Has the film dated over the years? Not at all. Maybe a couple of scenes like Jaya Bhaduri’s flashback for instance could be trimmed but otherwise the whole 204 minutes of it is still a treasured gem. Right from the opening bars of R.D Burman’s memorable theme music to the end, this is one heck of trip.

…one of the best films in recent times, don’t miss it.

While the visuals and production design catches the eye, it’s the screenplay which hits a few bumps. You never really empathize with the characters because the focus is more on Kai rather than the 47 Ronins and within them, it’s mostly about Oishi. There are a few dull moments in the second half, when you want the director to really get on with it.

What could have been a genuinely funny film with spoofs ends up being a nonsensical slapstick comedy.

The film makers have spent considerable amount of effort and money in making the film look good, except in the writing department. Aamir Khan’s character drawing attention after a theft once can be pardoned once but to see the same thing every time, you would need a bottle of Hajmola to digest that.

The visuals in the film standout and a particular action scene while the dwarfs are rafting in barrels, gives you your moneys worth.The length is slightly daunting and there are several portions which might appeal to only to fans of the novel. If you are not aware of the ‘fine print’ of the story you might end up feeling a bit desolate at times.

The choreography and the music are the only non-irritating aspects of the film. As for the acting, they could all have phoned in their part even though Shahid Kapoor shows a little more zest than that.

Watch it at your own risk.

There are no surprises at any stage, it is all so very predictable. And its all the more disappointing because with the ordinary story Dhulia doesn’t elevate it much either. There is the odd scene that you let out a chuckle (like the scene where a dacoit wants to surrender) but by and large it is not very engaging.

Wan clearly has a knack for making horror films, even though the genre has become very predictable he knows how to keep the viewer engrossed. Unlike most gimmicky horror films, he doesn’t scare the viewer every ten minutes but instead, builds up the tension and suspense.

Like most Sanjay Leela Bhansali films, RamLeela has a big canvas, stunning visuals and is very self indulgent. On the flip side, the story inspired by Romeo and Juliet is one of those that have been churned out with clock work regularity. In fact, you wish that Bhansali had treated the story a little differently than just to indulge in those ‘oh-look-how-beautiful-this-is’ kind of shots.