DHOOM has style, but no substance. DHOOM has gloss, but no script. DHOOM has thrills in abundance, but the outcome is least exciting. In short, DHOOM ranks amongst Yashraj’s weakest films.

Director Anant Mahadevan has extracted decent performances from the main cast, but how one wishes he would’ve concentrated on making the love stories engrossing. The best part of the film, however, is its finale, but the song ‘Yaadon Ki Baraat’ was just not needed at that juncture.