Watch Creature 3D only if you can’t sleep without watching a monster movie. Creature 3D gets one for the film, and 0.5 extra for the VFX.

…is made for whistles and some quick money…Everything said and done, it’s good to see a mainstream Hindi film with a protagonist from the North-East, that too a woman, a champion though.

Mardaani’s philosophy and message are conveyed to some extent. It may be liked due to its women oriented theme, but I don’t think it would give any impetus to the process of women empowerment. Watch it if you have been a Rani fan, but don’t look for any depth in the story.

The film lacks a strong conflict line. The whole racial thing in Australia emerges as the most touching part of ‘Yaariyan’.

A song in the film goes like, ‘Munna stud hai, aisi smile hai, jhappi dene ka public ka karta mood hai.’ Well, not exactly.

Overall, ‘Aurangzeb’ is a fun thriller with a racy first half and a dragged climax. It’s not devoid of any essential ingredient of a ‘masala’ film and you can watch it for depicting the dark underbelly of the illegal land deals.

Overall, ‘1920: Evil Returns’ showcases some good ‘horror’ moments in the second half, provided you sustain the tyranny of the first half.

The film shies away from delivering a distinct political and cultural message. It doesn’t even try to propagate a philosophy which is a trademark of Priyadarshan’s earlier acclaimed films, but he should be praised for showcasing a rural setup (How many village based films we see in a year?). At least, he is featuring the lives of people who form the major chunk of Indian population.

The good thing about ‘Bumboo’ is its climax. You can certainly laugh towards the end. And yes, Mika Singh’s song during the credits is worth dancing.Message of the film fails to reach the spectator because Sanjay Mishra gives a really long ‘speech’ before coming to the crux of the matter.’Bumboo’ is a film made with good intentions but somehow the makers couldn’t transform the original idea onto the celluloid.You can always watch ‘Bumboo’ to support the storytellers who dare to go against the established market norms.

Overall, ‘From Sydney with Love’ is meant for the takers of simple and idealistic romance. The makers don’t fancy to develop a new love theorem and remains within the comfort zone. Though unnecessary melodrama hampers the pace of the film, still it appeals due to the efforts put in by the newcomers.