The movie benefits from an inspired performance by Raj Kumar Yadav as the short-fused, profanity-spouting cad who’s desperate to exploit his shy but eager-to-please girlfriend. Borrowing visual references generously from previous hits like ‘Paranormal Activity’, ‘The Blair Witch Project’ and so many Ramgopal Varma offerings, ‘Ragini MMS’ delivers very little in terms of novelty. Still, in constructing a story around sex and scares, the makers of this film adopt Hollywood’s foolproof B-movie formula and come up with a watchable but ultimately over-long adult movie.

For the most part Bhatt exploits the 3D to make things jump out at you, and while it’s not as much as fun as the last ‘Final Destination’ movie, there are moments that will make you leap in your seat.

Save for a few moments of inspired lunacy provided by Vinay Pathak, this is one bumpy ride you don’t need to take. I’m going with two out of five for director Shashant Shah’s ‘Chalo Dilli’. After some 36 hours on Rajasthan’s dusty roads, Lara Dutta doesn’t have one hair out of place or even a slight lipstick smudge. This is that kind of movie!

A living, breathing slice of busy Mumbai, this film has dark humor running through its veins: whether it’s the opening scene in which Tusshar and his partners rob a prominent author, or the scene in a restaurant’s toilet where Pitobash gets even with a former acquaintance. There is comedy even in the film’s dark climax, which for me was the only baffling portion of this film.

Director Satyajit Bhatkal draws out an earnest performance from Darsheel Safary, but there is little in this film that children in the audience are likely to embrace. Missing any fun or visual inventiveness even, ‘Zokkomon’ is a dull film that’s difficult to endure.

An average drugs-drama to a smart and entertaining action thriller. It’s got its moments, but they’re few and far between.

If ‘Teen Thay Bhai’ was merely slapstick, you’d settle into it after a while. But the film never finds its tone. Apart from a few inspired moments of lunacy, this movie is schizophrenic to say the least, going from spoofy to bizarre to sentimental, and yet remaining consistently dull throughout.

What you take back with you as you leave the cinema in the end, is the repugnant image of these four male actors – each well into his 40s – slobbering over blondes half their age. They’re dirty old men, and ‘Thank You’ is a dirty little picture.

It doesn’t help that the singularly unattractive cast doesn’t have one acting bone between them, and that the film feels much longer than its roughly two hours running time.

The only respite in Game is some eye-watering photography, a thrilling foot chase sequence in Istanbul, and a surprisingly understated romantic track involving Abhishek Bachchan’s character. Unfortunately that’s not enough to save this mess of a thriller.