• A man sits silently, locked in the darkness of a car as the world outside blares and glitters under the glow of the night sky and fairy lights. It’s a defining moment. One where the man is determined to fight the social dictums to swap his unglamorous life for a more celebrated one.  There are no words spoken. Yet, a lot is said.
    Therein lies the beauty of director Zoya Akhtar’s work.

  • Despite wanting to know so much about Lakshmibai, the movie prefers to celebrate her unabashedly without ever throwing an insight into who she really was. So we are left googling for more information!

  • The movie shifts from one scam to another without much thought and relevance, presumably for shock-value. And it shows in its treatment.

  • Director Aditya Dhar manages to launch a striking attack in his debut. Armed with the sturdy Vicky Kaushal, he unveils gun battles, one after another. And you can’t help but marvel at the precision with which the sound design and lights enhance the warfare.  No drama. No dialogues. Just the bullets peppering our screens and our emotions.

  • It’s ironical, and highly unforgivable, that a movie that attempts to empower women, doesn’t even give its female characters much to do, barring handing them token lines so their Simmba can play hero.

  • Shah Rukh Khan, Katrina Kaif and Anushka Sharma Simply Doesn’t Work…

  • At over two hours of screen time, the drill turns tedious and tiresome, and sinks into a mushy mess in the end, never ever coming together as a wholesome movie.

  • Thugs of Hindostan is all fluff and no stuff. Had the filmmakers invested the money where it mattered this movie would’ve been something spectacular.

  • At 161 minutes of screen time, Hirani manages to give Sanju a massive ‘jaddoo ki jappi’, like no other, and one that will surely win over many hearts. But, does that validate the misgivings of a fallen star? I don’t think so.

  • Baaghi 2 desperately hopes that slow-mo shots of the hero’s abs and his stunts, set against blaring background scores, can uplift a dull narrative. Unfortunately, the audience today is far more discerning than that.

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