Tom Cruise is at his charming best in this incredible real-life tale of greedy Americans confronting Pablo Escobar’s Medellin Cartel. It’s like Narcos meets Breaking Bad.

Muschietti has made one of the best horror movies of the year. It’s funny and warm and touching and frightening and profane and profound. It’s a terrific set-up to what is going to be a restlessly-anticipated Chapter 2.

It floats. You’ll float too.

While Annabelle: Creation is by no means a perfect film, and nor is Sandberg the best director currently working in the genre – he doesn’t, for instance, have the sixth sense of a M Night Shyamalan or Fede Alvarez (Don’t Breathe, represent) – he has made a film that’s a vast improvement over its predecessor, and I would go so far to say, even the two Conjuring movies.

in the hands of David Leitch, one-half of the team that brought us John Wick, it’s a film that has one of the best action scenes of the last decade. Not even exaggerating. The scene arrives a little after an hour into the movie, and without a shadow of doubt, is worth the price of admission alone.

One of the finest blockbuster trilogies comes to a thrilling, sombre conclusion, thanks to Matt Reeves direction, and Andy Serkis’ great performance.

Tom Holland brings an innocence to Peter Parker we’ve never seen before. Robert Downey Jr meanwhile, can play Tony Stark in his sleep.

After two films that couldn’t match up to Pixar’s high standards, Cars 3 – buoyed by Owen Wilson’s earnest performance, and a darker, more emotional story – races away as the best entry in the series.

Scarlett Johansson cements her position as one of the best action stars in the world with this adaptation of the classic Japanese anime that inspired the Matrix.

What struck me most about Life was how well it was written. Really, it’s so rare these days to see such a solidly put together piece of popcorn entertainment. By definition, these movies are supposed to be filled with plot holes and cardboard characters, convenient contrivances and pathetic, laughable dialogue. But not Life, no.

Hugh Jackman’s final Wolverine film changes the face of superhero movies forever. It’s the farewell the most iconic X-Men character deserved.