Joker is a great film, not because of what it provides, but because of what it withholds. It’s brave, beautiful, and bound to annoy some people. Expect Oscars.

A monument to Hollywood excess; the greatest visual effects spectacle since Avatar…Disney’s latest, big-budget remake is a narratively bankrupt, towering monument to Hollywood excess. It’s also the greatest achievement in VFX since Avatar.

A passable postscript to Avengers Endgame, but a marvellous ode to Iron Man…Even in death, Robert Downey Jr’s Tony Stark looms large in Tom Holland and Jake Gyllenhaal’s a passable postscript to Avengers Endgame.

Pixar’s latest film, starring Tom Hanks and Tim Allen, is an anomaly — a fourth entry in a franchise that has only produced masterpieces.

Even Chris Hemsworth can’t charm his way out of director F Gary Gray’s unfunny, unmemorable and utterly unbearable sequel.

Sophie Turner stars in a lousy film that spits on the memory of the X-Men; dispassionately performed, ineptly scripted and gratingly scored.

They’re insisting that this is the end, but it’s like Tony choosing pizza over cheeseburgers – we all know that’s never going to happen. The more movies they keep making, the more they’re going to dilute the impact of Endgame, But for fans who’ve been there from day one, it will be the satisfying conclusion they’ve been waiting for, and a love letter to the franchise they adore. The MCU, in this moment, has given us a once-in-a-lifetime experience. Cherish it. Hold it dear. Whatever it takes.

An unmitigated disaster, may it rot in hell….Director Neil Marshall and star David Harbour take over from Guillermo del Toro and Ron Perlman, only to deliver an utter catastrophe.

Oscar-winner Lupita Nyong’o delivers a stunning dual performance in Jordan Peele’s groundbreaking follow-up to Get Out.

As it stands, The Hidden World is a satisfying conclusion to the trilogy. It’s likely, however, that in times of need in the future, Dreamworks might reboot the series for an entirely new generation of fans, forcing us to confront the bittersweet nature of franchise filmmaking. Like Hiccup, we will be forced to make difficult decisions – about moving on, yet never forgetting the past.