Top Rated Films
Sneha May Francis's Film Reviews
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With so much going for ‘Finding Fanny’, make sure you’d step out and hitch a ride with this mad bunch and go on their road-trip because it’s truly one-of-a-kind.
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Remember how Shah Rukh Khan and his girls evoked a strong sense of patriotism with ‘Chak De India’, well, that’s unfortunately absent in this sporting movie. For a five-time world boxing champion, Mary Kom surely deserved a far more imposing Bollywood tribute.
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Kunal Deshmukh’s tribute to the legendary conman Natwarlal is muddled with Bollywood staples of song and dance, and a pretty heroine, reducing it into an unlikely romance…
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It’s not in the same league as ‘Kahaani’ or ‘English Vinglish’, but it still deserves applause for attempting to portray a movie minus Bollywood’s trademark frills. With so much going for ‘Mardaani’, it’s unfortunate that its filmmakers failed to pull it through. That said, we still think it deserves a trip to the cinema just because it’s a step in the right direction.
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It’s all about unintentional comedy and a convoluted philosophy over “give-and-take” that Rohit Shetty flaunts in his rather confused action-thriller…
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As the curtains roll down, we can’t help but notice how it requires a skillset of a different kind to watch Salman’s movies. If you don’t have it in you, please don’t venture out!
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‘Pizza’ manages to revive a genre that was long forgotten in Bollywood, and one that was unfairly reduced to soppy musical romances by the Bhatt brothers.
Hopefully, Akkineni will manage to wipe away the damage.
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Despite some good performances and a few wonderfully written lines, ‘Humpty Sharma Ki Dulhaniya’ stops from being an endearing tale of love, because it blindly piggybacks on the classic without any heart or logic.
It’s much ado about a lehenga!
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Despite the effort and the hype, ‘Bobby Jasoos’ just doesn’t make the cut. At least, not for us, especially since we cracked the case even before Bobby did. Now, that’s not saying much, is it?
While ‘Bobby Jasoos’ is a fair attempt at women-centric characters, it fails to do much else because of its inability to break free from Bollywood stereotypes.
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The romance in the movie is lacklustre, with Shraddha and Siddarth sharing no real connect and ending up completely wooden.
If you thought ‘Humshakals’ was overloaded with bad jokes, then you are wrong. Mohit gives Sajid Khan a good fight with ‘Ek Villain’. The humour here is unintentional, of course!