• The challenge to a popular movie franchise like Dabangg is that it requires novelty and sameness in equal parts and the team does get its balance right.

  • Panipat, a film about Maratha warrior Sadashiv Rao Bhau who staves off Afghan ruler Ahmad Shah Abdali, disappoints only because of a linear screenplay that fails to rouse dramatic emotions so important to historicals.

  • Even though Singh keeps away from the sentimentality common to Hindi cinema, Laal Kaptaan lacks pace and certain scenes feel unbearably long. Dialogues, so essential for a historical thriller like this one, falter and flail in critical scenes, puncturing the impact of a unique story. As far as Hindi films go, Laal Kaptaan treads a path less trodden, but it meanders and spectacularly loses steam. It should have cut to the chase, literally and figuratively, but instead, it becomes an unbearably long and pointless pursuit.

  • Unfortunately, despite its glitzy packaging, Saaho, because of a choppy, underwritten screenplay and excessive gorefest is a bit of a letdown even for those who love their Hindi movies served with a generous dose of masala. Sigh.

  • Sonakshi Sinha’s Film Isn’t A Cure for Boredom…The movie makers stay true to their promise of, “The Only Sex Film for the Whole Family” and the film ends up being a straitjacketed one for it.

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