Hindustan Times, IBNLive, DNA India, News18
Reviewing since 2012 · Last review Sept 2022
Film commentator at IBNLive (CNN-IBN). Fiction writer. New Delhi
Films
Scoring fingerprint
199 scored reviews · 0–10
Most given: 5 (40 reviews)5% of reviews not scored
In step with the room
Within a point of the Monk Score on 59% of 193 films
Closest peer
Agrees with Rohit on 90% of 42 shared films
Divergence
From the archive
Bhool Bhulaiyaa 2 has the potential to charm the audiences back to theatres for the mainstream Hindi cinema. Bhool Bhulaiyaa 2 is an out and out entertainer and next in the line of typical Bollywood 'masala' films.
Full review ↗TRM 5.9+1.1
Actually, the film hugely impresses, despite an underutilised Avinash Tiwary, for the first few minutes, but then it slowly eases its grip over the audience which keeps looking for a thicker plot but gets only the most likely outcomes. Despite being only 94-minute long, Bulbbul seems stretched and repetitive.
Full review ↗TRM 5.7−0.7
Brahmastra is a unique film because you can't immediately decide whether to praise it wholeheartedly or discard it completely. All said and done, Brahmastra is grand, has all the tropes of mega Bollywood projects, and is enthralling. It's something new.
Full review ↗TRM 5.9+0.1
John Abraham's Film is a Crowd-Pleaser...Batla House combines all the essential tropes of mainstream Bollywood films in remarkably entertaining fashion, and make you sit and notice the fluidity of the narrative.
Full review ↗TRM 5.5+0.5
om Holland Gets In the Way of Avengers-level Threat...Apart from the really stretched action sequence in the end, there isn't a lot to complain about in Spider-Man: Far From Home.
Full review ↗TRM 6.4+1.6
Men In Black International lacks drama and punch, both inside and outside the covert bureau operating for the welfare of all living beings including aliens.
Full review ↗TRM 4.3
On second thoughts, this might not be the best VFX you have seen in a while but it blends perfectly well with the tonality of Dark Phoenix. There is a lot to cheer for in X-Men: Dark Phoenix but give it a chance with an open mind.
Full review ↗TRM 4.8+1.2
Director Abhishek Chaubey (Ishqiya, Udta Punjab) glides us into the harsh lifestyle of bandits or rebels as they like to call themselves. They speak of their difficulties in as many words but can't leave this life because they have never known anything better. It's cruel, pointless and vengeful. Everything is personal and nothing is personal.
Full review ↗TRM 6.0+1.0
...bold views in a film can't envelope notorious tactics in real life, so I wouldn't blame you if you hold it against Bal Thackeray and his party members who have galvanized resources to make this film.
Full review ↗TRM 4.8+0.2
Uri The Surgical Strike has many exciting moments. Don't be surprised if you hear whistles all around when Indian paratroopers blast terrorist camps inside Pakistan
Full review ↗TRM 6.00.0
Zero is a fantasy ride that ends up nowhere. From writing to direction and editing, everything has failed the project. If given a chance between Jab Harry Met Sejal and Zero, I would probably go for the former. Yes, it's that uninspiring.
Full review ↗TRM 4.7−2.7
Kedarnath totally banks on its leads and they deliver. Sushant brings calm and Sara a breezy freshness to it. They give the film what its average VFX fails to—a purpose. Kedarnath is watchable and strikes a chord when needed.
Full review ↗TRM 4.9+1.1
At 96-minutes, Pihu grips you by the neck and doesn't let your bat an eyelid. However, it could have helped a whole lot if it had a tighter second half.
Full review ↗TRM 5.3+0.7
Thugs Of Hindostan is the recreation of what we have already seen in countless number of films that too with much higher budgets.
Full review ↗TRM 4.1−0.1
TRM 3.1−2.1
There isn't any point in talking about Jalebi's aesthetics because it's a film that neither knows its purpose nor destination. Varun Mitra tries his best to convince us of his emotive skills, but his scenes are so dull that even his bright smile looks dim. The less we talk about others, the better. Even in your most generous mood, you won't find Jalebi better than the most average episode of a saas-bahu soap. My advice — try not to taste this stale, overdone offering.
Full review ↗TRM 3.9−1.9
The film is intriguing, sometimes even absurd, but you'll glide through its 104-minute duration. Tumbbad's biggest success is that it doesn't confine to any popular genre. It offers something new and that's enough.
Full review ↗TRM 6.7−0.7
AndhaDhun is a slow burner, the more you invest yourself in it, the more you enjoy it. Also, never treat a piano just as another instrument. You never know, it might be plotting against you.
Full review ↗TRM 7.5−0.5
Varun Dhawan surprises with his willingness to take risks. Who would have thought he could play a docile character with such ease? He weaves his suits and charm with equal finesse. Anushka Sharma holds her own and never lets anyone snatch her spotlight.
Full review ↗TRM 5.9+1.1
Pataakha is a well-crafted adaptation of Charan Singh Pathik's short story Do Behnein, which ends with something that's quite clearly wishful thinking.
Full review ↗TRM 6.5+0.5
It's a film that will make you think, hurt you and will bring you back to your ideals. Nawazuddin Siddiqui has stripped himself of all the apprehensions and has dived into Manto's world with unmatched energy, wit and personality. Far from Wasseypur, he has transformed into a writer who has lost everything in the No Man's Land between India and Pakistan. Be a part of his poignant, heart-breaking journey.
Full review ↗TRM 6.5+1.5
One of the finest filmmakers of our time, Anurag shows his range with Manmarziyaan. In one of his most easygoing films, he manages to add his touch to an otherwise old theme, and that makes Manmarziyaan a film worth spending time on.
Full review ↗TRM 6.0+1.0
You'll need a couple of popcorn boxes to munch on, but more than that, you'll need Himalayan patience to sit through this 147-minute of convoluted mess.
Full review ↗TRM 2.8−0.8
Gold can't boast of a great CGI though. Actors try to make up for a little slack in pace, but its capacity to moist your eyes at will is Gold's real strength. Akshay is in top form and this is your must watch Independence Day film.
Full review ↗TRM 6.0+2.0
The royals of Saheb Biwi Aur Gangster 3 patronise obscure traditions and look more ancient than a '70s film. It offers nothing other than a niggling ache. It's certainly a question mark on Tigmanshu's otherwise satisfactory filmography.
Full review ↗TRM 3.8−1.8
There are good tunes thrown in between but they don't serve the purpose as Dhadak, overall, barely skims beyond the obvious. At 137-minute duration, it's not as powerful as the original, but could be a good watch for audiences looking for decent fresh faces.
Full review ↗TRM 5.4−0.4
Soorma doesn't attempt to probe beyond the obvious, even if you don't know the real story. With 131-minute duration, Soorma presents Sandeep as the ultimate boy scout. A tinge of reality wouldn't have hurt.
Full review ↗TRM 5.6−1.6
Sanju is another gem in Ranbir Kapoor's repertoire, but the same can't be said about Rajkumar Hirani. Sanju is watchable but a very average fare.
Full review ↗TRM 6.9−1.9
Race 3 is a mere show-reel for Salman Khan fans. Celebrating Eid at home is likely to entertain you more.
Full review ↗TRM 3.4−1.4
Harshvardhan Kapoor's film is darker than any other Hindi superhero film you have seen. It's earnest and deals with the idea of vigilante justice in its raw form. Here's our movie review of Bhavesh Joshi Superhero.
Full review ↗TRM 4.8+1.2
Despite a promising theme, Khajoor Pe Atke is somewhere lost in translation. Thanks to Manoj and Seema Pahwa's terrific comic timing, the audience bears to sit through this 120-minute botched up relationship drama.
Full review ↗TRM 4.4−0.4
The actors sometimes falter with their accent and dialect, but intrigue around Sehmat's adventures doesn't give them much time to complain. Raazi is a sensibly written and finely performed film that takes a close look at the ordinary lives of extraordinary people. Not to miss.
Full review ↗TRM 7.1+0.9
The film's 101-minute duration is enough to convey its high spirits and liveliness. Its message is loud and clear though it comes at the cost of some unnecessary villainy. What a joy to watch two fantastic actors working in tandem in a performance-oriented film!
Full review ↗TRM 6.2−0.2
Despite excellent symbols and good performances in patches, Beyond The Clouds remains something we have seen and had expected. The uniqueness of the film hardly crosses the crowded bylanes. Majid Majidi's foreign eyes see what all of them see.
Full review ↗TRM 5.9−0.9
A couple of funny scenes are scattered here and there, but it's mostly the out of sync acting of Abhay Deol and Patralekhaa that makes the audience giggle.
Full review ↗TRM 3.4−0.4
Calling Varun Dhawan's film only a love story will be injustice to its resilient tone. It's a battle, both inter-personal and intra-personal.
Full review ↗TRM 6.9+2.1
Slightly disoriented, but Manoj Bajpayee-Tabu make it work...Missing isn't a spellbinding thriller you were waiting for, but it has its moments.
Full review ↗TRM 3.6+0.4
Hichki oscillates between a strong-willed teacher and some kids pushing against the wall. One can be a hero only at the cost of the other. One of them must get an easier win, and the director chooses Rani Mukerji. It's well-intentioned and will move you, but it could have been so much more.
Full review ↗TRM 5.7−0.7
Hate Story 4 is nothing more than a failed attempt to titillate the audience, but you know what totally killed me? Urvashi Rautela being really happy in a scene and saying, "The Oscar goes to…" She meant herself. You deserve better than this. Respect your intelligence. So much hate may ruin all the good things in your life.
Full review ↗TRM 3.2−3.2
Love Per Square Foot doesn't delve deep into matters of the heart, but it's a feel good film for sure. Angira Dhar makes a promising debut and Vicky Kaushal shows his lighter side. Anand Tiwari handles romance with proper care and maturity. Love Per Square Foot is youthful, urbane and lovable.
Full review ↗TRM 6.0
Pari appears puzzled as if they don't know how to end what they started. Anushka Sharma's film attempts to look different than usual 'bhoot ki film', but in the end, finishes right where 1920 Evil Returns or Alone did.
Full review ↗TRM 5.4−3.4
Welcome To New York is totally lost in New York, and looks nothing more than an extended IIFA trailer. It's not worth wasting your time, money, patience and intelligence on this mind-numbing promotional video.
Full review ↗TRM 2.8−1.8
Aiyaary, which means the act of espionage, is designed as a race between two gifted people who understand the nuances of the country's defence programmes. Here's our movie review.
Full review ↗TRM 4.4−2.4
Padmaavat is sparkling, extravagant, dazzling, magnificent and wonderful. It's a feast for the eyes. It leaves you craving for something more meaningful than a mere re-telling of Jayasi's poem. But it has enough to bedazzle you, so go for the sheen and Ranveer Singh's lunacy. After all, Padmaavat has passed so many hurdles to reach you.
Full review ↗TRM 6.2−0.2
Vodka Diaries is about under-utilised actors and losing a promising opening. It probably needed a more thorough approach.
Full review ↗TRM 4.00.0
The 156-minute Mukkabaaz is the best film in last one year or so, and this year couldn't start on a better note. Let's cherish Vineet Singh and his thickheaded brawler with open heart.
Full review ↗TRM 6.9+2.1
Sirsha Ray's camera work helps set a gloomy, mysterious, dark (not sinister) mood. The choice of locations and background scores does the rest. For the want of a better word, A Death In The Gunj has a 'distinct' feel. Konkona Sen Sharma's film is a successful experiment despite loopholes. And it is brave.
Full review ↗TRM 7.2−1.2
Tu Hai Mera Sunday is concerned about our well beings and that makes it notice-worthy. It's a sweet, little film asking for your support.
Full review ↗TRM 5.9+0.1
There's still some time to catch up with Hollywood, but Tiger Zinda Hai is probably the best a filmmaker could do with a superstar. Just wait for the moment when Salman Khan dodges the most dreaded criminals and their rocket launchers while riding a horse.
Full review ↗TRM 6.2−1.2
Fukrey Returns is a tedious 141-minute watch which is unfunny, unintelligent and repetitive.
Full review ↗TRM 4.8−1.8
TRM 6.4
TRM 2.9−2.9
The plot is not absolutely water-tight (the movie would have blown you away with its twists, if that was the case), but Chopra does put his resources to good use. Ittefaq tries its best to create intrigue, and doesn't give the audience a lot of time to think twice about a single event. That is its biggest achievement. Ittefaq is a decent crime story that will keep you hooked, and guessing.
Full review ↗TRM 5.5+0.5
Rukh has its own narrative technique. To categorise Rukh as an art-house film would be an injustice to Atanu Mukherjee's talent. It's a 'different' film, for the want of a better word.
Full review ↗TRM 5.5+1.5
Secret Superstar will still make you laugh and cry with ease. Show some appetite for drama and you have an entertainer at your service.
Full review ↗TRM 6.8−0.8
Judwaa 2, like the original, isn't a piece of art, in fact it's mediocre, but it's that one film which may lift your mood. At 149-minutes, this slapstick comedy has some really laugh-worthy moments.
Full review ↗TRM 4.7−0.7
Newton is one of the finest political satires we have seen in the last couple of years. It refrains from taking sides and offers a humorous take on state versus the Maoists bloody battle. It raises questions on the importance of the electoral system we are so proud of. It takes us much beyond what we see. The team of Rajkummar Rao, Pankaj Tripathi, Raghuvir Yadav and Anjali Patil has come up with a top-notch performance. It's a world waiting to be explored, so better do it now.
Full review ↗TRM 7.3+0.7
Despite its 124-minute length, Haseena Parkar is a tedious watch. We already know whatever is shown there.
Full review ↗TRM 3.6−1.6
Lucknow Central fails to utilise its resources, especially Diana Penty, and loses out on a chance to become a really engaging film. Like Prison Break, it never reaps the benefits of a promising start.
Full review ↗TRM 5.3−0.3
Sunny and Bobby Deol and Shreyas Talpade resort to crass comedy at times, but the movie is funny often enough to recommend.
Full review ↗TRM 5.2−0.2
Baadshaho has too many ordinarily written characters jostling for whistle-worthy one-liners for 136-minutes. Eventually they run short of the steam and Baadshaho becomes a rehashed '90s story with some gloss and a lot of disappointment.
Full review ↗TRM 3.8+0.2
It's a film pretending to be a stylishly raw gangster saga originated in the interiors of the Hindi heartland, but in reality, it's nothing more than another attempt to look at the crime prone lower strata of society through a rose tinted glass. Sadly, Babumoshai Bandookbaaz never pierces our hearts.
Full review ↗TRM 4.8+0.2
Bareilly Ki Barfi is sweet and delightful. Its hilarious one-liners like, "Ye toh aastin ka anaconda nikla" and "Ye Bitti raat bhar kahan ghumti rehti hai, ladki hai koi chudail thode na hai," totally work. This light-hearted comedy refrains from being slapstick and slowly weaves its charm. Worth a watch.
Full review ↗TRM 6.00.0
It's a big disappointment to see Shah Rukh Khan returning to his comfort zone and yet not performing on top of his powers.
Full review ↗TRM 4.7−0.7
Mubarakan is designed as a family film where comedy is generated through quarrelling relatives. This works initially but goes out of control later.
Full review ↗TRM 5.6−0.6
This forgettable 138-minute film can be better described as this one-liner somebody whispered in the dark right before the end credits: Ye sab alag hi zone me hain (They're in a different zone).
Full review ↗TRM 3.8−1.8
It's a cliché, but no other word can sum up Jagga Jasoos better: Cinematic. Well, that's it. Jagga Jasoos is the most 'cinematic' film you have seen in the recent months. Plunge to never come out of the world of Jagga Jasoos.
Full review ↗TRM 5.5+1.5
Nothing can save this Paresh Rawal, Kartik Arayan film when it features songs on farts.
Full review ↗TRM 3.2−1.2
To give credit where it's due, Mom does fan the audience's anger against people who indulge in anti-women crimes. However, it never intends to create a full-blown fire that would change the attitude of potential criminals in such situations. Instead, Sridevi takes it upon herself to deliver justice – thereby undermining the authority of law and related machinery. This is where Pink excelled.
Full review ↗TRM 6.4−0.4
Tubelight, as Salman Khan is fondly called in the film, completely plays to Khan's strength of adapting a Boy Scout on-screen. Kabir Khan picks up a universal message and wraps it up in an entertaining Bollywood film.
Full review ↗TRM 4.7+1.3
Raabta lacks the finesse required to pull off a theme like this, but it is definitely good to look at. From Budapest to colour blasts during flashback scenes, it features some captivating moments. Sadly that doesn't seem enough. Poor writing is Raabta's nemesis provided you don't want to settle for a 'being there' done that' kind of a story.
Full review ↗TRM 4.1+1.9
I wiped my eyes when the same footage played inside the theatre, I won't deny that, but that's mostly because of the nostalgia attached to my teens. It's reliving the Sachin magic, not a perfect docu-drama on him. Still enough to bring you to the theatres. We have been doing it for years. Maybe one more time.
Full review ↗TRM 7.1−2.1
A little preachy and over-dramatic towards the end, Hindi Medium strongly drives its point home. Chaudhary's film has immense repeat value.
Full review ↗TRM 6.5+0.5
Half Girlfriend is confused, forced and takes the audience for granted. In one word: disappointing.
Full review ↗TRM 4.00.0
Most of Sarkar 3 is a remake of Sarkar. Nagre is still dealing with absolutely similar problems in absolutely similar manners. But there is one good thing about Sarkar 3. Ram Gopal Varma is a step closer to regain his touch. Veerappan showed he is not out of the game, and Sarkar 3 suggests he is on a comeback. He should also be lauded for a great ensemble cast.
Full review ↗TRM 4.0+1.0
Ultimately, Raveena alone couldn't save a thin storyline, and Maatr is just another run-of-the-mill revenge saga.
Full review ↗TRM 4.3−0.3
The 134-minute long Begum Jaan has Vidya Balan in good form, but it lacks cohesiveness as a complete story. It shies away from delving deep into the theme, but you may appreciate its documentary-like treatment.
Full review ↗TRM 5.00.0
Trapped is a defining film for Motwane who has become braver in using small spaces and silence. It's the beginning of a style that we must see in his next films.
Full review ↗TRM 6.5+0.5
This film may not offer a substantial take on any cause, but it is one of the many that take the debate forward. Being mainstream will only help it.
Full review ↗TRM 5.7−0.7
Commando 2 lacks heart and is all muscles. If may not even quench your thirst for some adrenaline-pumping stunts.
Full review ↗TRM 4.1−0.1
At 167 minutes, Rangoon isn't only long but painful. And this isn't the pain of love. And it doesn't end in pleasure.
Full review ↗TRM 6.0−2.0
Director Amit Roy may have unnecessarily stretched the film to 114 minutes. Running Shaadi has its moments, but they are too few to keep you engrossed.
Full review ↗TRM 4.8−0.8
All is well that ends well. And Akshay Kumar ensures that you keep laughing at regular intervals. He makes you remember Warsi, but also adds his touch to Jolly. Overlook some of the minor flaws and you have a 140-minute solid entertainer on your hands.
Full review ↗TRM 6.2−0.2
Kaabil is not extraordinary, but it has all the elements of a 'masala' potboiler. The catch is that it's been dished out in a typical Bollywood style which may not give it a novelty. But there isn't any particular reason for not watching it.
Full review ↗TRM 5.9+0.1
Haraamkhor is one film you just shouldn't miss, even if it's just to see how Hindi cinema is exploring new themes with finesse.
Full review ↗TRM 5.9+3.1
This could be Aamir's best performance till date. Yes, even better than Lagaan. A man making his daughters chase his dream. He cries, frowns, gets angry, looks old and tired, but is definitely one of us. When he shakes his head helplessly, you see a father in him. When he gets into a brawl, he is the brother you always depended on. When he wants to see you win, you know you have to perform. It's not just his pride, it's yours as well.
Full review ↗TRM 8.00.0
It's so formulaic that you can actually put your headphones on and still decipher each scene and lipread every dialogue.
Full review ↗TRM 3.3−0.3
Befikre values entertainment as much as you want those Rs 100 notes these days. Be sure of getting entertained by Ranveer Singh's charisma and Vaani Kapoor's French. But, don't wish for more. The Yash Raj bank too delivers under restrictions.
Full review ↗TRM 5.00.0
Force 2 has a noble heart. It wants to get the undercover agents, who selflessly serve the nation, their due. But the narrative hasn't taken a favourable shape. Sadly, it's mostly about muscles and very less about intelligence.
Full review ↗TRM 5.2−1.2
Like Rock On, this one is also about the male bonding, on and off the stage. Shraddha Kapoor's presence adds a different dimension to it.
Full review ↗TRM 4.5+2.5
Devgn's stunts are a treat to watch, but that's about it. Shivaay treks trough high altitudes, but the film keeps waiting for him to return to the valley with a string attached to his legs.
Full review ↗TRM 4.6+0.4
31st October is an important film, especially when many have gone scot-free in the anti-Sikh riots cases even after so many years. It's going to be 32 years in 10 days. As they say, justice delayed is justice denied.
Full review ↗TRM 3.9+1.1
Beiimaan Love is a master-class in anger management. You sit through it and the world will be at your feet. I thought Great Grand Masti was the worst film this year. What a great competition it has in Beiimaan Love!
Full review ↗TRM 2.9−2.9
This 135-minute Shakespearean drama is visually impressive, but lacks the essence of a heart wrenching love-story. It's a period drama trying hard to be a musical. And music? Probably the best in last couple of years.
Full review ↗TRM 4.7+0.3
Our heroes are generally virtuous, but a biopic also needs objectivity. The director has silver-wrapped the facts that are mostly known. But, you have to give to Pandey to keep it intriguing enough for you to get hooked throughout the three hours. Unquestionably entertaining. Also, it's the role of a lifetime for Sushant, and he has aced it.
Full review ↗TRM 6.3−0.3
It's a film by someone who can see Mumbai with indigenous eyes. Scratch the filters and it's as raw as it always was. Show patience in the second half, and it may work for you. There's a lot to like in Banjo.
Full review ↗TRM 4.4+1.6
Raaz Reboot is a tough watch for close to 140 minutes. Great songs, but not enough to pull it out of the spirit's grip.
Full review ↗TRM 3.8−1.8
Pink shows what meticulous planning can do to a film. And, of course, Amitabh Bachchan's enigmatic persona will guide you through the darkness. Not to be missed at all.
Full review ↗TRM 7.8+0.2
Baar Baar Dekho is hardly even a bird's eye view of the new generation's choices and desires. Its philosophy lacks strength and gloss takes the centre stage right from the beginning. But, if you stop taking it seriously then it may provide you some happy moments in exchange. After all, who doesn't like a big, fat Punjabi wedding!
Full review ↗TRM 4.8+0.2
Akira isn't an out and out action film. In fact, the makers are too concerned about making it look like a family drama. Lacklustre supporting cast and depthless writing make it even duller. Despite some shots of acid attack survivors and specially-abled children, Akira fails to evoke any solid emotion.
Full review ↗TRM 5.3−2.3
Island City is well paced, nuanced and to the point. Watch it for the sake of good cinema.
Full review ↗TRM 6.2+0.8
A Flying Jatt begins on a good note, picks up the pace, throws some light-hearted moments, and then faces the curse of the second half. It drags its feet from becoming the smart film just when it's needed and goes for the all-explaining commentary.
Full review ↗TRM 4.3+0.7
Director Mudassar Aziz's film is a good watch. The supply of situational comedy won't end till you leave the theatre.
Full review ↗TRM 5.5+0.5
Lousy special effects and the language of certain characters are a few things that warp the authentic feel of the movie. Yet, somehow Rustom doesn't falter, except when you realise the movie two and a half hours long.
Full review ↗TRM 5.6+0.4
The lack of hype around The Legend Of Michael Mishra isn't going to help it either as it's clumsy beyond expectations. Even the most optimistic of us would find it difficult to sit through this cheerless drama.
Full review ↗TRM 2.6−0.6
This is a crafty move on the director's part, as it translates facts into a humane narrative without giving much room for prejudice. Hope rears its head when needed the most. The humanitarian perspective is the movie's biggest win.
Full review ↗TRM 7.0+1.0
Despite dramatic crests and troughs, Budhia Singh – Born To Run is true to the original story. At 111-minutes, Budhia Singh – Born To Run doesn't give us any dull moments. It's a fantastic relationship drama in the disguise of a tout thriller.
Full review ↗TRM 6.7+1.3
The relatively short length of the movie (124 minute) helps Dishoom rise above the clichés. It's a formula potboiler that serves the purpose of entertainment if you're looking for some light moments.
Full review ↗TRM 5.5−0.5
Don't you dare smile! Even if you do, do it with a sorry face. Who knows, a smile might turn out to be the inspiration for an even greater 'masti'. It's a miracle I have survived.
Full review ↗TRM 2.5−2.5
Sultan has all the right ingredients of a 'masala' potboiler, and whistling and sobbing are likely to go hand-in-hand here. Don't go looking for a twist ending, though. We all know what to expect from such a film, but it's still a lot of fun to see the underdog win.
Full review ↗TRM 6.5−0.5
If you aren't familiar with what happened in 2013, or were looking for a new perspective on the incident, Shorgul isn't for you. The movie is a disappointment.
Full review ↗TRM 3.8−1.8
Director Nagesh Kukunoor explored Rajasthan in Dor like never before, and the same style of cinematography and character placement can be seen in Dhanak. Long shots capture sand sliding like water with minimal props. The frames rarely look crowded as enough space is allotted to the background. The secondary characters could have been given more depth though.
Full review ↗TRM 6.7−0.7
The film is entirely Chaubey's. Bringing in inspiration from Quentin Tarantino, the Coen Brothers and Vishal Bhardwaj, he showcases the paradox of Punjab in Bollywood films. The land of lassi and mustard fields isn't about a romantic duet anymore, and if you don't act fast… well, watch the movie to find out. There are no reasons not to.
Full review ↗TRM 6.8+0.2
TE3N catches you by the neck and keeps you engrossed till the end credits. Amitabh's superlative form is just one of the incentives to watch it. TE3N has enough to make you like it.
Full review ↗TRM 5.8+1.2
Though not as much of a riot as Welcome or Khiladi 786, you can count on the star cast and the crazy set-up to give you a good time.
Full review ↗TRM 4.3−1.3
...this 126-minute film has pace and a narrative technique which may give you a glimpse of RGV's old charm. But, the mojo isn't completely back yet.
Full review ↗TRM 4.6−0.6
The Emraan Hashmi charm mixed with shy Azharuddin mannerism makes it a heady cocktail. You wouldn't want to put it down without giving it a try.
Full review ↗TRM 5.0+1.0
One Night Stand is still an average film with a run-of-the-mill theme. It, however, is one of the better finished products with a similar recipe.
Full review ↗TRM 4.3+0.7
In short, The Karate Kid enters Bloodsport and appears in a hurry to become Ong-Bak without losing the essential Bollywood qualities. Baaghi shines only in patches.
Full review ↗TRM 4.6−0.6
Laal Rang has a shade grey and is much more high voltage than an ordinary thriller. Nobody could have played it better than Hooda. It's his film.
Full review ↗TRM 5.1+0.9
To call it slapstick would be an insult to the audience's sensibilities because the jokes are stale and the situations humourless. The real outrage here is how can someone make a story with Santa-Banta, the epitome of two-liners, such a lacklustre affair?
Full review ↗TRM 2.5−0.5
Fan delivers what it promised in the trailers. Logic may not be its strong point, but Shah Rukh most definitely is; he's back in his elements after a long time. Watch it for him.
Full review ↗TRM 6.8+0.2
Vikram Bhatt is just juggling with the idea of cheap thrills without actually putting anything substantial on offer. So, it won't make any difference if you call Love Games, Hate Story 4. To cut the chase short: Roses are red, violets are blue. Hey Vikram Bhatt, what did you do?
Full review ↗TRM 3.7−0.7
Too much breakfast and coffee table drama make this well intentioned film lose steam. Ki & Ka isn't a strong voice against gender stereotyping, but it's one of its kind in mainstream Hindi film industry, and that makes it notice-worthy.
Full review ↗TRM 4.8+0.2
John Abraham … err … Rocky Handsome is a very average film with some finely executed action sequences on display. But, make no mistake: Don't expect anything more from this film.
Full review ↗TRM 4.2−0.2
For the want of a better term, Kapoor & Sons is an emotional roller coaster. It's a tear jerker for sure, but also features the intricacies of a middle class life. No dark secrets here, but the shock value is definitely there. You'll love it for being spontaneous, precise, fast paced and well...lovable. A fantastic family drama after a long time.
Full review ↗TRM 7.2+0.8
Teraa Surroor's music is its biggest attraction, provided you're a Himesh fan like me. The first half keeps featuring one song after another and you feel blessed. But then comes the interval, following which the movie turns into an illogical chase that ends nowhere. Even the movie's glossy cinematography and sleek editing couldn't be of much help. Himesh Reshammiya has tried hard, but it's still not working for him.
Full review ↗TRM 3.5−0.5
Zubaan is one of the better music-based films in the last couple of years, and will make for a quite a movie experience. Don't miss it if you can help it.
Full review ↗TRM 5.4+1.6
Jai Gangaajal is just another attempt at making a blockbuster, but it lacks the depth of Gangaajal and Apharan. Still, there's enough for the audience to keep whistling and clapping. Priyanka Chopra is the new 'Dabangg'.
Full review ↗TRM 4.8+0.2
You can still watch Tere Bin Laden: Dead or alive, but it won't give you the same punch as the original. Keep your expectations low and you may come out of the hall laughing.
Full review ↗TRM 4.4+0.6
Such films where the filmmakers need to work in the same time and space zone are difficult to execute, but you'll be surprised at the finesse with which Madhvani has shown most sides of Neerja's personality. She falls, rises, falls again and rises again, until she emerges as that one name which will be associated with Pan Am Flight 73 forever.
Full review ↗TRM 7.6+0.4
To be fair with the team of Sanam Re, it's not a bad watch. It's not a great watch either. The film starts off on a promising note, but soon goes off the track. However, it could still be your Valentine's movie. We know how desperately you need it!
Full review ↗TRM 3.7+0.3
Ghayal Once Again is a throwback to Sunny Deol's angry common man persona made during the '90s. It's a terribly made film with nothing much to offer except Narendra Jha's performance as the suave villain. I have borne the pain so that you can live in peace. The 'dhai kilo ka haath' shows its age and gives you enough time to duck. So duck.
Full review ↗TRM 4.7−1.7
Kyaa Kool Hain Hum 3 is not cool at all. It's stupid, and dialogues like 'Babuji humein nange haathon pakad lenge' and 'Tere grand me bahut masti hai' only make it even more so. But it still has moments where it delivers what was promised in the trailers. Watch it if you like mouse-in-the-pants kinda jokes.
Full review ↗TRM 3.1+0.9
Chalk N Duster is a film worth your time. It's fast, dramatic and meaningful. Simply put, a good watch.
Full review ↗TRM 4.2+2.8
With a brilliant theme, a narrative structure that flows, and social relevance that hooks the viewer, Chauranga makes for a powerful watch.
Full review ↗TRM 6.3+1.7
Dilwale hugely banks upon Khan's stardom and he tries his best to reciprocate. The rest of Dilwale has a very little heart.
Full review ↗TRM 5.1−2.1
Hate Story 3 can boast of some fast paced editing and cool tunes. However, as a Kumar Sanu fan, I am still scarred by the newer version of 'Tumhe apna banane ki kasam khayi hai'. It's actually the film's sleek editing which manages to keep the audience on their seats till the end credits. Hate Story 3 is not a bad watch — if you're looking for some mindless fun.
Full review ↗TRM 3.8−0.8
The trouble is, fun-filled scenes turn into tearjerkers in PRDP in a moment, and you don't know what's hit you. It has everything a quintessential Hindi 'masala' family film would crave for. But take our advice: Go with a full packet of tissues, you will need all of them. To me, PRDP stands for 'Poor Rich Devout People.'
Full review ↗TRM 5.1−1.1
Kanu Behl's Titli is the most impressive film of this year so far. Its tryst with reality will keep you hooked till the end, to say the least. Titli is the latest gem from evolving Indian cinema. Don't even think of missing it.
Full review ↗TRM 7.5+2.5
...relies more on the youthful appeal of its lead actors than a tight screenplay. Sometimes, it pretends to raise an issue, but then shies away from dealing with it. Let me introduce you to the basic premise of the film which mistakes Sindhis for a community of money minded devils.
Full review ↗TRM 4.7−1.7
Jazbaa is a film which thrives on style and Gupta knows how to present a thriller. Aishwarya Rai and Irrfan will take you to a new territory and then keep you there for most of its 130-minute duration. Jazbaa is a good watch this weekend.
Full review ↗TRM 5.6+0.4
Prabhudheva's Singh Is Bliing is a tiring, immature and half-hearted attempt at filmmaking. Devoid of story, characterisation and plots, this is torture in the name of comedy. Singh Is Bliing is absolutely unfunny. I felt bad for the guy who asked me at the end of the film, "Why does Akshay Kumar wear folded trouser in one leg?" Poor guy. As if there's logic to other things in the film.
Full review ↗TRM 4.3−2.3
Boy meets girl and together they bore us...First Hero and now Katti Batti, director Nikhil Advani has delivered two back-to-back duds in consecutive weeks. In fact, Katti Batti makes Hero appear like a good film.
Full review ↗TRM 4.0−1.0
The second installment of MSG--The Messenger is now running in theatres, and here's a warning in public interest: You'll be blown away by the supernatural powers of Gurmeet Ram Rahim Singh Ji Insaan. That is, only if you're a die-hard fan.
Full review ↗TRM 2.0−2.0
Aditya Pancholi has a dialogue in the film which goes like, "Khota hai par apna hai." This sums up the idea behind presenting Sooraj Pancholi as 'the' hero. Yes, I know, I said that in the beginning as well. Then who's the real hero of this 131-minute film? Salman Khan. Why? Haven't you heard his soulful number 'main hoon hero' yet?
Full review ↗TRM 3.9−0.9
Welcome Back is funny in parts, but that 'Welcome' fluidity is missing big time. There are moments but they are very limited in number. Welcome Back's pace is its biggest asset and that may make you enjoy this 153-minute long film.
Full review ↗TRM 4.5+0.5
The director's commitment to social values is clearly visible in the film and he deserves praise for his efforts. It's his conviction that makes the audience overlook the Bollywood-ised version of Rangabati.
Full review ↗TRM 5.0+1.0
Actors compete with each other in bad acting. All Is Well is a rudderless film, to say the least. It's excruciatingly painful to watch this film. I still can't believe that Oh My God was helmed by the same director.
Full review ↗TRM 3.4−1.4
Karan Malhotra's Brothers is not Warrior. It relies heavily on the formula-driven content. Having said that, Brothers still offers you some fantastic fight sequences and a matured Akshay Kumar. You can also consider it a new film rather than a Warrior remake and be happy about it.
Full review ↗TRM 4.7+0.3
Bangistan races through with a nice tempo, only to be brought to an abrupt halt with its highly predictable, and 'heroic' (read Bollywood-ised) climax. Still, it's left with a lot of watchable and well thought-out moments. Bangistan deserves applause for its message-oriented content.
Full review ↗TRM 3.9+2.1
Drishyam works because it doesn't talk about a hero but a common man. Drishyam works because you feel for every character in the film. Drishyam works because it leaves you stunned. Drishyam works because it keeps you glued to your seat till the last moment. Drishyam works because it's a finely crafted suspense thriller after a really long time. Drishyam works because you thought Indian filmmakers can't make good thrillers. Drishyam works because it shows two different India. Drishyam works because visuals can be deceptive.
Full review ↗TRM 6.5+0.5
Bajrangi Bhaijaan is totally dependent on Salman Khan's superstardom and he pulls it off provided you overlook his in-your-face 'bhai' act in some scenes. It's an entertaining film for sure, definitely in the not-to-be-missed category.
Full review ↗TRM 6.6−1.6
I Love NY will remain in your memory, provided you are willing to watch it, as a film where Kangana Ranaut and Sunny Deol tried honestly to come up with a believable love story. Avoid pre-conceived notions, it's a film worth a try.
Full review ↗TRM 3.6+1.4
Guddu Rangeela attempts to build a narrative around 'passionate crimes', but fails to hit the right crescendo because of flawed writing. This is one story which has got all the basic elements, but their placement in the story is flawed. A character in the film very candidly says 'crime me personal touch aa jaaye toh crime passionate ho jaata hai', and this is exactly what is missing in the film: A personal touch.
Full review ↗TRM 5.1−0.1
...is mostly dependent on its lead actors and they've done a satisfactory job. It's one of those films which reveals its latent potential and then fails to capitalise on it. Hamari Adhuri Kahani is watchable, but it is not likely to ignite a passionate fire in your heart.
Full review ↗TRM 3.3+0.7
There is hardly any takeaway from Dil Dhadakne Do and its characters are not likely to stay with you for long. Also, it would be hard for you and me to identify with the doubts and troubles of the morally ambiguous Mehra family. However, the film has a good starcast and that can dictate the game at the box office.
Full review ↗TRM 6.3−2.3
It's a mindless film, but with some great fun-filled moments. Going by the logic of Welcome To Karachi, it won't be a good idea to travel inside Pakistan without a gun. But, cinematic liberty suggests us to overlook such things and then Welcome To Karachi becomes a one-time watch.
Full review ↗TRM 3.9+1.1
Detailing is Bombay Velvet's real deal and that makes it a watchable movie. Also, don't expect it to be another film on the line of Gangs Of Wasseypur 1 and 2. This time, it's more about the masses.
Full review ↗TRM 5.5+0.5
Kuch Kuch Locha Hai is an insane, bizarre film with absolutely no intention of making the audience satiated in any which manner. Avoid it if you can. As far as the Sunny Leone fans are concerned, YouTube also has those songs.
Full review ↗TRM 2.7−1.7
Gabbar Is Back is a full on 'masala' film with a lot of applause worthy scenes. The buck stops at Akshay Kumar.
Full review ↗TRM 4.8+1.2
Mr X is badly written, and we don't want to talk about acting. Emraan Hashmi appears bored, but Amyra Dastur looks improved in emotional scenes. But it is not enough to save the film. Mr X is a complete waste of time.
Full review ↗TRM 3.2−1.2
...regressive, illogical and completely dependent on Sunny Leone. She looks stunning and dances pretty well, but that much was also available on YouTube. Where is the film?
Full review ↗TRM 3.6−1.6
It's a film that will keep you glued to the screen for all the 135 minutes it runs into. Don't think of even missing a minute of it.
Full review ↗TRM 6.5+1.5
As per the film, the question is not about how many new lives we can have. Rather, it is whether 'do we possess the courage to cross the boundaries?' The Second Best Exotic Marigold Hotel is not as tight the previous version, but it's certainly a good film to watch this weekend.
Full review ↗TRM 5.5+0.5
Navdeep Singh nails it in the first half, but the second half lacks the same fluidity and penetration power. NH10 displays a great potential and then fails to capitalise on it.
Full review ↗TRM 6.8−1.8
Ab Tak Chhappan 2 is solely dependent on Nana Patekar and he doesn't disappoint, but he alone is not enough to save a film that is almost a replica of the original. However, it offers thrilling scenes and a good first half. On second thoughts, I think it works in the wrong way because the first half raises the expectations and then the film loses the steam. Still, it's not an unwatchable film. You'll like it if you don't want it to compete with LA Confidential or Training Day or Sehar or Ardh Satya.
Full review ↗TRM 3.4+1.6
Qissa is 'dastaangoi', and much more than that. One of the best films in recent times, it's an experience not to be forgotten easily. Your experiences in life will decide your views towards the film and vice-versa.
Full review ↗TRM 7.1+1.9
Despite flaws, Balki is definitely a brave director who has attempted something new in Shamitabh. The concept is novel and he deserves a pat on the back for it. He loses his grip somewhere during the transition from sarcasm to irony, still he gives the glimpses into his latent talent. Certainly an able director.
Full review ↗TRM 5.7+0.3
The climax is strikingly similar to Argo, but with a little lesser planning and tension. Baby is not overtly dramatic and that saves the day towards the ending. The tempo is just perfect and the pace suits the situation. It's a thriller in every sense; however Akshay getting calls from his wife in the middle of mission somehow hampers the fluidity. This reminds me of the scene where Mumbai Police Commissioner Anupam Kher receives a call from an insurance agent in a tense scene of A Wednesday. That was funny though.
Full review ↗TRM 6.3+1.7
Crazy Cukkad Family lacks freshness and is a rework of many Bollywood films. You may like it in bits and pieces, but overall it's just an average film.
Full review ↗TRM 4.1−1.1
Take 100 grams of Arnold Schwarzenegger and mix it with 75 grams of Sylvester Stallone. Sprinkle Salman Khan as per your taste and you'll find yourself staring at Ghanshyam aka Pintu (Arjun Kapoor). This is what the protagonist of Tevar thinks of himself.
Full review ↗TRM 4.6−1.6
PK is a fun film with proper dose of 'gyaan'. It's a film that shouldn't be missed and it's brave because it attempts to create a better world. Another winner from Rajkumar Hirani. It would be hard to stop it from owning the box-office as well.
Full review ↗TRM 7.4+0.6
Sulemani Keeda is a perfect example of a well-made, low-budget independent film. It's engaging, entertaining and witty. Watch it, you won't be disappointed.
Full review ↗TRM 6.00.0
Happy Ending can hold your attention throughout its length except some not-so-necessary intimate scenes. There is enough in the story to provide you a good dose of entertainment, you just don't need to expect too much.
Full review ↗TRM 5.3−0.3
Rang Rasiya is much more than just a period film. It's a statement on behalf of people who reject intolerance and are continuously striving for a new India which will give space to free voice. It's a piece of art.
Full review ↗TRM 6.0+1.0
Super Nani isn't worth your time. It has absolutely nothing to offer. I wouldn't be surprised if some actors never get a call from producers after this film.
Full review ↗TRM 3.0−1.0
Roar can't boast of big names and perfect acting skills but it can always show you something that you didn't even know existed in India. Yes, CGI is largely responsible for it but even then somebody had to use it judiciously. Sadanah, also the editor of Roar, has somehow managed to keep the tempo satisfactory till the end. In my opinion, Roar deserves your attention because it's a smartly executed film.
Full review ↗TRM 4.0+1.0
As far as a final verdict is concerned, there is nothing wrong with Happy New Year if all that you are looking for is a good timepass and entertainment.
Full review ↗TRM 5.4−0.4
Tamanchey lacks novelty but can be watched once for its tongue in cheek dialogues.
Full review ↗TRM 3.7+0.3
Bang Bang is one such film, where the lead actor looks engrossed and too careful about creating a brand image. He believes whatever he is doing is going to be applauded by the audience. It's also like that biscuit ad where everybody is running after a truck. The actors look perplexed but the brand somehow remains in the memory. The postcard images and toned physiques may help the audience in brand recall, but without any value.
Full review ↗TRM 4.3−1.3
Daawat-e-ishq is not a film to miss this weekend. For me, Aditya Roy Kapoor is the show-stealer in DEI. A delicious watch.
Full review ↗TRM 5.0+1.0
Watch Creature 3D only if you can't sleep without watching a monster movie. Creature 3D gets one for the film, and 0.5 extra for the VFX.
Full review ↗TRM 3.9−0.9
...is made for whistles and some quick money...Everything said and done, it's good to see a mainstream Hindi film with a protagonist from the North-East, that too a woman, a champion though.
Full review ↗TRM 6.1−1.1
Mardaani's philosophy and message are conveyed to some extent. It may be liked due to its women oriented theme, but I don't think it would give any impetus to the process of women empowerment. Watch it if you have been a Rani fan, but don't look for any depth in the story.
Full review ↗TRM 5.8−0.8
Trust me, it's just fine if you don't understand it, but don't even think of skipping this film which has acquired the cult status even without hitting the screens ever. Kamal Swaroop can be anything from a wayward wanderer to a genius, but he has made 'Om Dar B Dar' an altogether distinct 'experience'. You are not allowed to miss this film.
Full review ↗TRM 6.2
The film lacks a strong conflict line. The whole racial thing in Australia emerges as the most touching part of 'Yaariyan'.
Full review ↗TRM 3.0+1.0
'Chor Chor Super Chor' is an intelligent film which has all the ingredients of a sleeper hit. It's a fantastic watch this weekend for its quirky narrative. You can pick 'Chor Chor Super Chor' for its jovial moments.
Full review ↗TRM 4.8+2.2
A song in the film goes like, 'Munna stud hai, aisi smile hai, jhappi dene ka public ka karta mood hai.' Well, not exactly.
Full review ↗TRM 3.7−0.7
Overall, 'Iron Man 3' is a story told on a grand canvas which is capable enough of engaging you for 130 minutes but don't look for any ideological deviation of Iron Man even if the world is changing fast.
Full review ↗TRM 6.8−0.8
Overall, 'Aurangzeb' is a fun thriller with a racy first half and a dragged climax. It's not devoid of any essential ingredient of a 'masala' film and you can watch it for depicting the dark underbelly of the illegal land deals.
Full review ↗TRM 5.5−0.5
With good production values, 'Krishna Aur Kans' is childish but enjoyable, but you really need to avoid the lack of excellence in animation.
Full review ↗TRM 5.1
'Chhodo Kal Ki Baatein' doesn't boast of stars but Pramod Joshi cares to use the medium of cinema for a good cause. The subject is complex but it has the potential to make you think.
Full review ↗TRM 4.7
'Married 2 America' is average fair but it has done a good job by focussing on a real issue. The climax is exciting but stretched unnecessarily.
Full review ↗TRM 4.2
Overall, '10 ml Love' is brisk, funny and refreshing. The film's pace and witty humour have the ability to grip you for close to two hours. A very good watch this weekend.
Full review ↗TRM 5.4+1.6
'Shakal Pe Mat Ja' is a mixture of crass comic sequences where the audience should not look for any sensible content. Watch it if you are a habitual film viewer and would not mind laughing in bits.
Full review ↗TRM 3.4
'Rivaaz' is a film which should not be condemned for not having big star cast and better production values. One can definitely watch the film for a story which is true for many parts of our country even today.
Full review ↗TRM 3.6
Over all, it's just the respect for Dev Anand that people will go to cinema hall, otherwise after 'Chargesheet', one would not dare to watch any other film.
Full review ↗TRM 4.2
Over all 'U R My Jaan' is a film for those who do not believe in women emancipation and equal status for all.
Full review ↗TRM 5.5
Yeh Dooriyan celebrates womanhood, and presents the new age independent woman, in a brave manner. She should be praised for it. Your opinion about the film will depend on your social perspective.
Full review ↗TRM 3.6
Overall, '1920: Evil Returns' showcases some good 'horror' moments in the second half, provided you sustain the tyranny of the first half.
Full review ↗TRM 4.2−1.2
Overall, 'Chakravyuh' is a well intentioned and finely crafted film, which shies away from taking any stand. A good watch for the people who believe that India has progressed a lot and things go just fine if your stock exchange functions smoothly. And yes, claps for the last ultimate voice-over of the film.
Full review ↗TRM 6.00.0
Overall, 'From Sydney with Love' is meant for the takers of simple and idealistic romance. The makers don't fancy to develop a new love theorem and remains within the comfort zone. Though unnecessary melodrama hampers the pace of the film, still it appeals due to the efforts put in by the newcomers.
Full review ↗TRM 3.5+0.5
The film shies away from delivering a distinct political and cultural message. It doesn't even try to propagate a philosophy which is a trademark of Priyadarshan's earlier acclaimed films, but he should be praised for showcasing a rural setup (How many village based films we see in a year?). At least, he is featuring the lives of people who form the major chunk of Indian population.
Full review ↗TRM 2.7+0.3
'Love You to Death' or 'LYTD' is another small budget film which has been made with good production values. The storyteller has given a lot of thrust on the climax and thus the audience feels a bit detached during the initial scenes. However the rising tempo of the story keeps one glued to the chair till the penultimate scene. The ultimate sequence gives a very subtle message but till then the film becomes dark and the spectator starts to identify with the characters.
Full review ↗TRM 4.6
It's closer to 'Paranormal Activity', especially towards the end, but then once again who is interested in watching a direct and childish copy. The film has a masterstroke in the end when it features the director's name and the screen goes black after it. people keep waiting for the end credits but it never rolls. The film definitely has scary moments but the length mars the excitement.
Full review ↗TRM 4.7
The climax is uselessly dragged and doesn't evoke any enthusiasm in the viewer's mind. The camera work is ordinary, so is the editing but the real disappointment is the music of the film. Just one song 'Superman' catches some imagination otherwise the album is a dud. The portrayal of gay community in the film can raise some eyebrows. Their representation is not sympathetic.
Full review ↗TRM 4.4−1.4
The good thing about 'Bumboo' is its climax. You can certainly laugh towards the end. And yes, Mika Singh's song during the credits is worth dancing.Message of the film fails to reach the spectator because Sanjay Mishra gives a really long 'speech' before coming to the crux of the matter.'Bumboo' is a film made with good intentions but somehow the makers couldn't transform the original idea onto the celluloid.You can always watch 'Bumboo' to support the storytellers who dare to go against the established market norms.
Full review ↗TRM 4.1
Avoid 'Valentine's Night' otherwise or no, wait, take your partner to watch it and I guarantee your break up.
Full review ↗TRM 3.4
