarming in the film, I am settling for 2 on 5 for this one. With a couple of commendable elements like smoothness of its narrative, the movie does not work for most part because of its constant attempt at being melodramatic and the lack of an effortless script! Priety fans can gear up for it, the rest can re-watch Hum Tum.
Full review ↗TRM 4.5−0.5
Iron Man 3 will be an unforgettable gig for most. It creates a brilliant tapestry of drama, suspense and yet with its high humor quotient will have you on the edge of your seats. Yet it will be a misplaced statement to say the film doesn't have hitches.
Full review ↗TRM 6.8+1.2
...a lurid explosive which is ace for its perilous acting and stirring space action. However the excitement it invokes is familiar and the point it tries to make gets lost amidst a flurry of some breathtaking action. I am going for a 3/5 for this one. Slightly above average, the film borders on typifying Star Trek series with mostly nothing unique to offer.
Full review ↗TRM 6.5−0.5
The Great Gatsby is a perfect example of all phantasmagorias and no substance. Quoting Fitzgerald for their rescue in an attempt to save their loose screenplay, the film barely invokes a few heartfelt moments. Eroding the power of a classic, it is only Leonardo DiCaprio who delivers magnanimously.
Full review ↗TRM 5.7−1.7
Mira Nair's interpretation of Mohsin Hamid's novel is an inhibited work trying to be politically correct while dealing with inflammable issues. Sheathing too many subtle emotions that the book had elucidated well, the film doesn't go beyond being average.
Full review ↗TRM 6.2−0.2
Aurangzeb could have been so much better, perhaps even a classic. It is Atul Sabharwal's faulty treatment that leaves it shaky. There is immense passion and thrill in the story, which its actors remit strongly. I am going with an average 2.5/5 for the film. The thrill ends up flaccid killing all that could have been sensational! Optimistically, I expect something more stirring and less misplaced from the team sometime soon!
Full review ↗TRM 5.5−0.5
Gippi instilled in its stereotypical clichéd format, is still a pleasantly surprising venture on celluloid. Made with great sensitivity, it is a tender story of adolescent age. There are minor hiccups in the plot; but Riya Vij's immaculate work, in a story that is Bollywood's answer to Meg Cabot's Princess Diaries, is commendable. There isn't anything pristine in the film, but it evokes a sense of nostalgia that embeds with its story to leave a salient impact.
Full review ↗TRM 5.5−0.5
Go Goa Gone is a must one time watch. Stomping off a naïve horror concept in India, borrowing from a hit Hollywood formula, it is an unabashedly crazy film with Vir Das and Kunal Khemu delivering super performances. Relegated into the premise, the film is an exuberantly hilarious laughter riot that shouldn't be missed. Honestly, I haven't laughed this much in a film since Delhi Belly. Take a break from all the morose things in life and catch this one, believe me there can't be any regrets!
Full review ↗TRM 5.7+1.3
Aashiqui 2 is a sermon on alcoholism. Faintly trying to revive a dead script with soothing music and appealing chemistry, the film has a hasty and unpredictable wrap up which kills its tempo. A stone faced actress and a perpetually stoned protagonist do to the film irreparable damage. Novice Aditya Roy Kapur's fiercely strong efforts are the only consistent bits of the film, despite a hollow premise. I am assigning a 2/5 for Mohit Suri's Aashiqui 2. If you have the appetite for romance, this is an apt palette or else it could easily be missed.
Full review ↗TRM 5.0−1.0
Bombay Talkies is a novel concept, glistening with bravura short films. With the script predominating the film's flavor, it is a sincere attempt to provide a Eulogy for Bollywood. The passion and craze for cinema in India dictates most part of the film. Here's a piece of advice -Walk out of the hall before the 20 star song. The bromidic and hackneyed feeling it leaves by, spoils the entire beauty the film distinctively weaves all through. I am going with 3.5/5 for Bombay Talkies. It could have been way more entertaining, but overall it comes across as a perseverant effort!
Full review ↗TRM 6.7+0.3
Shootout At Wadala is an ingeniously made entertainer. Sanjay Gupta creates a well balanced venture which is beseeching for its crime thriller premise. John Abraham captivates in his charismatic role brimming with vicious grandeur. I am going with a 3.5/5 for this one. This one is a must watch adrenalin incurring, electrifying and at places a spine chilling action film.
Full review ↗TRM 5.4+1.6
Ek Thi Daayan is an enriching idea of a supernatural thriller that blends the fear of paranormal with ethnic stories of Daayans, grandmothers had narrated to us as kids. The ambience it creates eventually dooms for its wavering second half and shakily written screenplay. Beginning a fresh trend in horror films, it disappoints solely for its inability to deliver innovation as promised. It is indeed watchable, but only for its first part. However, do not go with heightened expectations presuming a classic, since the second half might dampen your spirits!
Full review ↗TRM 5.7+0.3
Chashme Baddoor is a creatively made remake, which refreshingly refashions its predecessor. David Dhawan has finally managed to leave his flamboyance back in the 90s, coming of age giving his genius the undue pending credit of years. The film valiantly holds its ground with humor and hilarious poetry. This one is a definite must watch!
Full review ↗TRM 5.2+0.8
Jolly LLB is a witty satire on the corruptible legal space of India. Craftily made, the film makes for a good humorous, thought evoking watch!
Full review ↗TRM 5.9+0.1
Himmatwala demands excessive himmat from the audiences to sustain it through all its exasperating buffoonery laced with dim witted stupidity. Walk out of hall and queue up for the refund Sajid Khan promised you. See you there!
Full review ↗TRM 3.6−0.6
Rangrezz does its best to enthuse a fresh perspective on the clichéd tale of love, which is commendable. However, the movie fails for its lusterless screenplay and dull stars that leave the audiences famished despite an intriguing plot.
Full review ↗TRM 4.6−0.6
I Me Aur Main is a flashy attempt to bluff audiences by putting together obviously beautiful actors in ornate celluloid frames in order to conceal a weak plot and shaky screenplay. Lock up your brains and ogle happily, in case you decide to go for the film.
Full review ↗TRM 4.6−0.6
A slim story with incorrigible humor just goes on to prove our parents right; we must stay away from bad company – the likes of Jayantabhai! *Poppes a Disprin*
Full review ↗TRM 4.0−1.0
Go for Rajdhani Express, if social dramas interest you and you do not really mind experimenting with your film watching schedule. There is a higher chance the frequent sloppiness of a few characters get on to you. But if you are looking for a good story here's one if you merely excuse the not-so-great execution.
Full review ↗TRM 4.6
