ZILA GHAZIABAD is purely for the mass belt, the single screen audience mainly.

…has enjoyable moments, but they are limited to the first hour!

It moves you on several occasions thanks to its emotional quotient, but it needs a strong word of mouth and patronage to sustain from its target audience — the families.

DAVID is more style, less substance. A few moments do stand out, but they are few and far between. Coming from the director of SHAITAN, this one’s a mega disappointment!

A rocking first half, glam and glitz, great looking men and women, spectacular locales, extravagant making, adrenaline pumping action and of course, a solid brand that’s gonna make moviegoers flock the cineplexes initially, but the film lacks the sustaining power thanks to its uneven second half. The writing isn’t watertight, the film lacks a hit score, the climax is far from effective and overall, RACE 2 pales in comparison to RACE.

MUMBAI MIRROR is for those who relish masala movies. Especially for the single screen circuit.

MATRU KI BIJLEE KA MANDOLA holds your attention in parts, but that’s not enough. The first half is lackluster, while the post-interval part catches some steam. However, the excessive length plays a spoilsport. Below expectations!

RAJDHANI EXPRESS has its moments, but they are few and far between.

On the whole, 1920 – EVIL RETURNS scares and shocks in bits and spurts. The film rides on Vikram Bhatt’s brand, more so after the super success of RAAZ 3, but its writing plays the spoilsport.

On the whole, RUSH looks like a rushed job. It could’ve been an interesting take on ambition and aspiration, but it comes across as a half-baked product.