On the whole, DUM MAARO DUM is like fast food that’s high on calories, but falls short in the nutrition department. Yes, it’s slick, stylish and well-crafted, but the fact remains that it lacks the power [in its second hour specifically] to create a dum-daar impression. Business-wise, DUM MAARO DUM caters more to the youth in metros than the hardcore masses in general. Its business in plexes of Mumbai, Delhi, Pune, Gurgaon, Chandigarh, Hyderabad and Bengaluru in particular will be the best. The Nizam-Andhra circuits in particular will also contribute a good chunk thanks to Rana Daggubati’s presence. But the traditional circuits may not react as strongly. In a nutshell, the business is likely to be divided between metros and non-metros, between weekend and weekdays.

On the whole, F.A.L.T.U. banks heavily on the formula that the youth loves. It’s funny, energetic and has a big ace in its smash hit musical score. I would go to the extent of saying that the movie works because it doesn’t pretend to be path-breaking. It offers what the audience desires: Entertainment!

On the whole, YEH FAASLEY fails to deliver.

On the whole, KACCHA LIMBOO comes across as an unripe and undeveloped effort. Disappointing!

On the whole, 7 KHOON MAAF is a dark film that has its share of positives and negatives. However, the film will meet with diverse reactions – some will fancy it, while some will abhor it. The film will appeal more to the critics/columnists and the festival circuit. However, it is not the kind of cinema that will set the box-office ablaze. Ideally, I would’ve given a two star rating for this film, but I am going ahead with an extra star for Priyanka Chopra’s sterling performance!

On the whole, PATIALA HOUSE is a film about attachments, affiliations and familial bonding. It’s a compelling watch, more for its drama and histrionics than anything else. It’s a film that explores the father-son relationship and not just those in India, but around the world should be able to relate to the predicament depicted in this film. The hallmark of the film is the merging of its engaging drama with cricket and that’s what makes this product stand out from the earlier Akshay starrers. Especially its penultimate 30 minutes, which is the brightest spot of this enterprise. If the movie succeeds in pulling the heartstrings of the moviegoer, it would propel Akshay back in the same position he once was after the victory of NAMASTEY LONDON and SINGH IS KINNG.

On the whole, UTT PATAANG springs a pleasant surprise. It has a novel premise and what makes it even more appealing is the way the subject material has been executed. In fact, it’s a difficult film to conceptualize, pen and also execute and should be appreciated by those who have an appetite for out of the box themes.

On the whole, UNITED SIX has a fascinating idea which entertains intermittently.

On the whole, HOSTEL is a solid idea gone awry.

On the whole, TURNING 30!!! has its moments, but they are few and far between. In totality, however, it misses the mark.