The nicest things about this film are the songs and the cinematography. Ismail Darbar’s songs are well-researched and he has relied heavily on Rajasthani folk music. The song Aankhon is gustakhiyan is beautifully picturised…Sanjay Leela Bhansali has proved again that he has mastered emotional subjects. This film, like his first one, is sensitively handled and keeps things tight, concentrating on just three characters. The rest just come and go. He has avoided digressing into the cliches other films wallow in — khandan ki izzat and all that.