I left the cinema, my mouth dry at the end of Pink. This isn’t just an important film, but also excellently made. It’s a giant leap for Hindi cinema, and easily the best film this year.

The film benefits greatly from the casting of Hanks, who slips easily into the part of a man who expects no special acknowledgement for doing what he considers his job. The 60-year-old star holds the film together even when it’s clear there just isn’t enough plot here to make for a compelling film. The other starring attraction is the crash scene itself, filmed in IMAX, and suitably tense.

For a film about romance and love, Baar Baar Dekho is curiously lacking the messiness of real relationships, and trades in quick-fix solutions to complex personal issues. At 2 hours and 21 minutes it’s way too long, and never once succeeded in making me care if Jai and Diya would end up happily ever after.

Kashyap’s performance, in fact, may be the best thing in Akira, which is no doubt a brave attempt to recast the mould. But built on a weak script that’s sorely lacking in subtlety and nuance, the film is ultimately a bore.

When all’s done and dusted, there’s little to recommend in A Flying Jatt. Remo D’souza fails to infuse the film with a consistent lightheartedness, and as a result the fun dries up too soon. Tiger Shroff is both agile in the action scenes and flexible in the dance numbers, but no if no but, this Jatt is stuck in a rut.

Alternately funny, sad, and exciting, Pete’s Dragon leaves you feeling all warm and fuzzy in the end. Those of you that don’t have a pet will more than likely be pleading with your parents to let you get one.

Clocking in at a little over two hours, Happy Bhag Jayegi is mostly fun despite its shortcomings, because the humor is earned. The jokes are mined from the characters and the scenarios they find themselves in; they’re never merely slapped onto the narrative like in so many films. It’s far from perfect, but it’s unlikely you’ll be bored.

They are the sole bright spots in Rustom, which is too long, wholly disappointing, and feels like an opportunity lost.

It’s dull and depressing and a reminder of everything that’s wrong with modern blockbusters.

It’s predictably told but heartfelt…and thought-provoking to boot. Not a bad way to spend two hours.