Spider-Man: Into the Spider-Verse’ is a bold attempt to tell one of the most ‘out there’ stories in the comic book world. It’s amazing to see all the components come together and work as well as they do. The tonality is funny, and heart-warming, while the visuals are exquisitely trippy at the same time.

While ‘The Grinch’ isn’t exactly groundbreaking or fresh, it has just enough Christmas magic to justify another modern retelling of an old story.

Especially at a time when CGI-heavy visual effects bombard us, it’s indeed heartening to experience an old-school animation film like this. It’s one of the movies that should be experienced on the big screen to truly appreciate all the intricate details that have gone into creating it step-by-step. But it’s also a movie that you’d want to own just to admire its beauty as every screenshot is a work of art worth hanging on your wall.

Tom Hardy proves that he’s more than equipped to play the sentient symbiote, but this film is concerned mainly with stomping from one plot point to the next, at the cost of character development.

Although ‘LoveYatri’ lacks the gripping appeal of more contemporary romantic stories, it might be just enough to satiate die-hard romantics looking to revisit the love stories of the 90s.

Director & co-writer Shane Black seems more keen to reclaim the magic of 1987’s ‘Predator’ than tell a strong, self-contained story in itself. Whether it is enough to ensure the next chapter in the franchise is yet to be seen – depending on whether you choose to spend on a ticket for this one. Rest assured that if you’re looking to revisit the testosterone-fuelled grandiosity of the 80’s, this is the closest you’ll get to it.

The result is a tedious watch that is occasionally engaging but never fully immerses you into the nuances of a persistent mind, making this a lukewarm remake

The run-time doesn’t work in its favour at this point, especially as some sub-plots become tedious, drawing your attention away from the main story. While its grittier than your average chick flick, the biggest drawback in ‘The Spy Who Dumped Me’ is that it doesn’t commit to one genre. There’s not enough action or intrigue that comes with a spy flick which becomes problematic when the humour fails to land. Still, there’s a lot of fun to be had with some surprises and enough laughs to keep you reasonably entertained.

Perhaps the biggest drawback is the writing which does not narrow down on the film’s tonality. There are points where it takes itself a little too seriously, and others when it aims straight for cheesy popcorn blockbuster status. Little surprise then that director Jon Turteltaub doesn’t know what kind of film he’s making either. The momentum picks up towards the end when the monster mayhem escalates to bigger proportions, but it turns out to be too little, too late. Even if mega-sharks and Statham are enough to lure you to ‘The Meg’, check your expectations before you dive in.

Writer & director Brad Bird believed in waiting for the right story to tell, and that decision certainly pays off in more ways than one as ‘Incredibles 2’ proves to be an Incredible amount of fun!