As far as the horror is concerned, there is nothing to worry about because the ghost is extremely predictable even when it tries to surprise you. While the effects are slick and the ghosts match up to international standards, they cannot save this film from turning into a painful two-hour-long watch.

If over the top spectacle’s which defy logic, gravity and other rules are your cup of tea, this one’s for you. For the rest, this one is best enjoyed sitting in the barber shop as it plays on the television behind you.

What could have been an interesting and quirky train ride turns into a sappy, emotional tear-filled journey that seems like it will go on forever. With so many things working against it, this is definitely one dessert we’d recommend you taste with caution.

With an extremely guessable plot and a not enough laughs to match, Mitron is a film you would recommend to those friends you want to get back at!

The production values are top notch and so is the music. While the narrative may get a bit repetitive, like how birthday songs can get, maybe that’s what the director intended. That being said, this is one party you may want to attend if you like your cinema to be dark and mysterious.

While one may remark on the timing of the film releasing so close to Anurag Kashyap’s ‘Mukkabaz’, it would be safe to say that the two are polar opposites, and this one doesn’t even come close to it. But then again, no one ever really makes any effort in this one either.

While Bhatt has managed to piece together the disjointed ends of his extremely laborious story, and there is a climax that one did not expect, it already too late. With the number of songs in the film, which all sound the same, ‘1921’ is more of a horror-musical. Even if you are weak-hearted, this one will not scare you for too long.

A formulaic film, there are no real surprises here and it fails to cash in its chips as far as holding your interest is concerned.

Marketed as a ‘festival’ film, Alif has many good points, along with a strong story, which shows how an orthodox approach to education, in this case in Islam, can ruin lives; both young and old. However, execution and performances fail this film from rising above being anything more than a film with a ‘message’. The actors are shrill and over the top in their performances barring Danish, who plays it so understated that his emotions barely come through. Neelima is the only saving grace, as she brings a certain warmth and humanity to this bleak landscape.

It could have been good film, but the undoing of Coffee With D is its post-production. The film is let down by shoddy editing and a bad dubbing job where entire sentences are muted and out of sync. A story that has potential is ruined by poor execution that distracts you from the plot.