It’s hard to define The Shape of Water — after all, does it really have a shape? del Toro uses it as an allegory to love. It isn’t something that can be contained within a shape. Instead allow love, and this film, to envelop you like water. I’m going with four out of five for this incredible film.

It’s many things at once. Sit back and let the film work its unique charm…

…the film belongs to Ranveer Singh whose delicious performance is its biggest strength. The actor keeps you invested in the film even when it plods on for over two-and-a-half hours. I’m going with three out of five for the film and another half for his extraordinary performance, making it three-and-a-half out of five for Padmaavat.

Clocking in at a crisp 100 minutes, The Commuter is a well-executed old-fashioned thriller that doesn’t skimp on suspense or visceral action. Just don’t expect anything more. I’m going with three out of five.

Layered and consistently compelling, The Post is a celebration of a woman’s rise to her full potential, and a tribute to the power of fearless journalism. You’ll find that in these times of “fake news” and “paid news” and political leaders trying to muzzle the media, it’s an inspiring reminder of the need for a free and fair press.

At 2 hours and 35 minutes, Mukkabaaz overstays its welcome by at least 20 minutes, its narrative stretched by way too many background songs, and an inevitable sense of repetition and wallowing in the protagonist’s misery. Yet it might be Kashyap’s most accessible film since Gangs of Wasseypur, and his only crime here may be one of overreaching.

On the surface the film feels like a relatively lightweight entry in Scott’s canon of masterpieces given that its overarching theme – the corrupting influence of enormous wealth – is not exactly new. But the veteran filmmaker gives it the pace and the rhythm of an action thriller.

Tiger Zinda Hai is way too long at 2 hours and 41 minutes, but it packs some thrilling action and a beloved leading man presented in just the manner that the fans seem to want to see him.

Johnson, whose previous writing/directing credits include smart indies like Brick and Looper, makes the transition to Blockbusterland with the ease of a pro. It’s hardly surprising that he’s been entrusted with creating a new trilogy in the Star Wars universe. The galaxy is safe on his watch.

Ajji is a tough watch. Deliberately so. It took me a long time to get the film out of my head, and while it’s potent and rattling, it’s not for the faint-hearted.