The performances are adequate at best, and the picture-postcard photography of Meghalaya is refreshing. But as you leave the cinema in the end, you can’t help missing the distinct sense of fun that the earlier film delivered…and yes, those infectious tunes. It’s an opportunity lost.

What Ajay Devgan the star deserved, was a sharper director and a better script. In the end, there’s little else to Shivaay than the eye-watering locations (both in the Himalayas and in Bulgaria), and occasionally poignant moments between Devgan and the little girl who plays his daughter. Everything else is noise. Way too much noise.

In the end Mirzya is a misfire, despite its staggering ambition and its remarkable technical achievements.

In the end, the notion of a film about an undervalued genre of musicians is more compelling than “Banjo” itself. It starts out from a promising place, but fails to make any leaps or strides.

For a film about romance and love, Baar Baar Dekho is curiously lacking the messiness of real relationships, and trades in quick-fix solutions to complex personal issues. At 2 hours and 21 minutes it’s way too long, and never once succeeded in making me care if Jai and Diya would end up happily ever after.

Kashyap’s performance, in fact, may be the best thing in Akira, which is no doubt a brave attempt to recast the mould. But built on a weak script that’s sorely lacking in subtlety and nuance, the film is ultimately a bore.

When all’s done and dusted, there’s little to recommend in A Flying Jatt. Remo D’souza fails to infuse the film with a consistent lightheartedness, and as a result the fun dries up too soon. Tiger Shroff is both agile in the action scenes and flexible in the dance numbers, but no if no but, this Jatt is stuck in a rut.

They are the sole bright spots in Rustom, which is too long, wholly disappointing, and feels like an opportunity lost.

It’s dull and depressing and a reminder of everything that’s wrong with modern blockbusters.

There’s no denying that The BFG is brimming with earnestness, but while it’s visually impressive and occasionally gripping it leaves you feeling a bit cold in the end. I came out feeling that an opportunity had been lost. It’s far from one of Spielberg’s unmissable gems.