Arrival’s most acute observation is how common language isn’t the only key to keep communication going, but the film appears to not notice it.

Rock On 2 was all about a generation, about love, about growing up, even chasing dreams. But this time round, Farhan Akhtar, Shraddha Kapoor, Arjun Rampal and Purab Kohli film has other plans in place.

Everything is forgotten in the brilliant Inception-like reimagining of cities, streets and buildings that the film deploys, as The Ancient One and her pupils battle out Kaecilius and his lynchpins in different dimensions.

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Director O’Connor has factored in mathematics too to give us a hero who multiplies numbers as fast as he eliminates people, who beats himself literally to sleep while gazing upon a Pollack fixed on the ceiling.

Emily Blunt brings such a raw, pained, mortified portrait of an alcoholic to live that it’s a shame that the filmmakers fail to recognise this as essentially her story.

Fifty-six years later, Antoine Fuqua movie seems way past its sell-by date, and without bringing little new to the table.

Blake Lively starrer can seem repetitive, and a little pointless in the talk that Nancy has going with the seagull and later with a camera.

The Jackie Chan film builds towards a buddy partnership as action remains unimaginative and the laughs few.

It is a desperate attempt at making the audience laugh.