John Abraham is efficient and does what he needs to, Tahir Raj Bhasin adds complexity to his character. However, much more was needed to rise above the sluggish script.

This Vir Das, Soha Ali Khan film has nothing – neither narrative nor engaging characters—on offer.

Mirzya disappoints. Coming from all the talent that’s gathered together for this, that’s even more dispiriting.

Despite Sushant Singh Rajput and rest of the cast’s efforts, the film fails because it is not Mahendra Singh Dhoni’s biography, it is his hagiography.

Banjo has practically no redeeming features. It is about a NRI musician’s (Nargis Fakhri) search for an original sound which leads her to the banjo artist Tarraat (Riteish Deshmukh) and his rag-tag band, and what happens next.

Radhika Apte, Surveen Chawla and Tannishtha Chatterjee’s film is failed by too much violence and unnecessary gloss. Some things are better left to the imagination.

The shenanigans of Emraan Hashmi, Gaurav Arora and Kriti Kharbanda are supposed to be scary. What you get instead is unintended humour.

Nawazuddin Siddiqui is capable of carrying a film on his own shoulders but the film drowns in its own silliness.

Katrina Kaif, Sidharth Malhotra film has all the gloss but no beating heart. Baar baar dekho for this romance? Ha, just wishful thinking.

That big cities are empty and soul-less (and Mumbai, Oberoi’s location, is our biggest) is a familiar theme. Oberoi renews it with a couple of good ideas, but doesn’t manage to give us an underneath layer: you are left wanting more, more depth, something that goes beyond the obvious.
But there’s no doubt that Oberoi has an eye. I will be keen to see what she comes up with next.