• Known for making films that work towards bridging the age and gender gap, Balki’s Padman is an empowering film that gives you the wings, despite the odds. It will free women of their inhibitions and that will be its biggest success. Period!

  • With Oscars just round the corner, wait patiently and watch a film that rides high on substance over something that solely relies on stylish shootouts.

  • Overall, if you are keen to watch a war film that blends 19th century warfare (cavalry) with modern weaponry, latest technology and human emotions overcoming the horrors of war, you’ll like this real-life epic tale.

  • While the film’s mammoth run time (2 hours, 25 minutes!) can exhaust you a bit, Mukkabaaz is a total knockout. The not-just-a-boxing film must not be missed as it puts forth a message that’s most relevant in today’s world

  • Even as you continue to watch the film patiently, beyond a point, it’s nothing to write home about. You eventually sum up your thoughts on the film by borrowing the film’s expletive-laden dialogue —, ‘experimental ke naam pe chu*****’?

  • …the most cliched and inconsequentially descriptive film of the lot. In the end, it simply exhausts you more than scaring the living daylights out of you and that isn’t a good sign.

  • Barnum’s words to a renowned Opera singer (played by Ferguson) hold true for the film as well. You may go watch this film to witness the thrill of a circus spectacle but what you also get is something real.

  • In quintessential Tennis lingo, Janus Metz’s biopic is a nerve-racking five-setter that leaves you gasping for breath. Like a classic centre court final, this tense and thrilling sports drama heads to a nail-biting climax, thus evoking unprecedented attention throughout. Borg’s motto – ‘One point at a time’ is also perhaps the most significant life lesson that one can take home from this stunning masterpiece that studies two men, who played to win.

  • Eventually, Firangi moves at a snail’s pace leading us to a semi-fun climax. Sadly, the film doesn’t even fall into ‘so bad, it’s good’ category. It is outright boring and thus not even perversely entertaining.

  • Theatre actor, writer, director Sushama Deshpande commands your unflinching attention from beginning to end with her unsaid words and raw emotions. She makes her battle every woman’s battle, who demands her safety and right to be heard. Other actors deliver a compelling performance, too. Director of photography Jishnu Bhattacharjee deserves a special mention for making this quest for justice seem repulsive yet immensely immersive watch.

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